The Beauty Myth author and feminist Naomi Wolf's Vagina dropped this year (sorry—just to be clear, it's her new book Vagina: A Biography), and makes a variety of claims
The Beauty Myth author and feminist Naomi Wolf's Vagina dropped this year (sorry—just to be clear, it's her new book Vagina: A Biography), and makes a variety of claims
Despite much hand-wringing about the state of women and television, one person doesn't seem too worried—and she should know better than almost anybody. Here's what Amy Poehler had to say about television's depiction of women in an interview with Ariel Levy during this week's New Yorker Festival:
What a thrill it is, every once in a while, to read a rip-roaring take-down! Today's specimen is Reed Krakoff, the Coach designer who launched his own super-expensive namesake brand last year, who is profiled by Ariel Levy in this week's New Yorker. Levy — whose last fashion profile was an exceptionally warm…
Anne Hays noticed that the two most recent issues of the New Yorker featured almost exclusively essays and reporting by male writers. So she's returned those copies to the magazine, accompanied by a blistering open letter to the editors.
The 2008 Republican candidate discussing House Speaker Nancy Pelosi, in an email message to the New Yorker's Ariel Levy. [New Yorker]
Thoughtful articles by Ariel Levy and Judith Butler explore the larger issues of sex and gender behind Caster Semenya's story — and how the mishandling of the young athlete's "gender testing" has affected her life.
Ariel Levy recommends Andrea Dworkin's Heartbreak and Janet Malcolm's Two Lives: Gertrude and Alice. We'd like to add Hélène Cixous's "The Laugh of the Medusa" and Margaret Atwood's The Handmaid's Tale. You? [The New Yorker]
In this week's New Yorker, Ariel Levy complains that feminism has turned into "identity politics," focusing on getting women in positions of power but not on what they should do when they get there.