<![CDATA[Jezebel: V.C. Andrews]]> http://cache.gawker.com/assets/base/img/thumbs140x140/jezebel.com.png <![CDATA[Jezebel: V.C. Andrews]]> http://jezebel.com/tag/v.c. andrews http://jezebel.com/tag/v.c. andrews <![CDATA[ Austrian Man Locked His Daughter In The Basement For 24 Years ]]> evil42808.jpgUpon first reading the horrific story of 73-year-old Austrian Josef Fritzl, who locked his daughter, Elisabeth, in the family cellar in 1984 and proceeded to allegedly father as many as seven of her children, my reaction was damn, that is some V.C. Andrews shit. But then I read more of the reports, and I can no longer relate Fritzl's crime to a campy, pop culture artifact: Keeping your daughter and half of her children locked for over two decades in what authorities describe as a damp, narrow "series of underground rooms equipped for sleeping and cooking," according to the BBC, is nothing short of evil. CNN reports that on August 8, 1984 Fritzl's daughter, the now 42-year-old Elisabeth, was enticed by her father "into the basement, where he drugged her, put her in handcuffs and locked her in a room." Elisabeth, who had been sexually abused by Josef since she was 11, was reported missing two weeks later.

This crime, perpetrated in the town of Amstetten, 93 miles outside of Vienna, was only discovered because Elisabeth's 19-year-old daughter, Kerstin, became so seriously ill that she had to go to the hospital. A DNA test done on Kersten showed that Josef was her biological father, and that set off an investigation that uncovered Josef's "house of horrors," as many papers are calling it. One of the more bizarre aspects of the gruesome tale is that Josef's wife, Elisabeth's mother Rosemarie, reportedly didn't know about what was going on in her cellar, and thought the three children that she and Josef were raising above ground were left on their doorstep by the still-"missing" Elisabeth.

The case is somewhat of a national embarrassment for Austria, as in 2006, it was discovered that a woman named Natascha Kampusch had been held in a cellar for 8 years by an abductor, Wolfgang Priklopil, who had kidnapped her when she was 10 years old. Austrian newspaper Der Standard said in an op-ed about the crimes, "The entire nation must ask itself just what is fundamentally going wrong."

All six of the children — three boys and three girls — who were raised in the Fritzl's household are now in the care of authorities. There was a seventh child, who was the twin of another one of the children, but it died shortly after birth and was thrown into an incinerator by Josef. Police spokesman Franz Polzer told the BBC, "[The children] are being cared for individually - those between 12 and 16 years of age who grew up with their grandparents, and two boys who, when they came out yesterday with their mother, saw the daylight for the first time in their lives."

Austrian 'Hid Daughter In Cellar' [BBC]
Austrian Detectives Study Cellar [BBC]
Austrian Admits 24-year Abuse Of Daughter In Cellar [Reuters]
'House of Horrors' Father Confesses [CNN]

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Mon, 28 Apr 2008 09:30:00 EDT Jessica http://jezebel.com/index.php?op=postcommentfeed&postId=384641&view=rss&microfeed=true
<![CDATA[ <i>My Sweet Audrina</i>: The Book Of Sister And Forgetting ]]> SweetAudrina031408.jpg

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wrinkled look at the children's and YA books we loved in our youth. This week, writer/reviewer/blogger Lizzie Skurnick rereads 'My Sweet Audrina', V.C. Andrews' X-rated, 1982 gothic horror novel in which Audrina Adare, an innocent, is Desperately Seeking Sister.

There was something strange about the house where I grew up.

For a three-month span in my early twenties, when I was under the profound misimpression I was an appropriate candidate for a PhD in English literature, I was obsessed with writing a paper on the narrative conceit of what, in a sort of pertinent Q.E.D., I went around calling "The Man You Seek is Yourself." The most obvious example of my pet trope is Oedipus, who is so busy killing his father and sleeping with his mother he doesn't realize he is killing his father and sleeping with his mother, but you see it in mysteries everywhere, from Mary Higgins Clark's Where Are the Children to No Way Out, a.k.a. Last Decent Costner. While reading most mysteries feels like having a scatter of jigsaw pieces suddenly fuse into a picture with a satisfying click, the TMYSIY™ theme is closer to trying to locate, with increasing irritation, the weird corner piece with some blue cloud stuff in one corner and half the villager's hat along the edge, then realizing you've been holding it in your hands the whole time.

SO. Although I would like to attribute my obsession TMYSIY™ with my youthful perusals of Sophocles and attendant ancients, upon rereading the work in question, I must now conclude my obsession with the theory originated with My Sweet Audrina.

