To celebrate the movie’s 20th anniversary, Rolling Stone gathered interviews from Korine, Clark, the cast and producers to put together an oral history.
Fitzpatrick talks about getting into fistfights on set while Clark, at 50, taught himself how to skateboard in order to keep up with the kids. Dawson experienced her first kiss between shooting while Sevigny discusses dating and subsequently moving in with Korine after the film was made. Korine describes the weird course of events leading to the gig with Clark:
I had put my number on the videotape, and got a phone call that he liked [my stuff]; he wanted to see if I could write. By this strange coincidence I had just written a script for a school assignment, about a kid whose dad takes him to a prostitute on his 13th birthday—he talks the kid through the whole process as he’s boning. Larry seemed excited by it. He said he had this idea to make a movie about a kid, Telly, who takes girls’ virginities, like a kind of virgin surgeon.
I figured it should take about a week to write. There was a very simple outline that Larry had come up with, but otherwise I really didn’t know what would happen from page to page. I just sat down and let it fly.
Other gems include Sevigny’s first taste of fame:
When the film went to the Indie spirit awards, they brought us all. They put us all in the Chateau [Marmont] and we were all in one bungalow. I brought my mom. I remember being at the pool, and it was one of my first times in LA, and my mom had like some crappy point-and-shoot camera, and I was like mom, it’s too bright. And Paul Schrader was sitting by the pool, and he was like ‘You’ve got to learn to look in the light if you want to be an actress.’ I was like, whoa.
And this gem from Korine:
At Cannes, I was like skateboarding down the red carpet. It was funny and completely retarded. Mostly it was the girls who were around that were exciting for me. I remember seeing a girl deep-throating an ice-pop made of caviar, and she’s wearing, like, a thong. It was another world.
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Image via Miramax Films/screencap.