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Fancy Men's Magazine Jumps On Blackface Trend

Illustration for article titled Fancy Mens Magazine Jumps On Blackface Trend

Cool things about this L'Officiel Hommes spread: hey look, a black man is in an all-American-themed shoot! Terrible things about this L'Officiel Hommes spread: that's not a black model. That's a white dude in an afro wig and makeup.

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After shoots with models who were made up to look as though they were of other races started off in the upper reaches of fashion culture, Vogue Paris, then showed up in Yank imitation V, then downcycled further to that hip fashion vehicle known as America's Next Top Model, we kind of hoped that this discomfiting trend would die, unmourned, the casualty of that most banal of fashionable offenses: overexposure. When some random magazine in Australia jumped on the bandwagon, we figured blackface would soon be so 2009.

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Illustration for article titled Fancy Mens Magazine Jumps On Blackface Trend

Enter Milan Vukmirovic, L'Officiel Hommes editor in chief, photographer, and co-founder of the Paris boutique Colette. Vukmirovic, who is French, shot the Brazilian model Arthur Sales for this 13-page editorial, entitled "KEEP IT GOIN' LOUDER."

Illustration for article titled Fancy Mens Magazine Jumps On Blackface Trend
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You can see the whole thing here.

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And once again, we find ourselves saying: in an industry where plenty of talented black models — and models of color generally — are still often passed over for work, why are these spreads becoming increasingly common? L'Officiel Hommes can't bring itself to use an actual black model, but it'll happily recolor a white one. What kind of message does that send?

L'Officiel Hommes #19: Keep It Goin' Louder Arthur Sales By Milan Vukmirovic [Fashionisto]

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DISCUSSION

I hate to say this because WTF, but I actually feel like the only person involved in this "trend" who maybe at least had good intentions was Tyra Banks. Because at least Tyra saw it as a chance to experiment with perceptions of race (albeit in a shallow, stereotypical way). And ANTM is many ridiculous, horrible things, but it does try hard (and often succeeds) at being diverse. I'm not saying the ANTM thing was successful, but you could kind of see how the intent was a positive thing, even if the execution was cheesy and weird (as with most things ANTM).

Ugh, it is an odd day when I find myself defending ANTM as more legitimate that Paris Vogue. But here we are.