If you aren’t a fan of Nancy Meyers, I can’t imagine you will be interested in seeing Home Again. And in the off chance you—someone who thinks Nancy Meyers movies are insufferable portraits of rich white people whose “problems” (like home sharing gone awry, writer’s block, not having enough ovens, the burden of…
Between her speech at the Women’s March and her mocking impression of Ivanka Trump on SNL earlier this month, it would seem Scarlett Johansson is becoming more comfortable expressing an opinion on DC politics in public.
Nancy Meyers, the writer/director who gave us unforgettable comedies like Private Benjamin, Baby Boom, and Something’s Gotta Give in addition to beautiful kitchens like Diane Keaton’s warm traditional in Father of the Bride, Dennis Quaid’s bright, open concept in The Parent Trap, and Meryl Streep’s under-ovened in …
It turns out that hundreds of reviews trashing Stonewall, Roland Emmerich’s wildly misguided, whitewashed parody of the Stonewall Riots of ‘69, were effective in their goal of steering weekend moviegoers in literally any other possible direction.
There are shots in many Nancy Meyers movies that tend to elicit gasps from their audiences. These shots aren’t violent or sexual, they’re just...kitchens. Perfect kitchens basked in perfect light and covered in perfect bowls of perfect fruits, all occupied by Meyers’s imperfect women.
I almost missed The Intern. Not because of a ticket mishap or projector problem, but because it came this close to not getting the green light. Nancy Meyers, the film’s writer and director, says it was the hardest movie she’s ever made, and that the process of selling it was both “frustrating and disheartening.”…
Nancy Meyers is late. Since her first film, 1980’s Private Benjamin, she’s never gone more than five years without writing and/or directing a new one—and she usually just needs two or three. But it’s been six years since It’s Complicated, so a new Meyers joint is—to many—reason to rejoice. Mostly because, ahhhhhhhh oh…
The return of Nancy Meyers is nigh! The writer-director behind What Women Want, The Holiday and the Father of the Bride movies, is back with her latest film since 2009’s It’s Complicated. It’s called The Intern, and stars Anne Hathaway as the founder of a fashion startup who befriends her new senior intern, played by…
Nancy Meyers’ The Intern has a trailer, you can watch it in the YouTube video player above, and I’m so happy to be writing this sentence. The movie, written and directed by Meyers, stars Anne Hathaway as Jules Ostin, the founder of a successful startup in Brooklyn, and Robert de Niro as Ben Whittaker, the retiree…
The cover story of this week's New York magazine is a delightfully lengthy interview with Chris Rock by Frank Rich and in it, Rock expounds race relations in America, whether his kids think he's funny and his love of Nancy Meyers.
Shrill, polarizing funnyman Zach Galifianakis just got engaged to his longtime girlfriend Quinn Lundberg and the couple's already planning the nuptials for August 11th. Lundberg is the co-founder of Growing Voices, a non-profit organization that connects international donors to community-based projects.
While it's a terrible time to be an intern, it's great time to make movies about them: Two intern-related comedies are going into production in the next year. The first, titled The Intern, will be written by — break out the white wine and billowy button-downs — Nancy Meyers and starring Tina Fey as the head of a…
Few have tried to defend today's romantic comedies, maybe because in that category, money does most of the talking. Still, here is producer Lynda Obst striking out on their behalf — and, apparently, against New York Times critic Manohla Dargis.
It would be hard for a film starring Meryl Streep, Alec Baldwin, and Steve Martin to not be entertaining, but critics complained that It's Complicated is just an unrealistic "fem fantasy" about conspicuous consumption and revenge against philandering husbands.
Kim Cattrall calls Sex and the City the answer to post-feminism, Nancy Meyers is all over the news, and it's starting to look like a the path to female empowerment is paved with Manolos and really nice bedsheets.
Daphne Merkin's profile of director Nancy Meyers in the forthcoming New York Times Magazine skillfully captures the conflicted feelings many of us have about the work of this successful, yet ultimately limited, filmmaker.
Love or hate their recent movies, it's hard to ignore that Meryl Streep and Sandra Bullock are having a commercially robust moment—giving more than one observer hope that the tide is turning for Hollywood women over 40.
