As Milan winds down, some of our favorite fashion critics [Ou est tu, Robin Givhan?] waxed not-so-poetic on what they've seen over the past few days. Gucci was universally slammed. Marni, Ferragamo, Dsquared, and Missoni got words good, bad, and ugly all thrown at them. The poison pens are out, there, and we're looking forward to the start of Paris Fashion Week on Monday - who shall be Cathy Horyn's next victim? In the meantime, we mourn those slain by Horyn this week.

"[R]elentless parade of broken-down Marimekko prints" "'50s jukebox skirts" "lack of cultural awareness" "Ms. Giannini may not want to give Gucci a mean, sexy edge... But what does interest and inspire her as a designer?" —Cathy Horyn, The New York Times

"[A]nother Gucci glam slam for after dark" "energetic attempt to turn rock chick into rock chic just didn't happen" "pert party dresses and 1960s graphics...just seem so passé" "for people who party harder than they work" "many of her instincts are good" "parade of cute, commercial outfits" —Suzy Menkes, International Herald Tribune

"[A] difficult thing to categorize" "boyish checked shirts, and the odd little cropped biker jacket, including a noticeably good one in black snakeskin" "unrelenting combination of black, white, and a particularly harsh sunflower yellow" "the show was bumpy" "an off moment" —Sarah Mower,


"A dungeon might be more fun than some of Consuelo Castiglioni's sad sacks" "cruelly linear shapes" "take some expensive cotton, print it with a streaky esoteric pattern and then make a shift that's gathered in random places" "If this weren't such a cool label, you'd wonder how much design or thought was involved." "just seemed boring" —Cathy Horyn, The New York Times

"[T]he story of the season" "the colors were a modern art riff" "intriguing example of the Marni duality" "plasticized finishes have lost their shock value" "powerful collection" "interpretation of the new fashion volumes" —Suzy Menkes, International Herald Tribune

"[A] staple formula" "one of the brands upon which Italy's pride as a style leader rests" "Castiglioni took the don't-mess-with-success approach" "easy-on-the-body loose-waisted shifts" "wonky-but-right abstract gathers and tucks" "seen before" "cute petaled cone hats" "didn't seem overly concerned with breaking too much new ground" —Sarah Mower,


"[F]resh" "sensuous lightness" "terrific tunics and smock dresses" "[o]ccasionally it worked" "hard to see what connected a baby-doll dress of beige silk knit and stone-embroidered chiffon with a mustard tunic of lace-cut cotton" —Cathy Horyn, The New York Times

"[A] friendly-scale line of highly identifiable knits and prints" "a bit of this and a bit of that" "has a place in a sunny holiday setting" "any piece would make a girl stand out at a relaxed party" "Missoni would do better to devise a more intimate way of showing them" —Sarah Mower,


"[G]leaning the top notes of a supermarket tabloid and spitting them back to us" "a knucklehead version of Dolce & Gabbana" "popular fashion fantasy of an auto-repair garage" "you might wear at Cannes if your film career was tanking" "Rihanna looked fabulous and the gross guys in the front row grinned their heads off" —Cathy Horyn, The New York Times

"Rihanna...took to the runway for a very believable turn as a top model" "a lot of skin for a 9 a.m. show" "pretty standard stuff" "theme, loosely, was party girls and the grease monkeys who love them" "wasn't all trash and vaudeville" "cheap yet satisfying thrills" —Nicole Phelps,


"[O]n the wild side" "just a whiff of Africa" "sophisticated clothes" "accessories are king" —Suzy Menkes, International Herald Tribune

"[S]eized on the seventies" "hopscotching back through the decades...probably wasn't the best tack" "not without its better moments" "[t]he clothes could stand to be more distinctive" —Nicole Phelps,