There was a dramatic drop in the number of female writers in the last television season, and AOLtv's Maureen Ryan asked a few people high in the ranks — men too — why that happened. The answers will depress you!
According to a San Diego State University study, only 15 percent of the writers in that season were women. In 2006-2007, 35 percent of the writers were women. Maureen Ryan talked to a bunch of writers and producers, some of whom gave their names:
"The situation is getting worse," said one veteran woman writer. "In the '90s, the networks cared more. They don't anymore." For others, it made them re-evaluate gains they thought women had made. "I had certainly perceived the situation as getting better and better for women — I am rarely the only woman in the writers' room anymore, and I encounter more women at the higher levels," said Jane Espenson ('Once Upon a Time,' 'Torchwood,' 'Buffy,' 'Battlestar Galactica'). "I remember what it was like 20 years ago, and this is not that."
All it takes is to think that all the gains have been made and things start slipping back. Other writers talk about how in tough economic times and with their business model up in the air, networks go for the familiar, which means more dudes. And some showrunners think having one woman writer is enough, though that's not easy on the sole woman in the room. One writer said she had worked on a show that fired the only woman on staff every few months, and compared her own experience to "walking around with a target on your back."
A male writer on one of the shows mentioned, Terra Nova, has already bristled. "Despite mostly anecdotal evidence and faux-conspiratorial conjecture, I was ready to hold my peace" on the story, Jose Molina wrote in a Twitter exchange you can see here, taking issue with how Ryan crunched the numbers on his show. Huh. Can you get less anecdotal than the overall numbers for the entire industry?
The 2010-2011 numbers might look better, since women are asked to write women and women are starring in a bunch of fall TV shows. But the result so far is nothing to get excited about, according to Slate's Jessica Grose:
The slew of new lady comedies rehash old stereotypes about long-term relationships between men and women, the elaborateness of female grooming rituals, and using feminine wiles to get what you want. As Entertainment Weekly's Ken Tucker puts it in his preview of The New Girl and Two Broke Girls, "These two shows aren't so much about girl power as girl strategy."
Ugh. That's enough of that. Instead of this crap, everyone should watch The Hour on BBC America (it's on demand!) which includes as a major part of its ensemble a smart, driven woman (played by the gorgeous and feminist Romola Garai), who's a top producer on a 1950s television show and has to fight to be taken seriously by sexist men. And yeah, all of these stories makes it sound like The Hour could just as easily be set today.