@berlitzfrench: I just realized the grammatical error in my original post. Ugh. That's what I get for posting with only 3 hours of sleep under my belt... #marisamiller
@thatblackgirl: Well, Photoshop is used to create an "illusion". Implants are used to create breasts that are made out of silicone instead of flesh. There's no reason physical breasts would look "photoshopped on" ust because they have implants inside. #marisamiller
As an Anthropology student, I resent the spelling of that shop name.
But my two American friends are always banging on about how good it is, and they both dress far better than I do, so I'll probably check it out at some point... #marisamiller
I love Ann Taylor - the pieces are usually basic enough that I can rock them for a variety of occasions, with the right accessories. Sure, they're "edge-free", but I add my own edge with jewelry, shoes and bags. #marisamiller
@FashionShowAtLunch: She lost me for good at:
"No, I’m not interested in a Michelle Obama-inspired, stretch satin, office-party ‘mistletoe moment’ dress, thank you very little."
We can't all wear "Frankenhooker" boots to work Cintra! Some of us like collecting cardigans and wool skirts--preferably ones that cost less than $100, thanks.
@lolabee: I read it as, "I have no problem with fat chicks wearing my clothes but designing stuff that flatters a body with curves and stuff that deviates from my dressmaking mannequins is HARD and I'm too lazy." #marisamiller
I MUST go see this show -- I know everyone thinks her flower paintings are pretty, but her earlier, abstract works are my favorites. It's cool that some of her lesser-known works are getting the attention they deserve.
@RosePetalPlace: "Blue and Green Music" was the first piece of artwork that I completely fell head over heels in love with when I was fifteen. I'll be heading to this show this very weekend, and if my sister wants to go when she visits in October, I'll be going again.
Of course art critics are men - which explains a great deal. Men - who have designed every phallic monument, planes, jets - so many things that are a testament to the male member - clearly felt threatened by this woman who had so much talent. Her cityscapes, landscapes, flowers, and abstracts are all incredible. She was far from a one note artist - which must have had those poor men's (including Stieglitz) scrotums just shriveling in fear.
@PaintedTrollop: Ha! Excellent point, though I do wish your comment was accompanied by some illustrations to "drive" your point home!
Agree. O'Keefe's art is proving to not only remain commercially successful, but withstand the test of time. That's the truest test for any artist—longevity, and if their voices can speak across the spans of time and still remain loud and clear.
@morninggloria: Kind of. It's common knowledge in art-school that the bulk of her flower work were metaphors for female genitalia. I can see it clear as day, but I can't tell if I'm just so used to reading paintings, it's second nature to me.
There's other themes in her work, too, though, like how organic forms, when blown up and zeroed in on, resemble each other, linking the human form back to nature in a way that's not just sexual. Kinda how Chuck Close used circles that, when pulled back, are a portrait, it can also be a play on depth of field as well.
As with all art, there's is no "wrong" answer. What you see and get out of it is as valid as any explanation any artist can supply. O'Keefe just gave words as a base structure with which to view her work. Take from it what can, or want, or don't, and that's about it. She simply saying, "this is how I may see it at times".
Stieglitz was forcing her to put it into a "box" (pun intended) probably thinking it would make her art sell better, like the old adage says "Sex sells", but her work is deeper than just genitalia. It's masterful in terms of her colors, shapes, and compositions.
1) So if Georgia O'Keefe was wildly successful, and all these people had and have lovely, richly colored flower-vaginas hanging on their walls and in the pages of art books, why are women's sexual organs still so obscene?
2) I feel that at least 65% of my Jezebel comments contain the word "vagina."
@Vivien Smith-Smythe-Smith: You just reminded me of a book (maybe a series), in which the main character befriended Andrew Wyeth's daughter (I think). Sadly, I thought AW was made up, until I later discovered he was a real, live, (and amazing) artist.
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But my two American friends are always banging on about how good it is, and they both dress far better than I do, so I'll probably check it out at some point... #marisamiller
10/21/09
These are the same sort of people who pay homeless guys to beat the shit out each other, aren't they. #marisamiller
10/21/09
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10/21/09
Suck it, Cintra Wilson. #marisamiller
10/21/09
10/21/09
"No, I’m not interested in a Michelle Obama-inspired, stretch satin, office-party ‘mistletoe moment’ dress, thank you very little."
We can't all wear "Frankenhooker" boots to work Cintra! Some of us like collecting cardigans and wool skirts--preferably ones that cost less than $100, thanks.
Also, I love the Kelly reference. #marisamiller
10/21/09
1. Victoria Secret Runway Model
2. Tax Professional, H&R Block
3. Seductively-Arranged Lounger, My Bed #marisamiller
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I have such a major girl-crush on Freja Beha Erichsen. #ragtrade
10/21/09
Was she misquoted? That sentence is so awkward it becomes contradictory. #ragtrade
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Agree. O'Keefe's art is proving to not only remain commercially successful, but withstand the test of time. That's the truest test for any artist—longevity, and if their voices can speak across the spans of time and still remain loud and clear.
09/18/09
So basically, Georgia O'Keeffe's paintings were essentially Megan Fox's quote about men fearing "a powerful vagina", but prettier?
09/18/09
There's other themes in her work, too, though, like how organic forms, when blown up and zeroed in on, resemble each other, linking the human form back to nature in a way that's not just sexual. Kinda how Chuck Close used circles that, when pulled back, are a portrait, it can also be a play on depth of field as well.
As with all art, there's is no "wrong" answer. What you see and get out of it is as valid as any explanation any artist can supply. O'Keefe just gave words as a base structure with which to view her work. Take from it what can, or want, or don't, and that's about it. She simply saying, "this is how I may see it at times".
Stieglitz was forcing her to put it into a "box" (pun intended) probably thinking it would make her art sell better, like the old adage says "Sex sells", but her work is deeper than just genitalia. It's masterful in terms of her colors, shapes, and compositions.
09/18/09
2) I feel that at least 65% of my Jezebel comments contain the word "vagina."
09/18/09
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(actually, in all seriousness, that is how I first found out about O'Keeffe as a kid. So thanks, Ann M. Martin!)
09/17/09