For those of you unfamiliar with V.C. Andrews' oeuvre (and pity you, poor souls!), she can best be described as the occultress of the way-too-familiar family, which, in her world, is a cloying blind, a knot of secrets in which sensual spills over into the actionable in fairly short order. Instead of pedestrian pancake-slicing, in an Andrews creation, breasts jiggle ominously, bottoms are spanked until they are duly red, and flat chests grow into buds grow into full, swollen breasts against which men of all ages are helpless, especially if they are genetically linked to the breasts in question.

The Andrews heroine with whom most of you are likely familiar, is, of course, Cathy of Flowers in the Attic's Dollenganger clan, a sister so unfortunate as to be locked up with her brother long enough to imprint herself on his pre-pubescent psyche, thus ruining him for other women forever. On a purely Best-in-Waitingroom level, I have always favored Heaven of the Casteel clan, pure "hill trash" whose violet eyes and teeny waist propel her firmly out of Appalachia. But Audrina, the 9-year-old with a Swiss-cheese memory, "prismlike", "chameleon" hair and, uh, violet eyes, always seemed the youthful template for these creations, a standalone whose story could be taken as a long exercise in how to write a 400-page book in which 90% of the events occur in one house.

When we meet Audrina Whitefern Adare, she is a lonely child living in the shadow of her older sister, who has died in apparently horrendous but unknown circumstances. With her in the huge, rambling mausoleum referenced above is her Papa, a rakish tycoon, her mother, the beautiful Lucky, her dour aunt Ellsbeth, and Ellsbeth's daughter, Vera, a venomous slattern who is BAD NEWS BEARS for all involved.

Audrina is tortured by the fact that she has no memories of any of her childhood, and cannot keep track of time, finding that months have passed when she thinks only a week has gone by. Vera, of course, gives her hell about this, and also about the fact that Audrina is the great favorite of the household, while her own mother can barely tolerate her, to say nothing of the uncle and aunt upon whom they both depend. Audrina is also somewhat rattled by the fact that her father is given to locking her in her dead sister's room and making her rock in her dead sister's chair, apparently to access some special "gift", although Audrina only sees visions of being horribly ravished and left for dead under a "golden raintree", which sounds kind of like some eco-friendly detergent but is apparently not.

Into this mix soon come Audrina's love interest, Arden — yup, he's named "Arden" — as well as Arden's mother, Billie, a legless former skating champion who is shockingly beautiful with skin like porcelain. (In Andrews-land, all are preternaturally beautiful until you find their secret flaw: for Audrina, the aforementioned memory loss; Vera, bones so fragile they break is she falls; Lucky, a heart condition; and Sylvia, Audrina's retarded little sister, who is the cause of Lucky's dying in childbirth. Even Arden—so dedicated to Audrina he acquires a symbolic name to keep it at the top of your mind!—will turn out to be not what he seems.)

But in between finding out the grand mystery at the center of the novel, there's a lot of positively filthy stuff to keep you alert. Here's Papa castigating Lucky for her behavior at a dinner party he forces her to have in her sixth month of pregnancy:

"You flirted, Lucietta. Flirted and in your condition, too. You cuddled so close to the teenage piano player on the bench you seemed blended into one person. You jiggled! Your nipples could be seen."
Gotta love that passive! This is followed, of course, by a whipping in bed Audrina sees through the keywhole, which she eventually decides is the cause of Sylvia's condition. Alongside the memory of her sister's rape, the following scene in which Vera describes losing her virginity completes Audrina's sexual education:
"I have seen a naked man, Audrina, a real one, not just a picture or an illustration. He is so hairy. You'd never suspect just how hairy by looking at him fully clothed. His hair travels from his chest down past his navel and runs into a point and keeps going and getting busher until—"

"Stop! I don't want to hear more."

"But I want you to hear more. I want you to know what you're missing. It's wonderful to have all those nine inches stabbing into me. Did you hear me, Audrina? I measured it...almost nine inches, and it's swollen and hard."

Jesus Christ, this book was dirty! But in Andrews, the passages about sex are meted out with a strange primness, as in the scene where Arden's mother Bill winds up in bed with Papa:
"They were in their underclothes, Arden's legless mother and my father, playing intimately with each other."
Jeez, you'd think by the time you socked the legless lady in bed with the dad, you could rock out with something more indelicate than "playing intimately with each other." (Maybe like "great gun cocked and aimed...", another Vera contribution.) It still, however, breaks up the myriad scenes in which characters simply hurl backstory at each other like so many brickbats:
"Ellsbeth," shrieked Momma after some insult about the house she loved, "the problem with you is you're so damn jealous our father loved me better. You sit there and say ugly things about the house because you wish to God it belonged to you. Just as you cry your heart out each night, sleeping alone in your bed, or lying there restless and awake, jealous again because I always got what you wanted—when you could have had what I have if you'd kept your damned big mouth shut!"

