Another Man Has Written About Who Margot Robbie Is

Illustration for article titled Another Man Has Written About Who Margot Robbie Is

Celebrity profiles must somehow convey the legitimacy of their star power, some undeniable quality that explains their image over-saturating our screens. With women, that quality is generally defined by sex appeal, and that sex appeal is generally written about by men.

Margot Robbie is certainly very sexy. It was solidified in her Vogue interview that she is the hot blonde of our era, and that it was largely her part in Wolf of Wall Street that created her persona. In a new Vanity Fair article, that point and many others like it are repeated by interviewer Rich Cohen:

In the screenplay, Terence Winter describes the character simply as “the hottest blonde ever.” A Brooklyn-born striver, the Duchess hitches herself to a drug-addled, morally compromised wunderkind played by Leonardo DiCaprio. Robbie went off script in the audition to slap DiCaprio hard across the face. And got the part. Other roles followed, none particularly memorable. As Celine Joseph in Suite Française. As a war reporter in Tina Fey’s Whiskey Tango Foxtrot. As a con artist being schooled by Will Smith inFocus. But none of that matters. It was Wolf that defined her. It put her up with Sharon Stone in Casino and Cathy Moriarty in Raging Bull—one of Scorsese’s women.


One of Scorsese’s Women. (Scorsese, with whom interviewer Rich Cohen co-created HBO’s Vinyl. Hmm.)

Of course, the big reason Robbie is so in our face right now is the release of both Suicide Squad and Tarzan, in which Robbie plays Harley Quinn and Jane, respectively. Cohen worked with Tarzan’s producer Jerry Weintraub, who died while the film was in post-production. He spends a significant amount of time focusing on how Weintraub, another man, saw Margot Robbie—a throwback to a bygone era:

Jerry spoke of the actress in a tone he reserved for the big stars, the sure things, the Clooneys and Pitts, those whose magnitude seems old-fashioned. “When I think of Margot Robbie, a single word comes to mind,” Jerry said. “Audrey Hepburn.” In comparing Robbie to the classic movie stars, Jerry Weintraub meant that she is big-time, bankable, elegant...

I looked at Robbie in a new way, tried to see her as she must have looked to Jerry. An echo, a throwback. “A single word: Audrey Hepburn.” From another place, another time. In her, Jerry may have seen a kind of lost purity, what we’ve given up for the excitement of a crass, freewheeling, sex-saturated culture. It’s a revolution suggested by two points in the Margot Robbie oeuvre. It’s how Pan Am, a fantasy of jet-age America, where Bryn Mawr girls took to the skies in search of husbands, becomes Jordan Belfort’s Wall Street, where the Duchess stands nude in a doorway, turning slowly, like a Ferrari on a showroom platform, a human being remade by the late 20th century, coked up, cashed out, and hung on the wall like a trophy.

Through Weintraub and Scorsese and Cohen’s eyes we can look at Margot Robbie as a sexual fantasy. That’s obviously where Cohen’s mind was as he wrapped up his interview, focusing once more on Robbie’s sex scene with Leonardo DiCaprio in Wolf of Wall Street. He asks her about her process, how uncomfortable it was to simulate sex in a movie that came out three years ago. For journalism.

“Were you worried you were not going to be able to do it?”

“There isn’t an option. It’s just like, This is what you need to do—get on with it. The sooner you do it, the sooner you can stop doing it.”

“It just seems very awkward.”

“It’s so awkward.”

We sat for a moment in silence. She was thinking of something; I was thinking of something else. Then she stood, said good-bye, and went to see a friend across the room. Jerry was right. She looked just like Audrey Hepburn going away.


What on earth was he thinking of?

Image via Getty.

Contributing Writer, writing my first book for the Dial Press called The Lonely Hunter, follow me on Twitter @alutkin

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“Was it hard to “do it”?” I whispered gently salivating into my children’s portioned French toast.

Margot Hepburn-Robbie-Monroe Anderson-vagina-clitoris-blowjob Magee looked up, her sweet, baby-like, doe eyes pulsating with sexual prowess and lady-like dignity.

“When the president calls...” She said breathily-her breasts almost certainly underneath her clothing. “And tells you to have pretend sex with Leonardo Dicaprio or the asteroid will hit earth....” Big, rolling, lubricant-like tears slipped past her three feet long, school girlish eye lashes.

My erection grew. I could tell she found it to be an enormous compliment.

“It was uncomfortable but this is worse and you’re making me afraid,” she said clearly enjoying my strong manly hands restraining her wrists. “My friend is over there...” She seemed to be gesturing at whomever had just walked in through the door or maybe the waiter. She was like a frightened, curvy rabbit with whom I’d like sexual relations. I let go of her hands-a slight bruise the only indication that our two souls had ventured to meet on this starry, whorey night.

“Bye Audrey” I said-our private joke-as she tried to dial 911 under the table. Her face flooded with emotion. Was it regret?

Then, then. Then. She walked away-confidently, shyly with grace that reminded me of grace kelly and hips that reminded me of a prostitute I’d murdered in Mexico City once. I’m almost certain she wished she could stay. And as I watched her go, my sweet little Audrey, a little part of me wished my journalistic integrity could have let her.