Tamisha Iman Deserves Everything, Even If RuPaul's Drag Race All Stars Doesn't Deserve Tamisha Iman
Entertainment

RuPaul’s Drag Race season 13 has officially ended, with Ru and the head honchos at World of Wonder having crowned Symone, from the House of Avalon, who was a fan favorite and front-runner throughout the competition. The grand finale was a cataclysmic televised drag event, with a hotly debated top four, and a season rife with accusations of what Alyssa Edwards once memorably described as “rigor morris.” Notable among the critics is Tamisha Iman, whose own elimination at the hands of top four finalist Kandy Muse kickstarted much of the speculation about production mishaps.
In a recent Instagram Live, she accused the show of “fuckery” behind the scenes, adding that she was “pissed with a way a lot of the stuff has went” and that as “soon as this contract is up and I can voice my opinion” she would do… exactly that! It’s almost too bad, because there is a universe where Tamisha Iman is the most famous and successful drag queen in America. Sadly, we live in this one, where both RuPaul’s Drag Race and World of Wonder don’t deserve her in the slightest.
So what’s the buzz with Iman this week? Well, in the wake of the finale, and amid news that All Stars season 6 has moved to Paramount+, gay Twitter has resurfaced performance videos of Tamisha Iman dating all the way back to 1998, before some of the queens her season had even been born.
An early narrative about Iman in season 13 was that she was the legendary mother of the “Iman dynasty,” whose children included Tandi Iman Dupree, famous for a stunt involving a Wonder Woman costume and a drop from the ceiling, for which the judges all praised her. She was outspoken about her history as a choreographer and performer, telling viewers she had mentored many of the queens in Atlanta, including fellow contestant Lala Ri, who won later won Miss Congeniality for season 13.In the above video, that knack for dance makes itself clear, as does her deep understanding of performance and spectacle on stage. It’s extremely pageant in nature, like most Atlanta drag, while also filled with pop star worthy choreography, like when she delicately unwraps her headdress to reveal a matching wig—a staple of American drag queens—later doing the same with her dress. And look at the way those dancers fling her around, with one even doing a full twist into the splits while she’s lifted up into the air like a cheer competition.