"And you certainly know when to open your big mouth, Lucietta!" barked my aunt. "All your life wandering through this mausoleum and gushing about its beauty. Of course our father left this house to you and not to me. You made me want to vomit you were so sweet. You set out to rob me of everything I wanted. Even when my boyfriends came to call on me, you were there smiling and flirting. You even flirted with our father, flattering him so much you made me seem cold and indifferent. But I did all the work around here, and I still do! You prepare meals and you think that's enough. Well, it's not enough! I do everything else. I'm sick and tired of being everybody's slave! And if that's not enough, you're teaching your daughter your tricks!"

Well! There'll be a quiz on all this tomorrow. But rather than spoil all this for you, I'll simply defend Andrews' use of the purple — as well as our enthrallment to it — by saying that, as over the top as she was about it, Andrews depicted the internal experience of pubescence for girls with stunning precision: the dangerous, teeming sexuality implied in the smallest touch, and the knowledge that you are flying blind in a world where everyone knows more about who you've been and who you're becoming than you.

Oh, also: AUDRINA REALLY IS THE FIRST AUDRINA, AND HER FATHER MADE HER BELIEVE SHE WAS HER OWN SISTER AFTER SHE WAS GANG-RAPED.

AND: Vera turns out to be Papa's OTHER daughter by aunt Ellsbeth, has a big old affair with Arden, and, though Sylvia is suspected, is revealed to be the murderer of her own mother and Arden's mother Billie, whom she pushes down the stairs.

ALSO: Turns out Vera TOTALLY set those boys on the original Audrina to rape her all those years ago, because she was way jealous about the Papa thing.

Whatever! You know you were just going to reread it for all the "swollen breast buds" parts, anyway.

My Sweet Audrina [Amazon]
Lizzie Skurnick [The Old Hag]

Earlier:The Long Secret: CSI: Puberty
The Cat Ate My Gymsuit: A Pocket Full Of Orange Pits
The Witch Of Blackbird Pond: Colonies, Slit Sleeves And Stocks, Oh My!
Are You In The House Alone? One Out Of Four, Maybe More
Jacob Have I Loved: Oh, Who Am I Kidding, I Reread This Book Once A Week
Then Again, Maybe I Won't: Close Your Eyes, And Think Of Jersey City
My Darling, My Hamburger: I Will Gladly Pay You Tomorrow For A D&C Today
All-Of-A-Kind Family: Where I Would Put Something Yiddish If I Thought You Goyishe Farshtinkiners Would Farshteyn
Island Of The Blue Dolphins: I'm A Cormorant And I Don't Care
Little House In The Big Woods: I Play With A Pig Bladder Like It's A Balloon
The Grounding Of Group Six: Have Fun At School, Kids, And Don't Forget To Die
Are You There Crazy Psychic Muse? It's Me, Lois Duncan

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Fri, 14 Mar 2008 16:00:00 EDT lizzies http://jezebel.com/index.php?op=postcommentfeed&postId=368138&view=rss&microfeed=true
<![CDATA[ Were You a Judy Blume Enthusiast or a <i>Babysitters Club</i> Nerd? ]]> blume110807.jpg In today's Washington Post, book critic Jonathan Yardley extols the virtues of Laura Ingalls Wilder and the Little House books as part of "An occasional series in which The Post's book critic reconsiders notable and/or neglected books from the past." Though I was never personally a fan of all those Prairie books (they were kind of boring and unsexy for my tastes. Where was the talk of making out and menses??), the article got me thinking about the kinds of books I loved as a tween. I asked the other Jezebels what books they read under the covers in their pre-teen years. Anonymous Lobbyist and I were closet Greek mythology lovers (I particularly loved D'Aulaires). Tracie was obsessed with V.C. Andrews, Moe was into Ray Bradbury, Dodai loved Kurt Vonnegut, and we all were into old standbys like Judy Blume and the Babysitters Club.

So, we're curious. What kinds of books did you guys love as kids? And also, isn't that picture of Judy Blume really hot? The woman is pushing 70! Writing about masturbating teens must be amazing for your skin!

Laura Ingalls Wilder's Well-Insulated 'Little House' [Washington Post]
Judy Blume's Official Website [Judyblume.com]

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Thu, 08 Nov 2007 14:00:00 EST Jessica http://jezebel.com/index.php?op=postcommentfeed&postId=320527&view=rss&microfeed=true