<![CDATA[Jezebel: symbols]]> http://tags.gawker.com/assets/base/img/thumbs140x140/jezebel.com.png <![CDATA[Jezebel: symbols]]> http://jezebel.com/tag/symbols http://jezebel.com/tag/symbols <![CDATA[After Neda: "Now I Have Left Iran, I Can Cry Out To Break The Silence"]]> It's been five months since Neda Soltan was gunned down in the streets of Tehran. In that time, Capsian Makan, Neda's boyfriend, has faced prison, torture, and exile. But he is finally able to speak freely.

In an interview with yesterday's Guardian, Makan discusses his relationship with Neda, her political involvement, and the attempts by the government to suppress the truth following her violent death. Neda's death was one of 80 reported during the protests against the presidential elections, but unlike the others, Neda died live on camera, in a clip that quickly traveled around the world, turning Neda into a symbol of reform-minded Iranians' struggle. According to eyewitness reports, Neda was shot by a member of the religious militia. Her face, and the face of her death, became a central image in the protests, a rallying point for people all over the globe. But as the Guardian notes, "symbols destroy lives." And Neda's was not the last.

In the days following Neda's murder, Makan spoke out to foreign news stations, before suddenly disappearing. It was soon learned that Makan was being held in the Evin Prison in Tehran, where he would stay for more than two months. During his time in prison, Makan was subjected to weeks of solitary confinement, interrogation, beatings, and psychological torture. He recalls being asked to lie about Neda, to say that she was a member of a group opposed to the Islamic Republic of Iran. "They insisted on saying that Neda and I were members of a group with plans to cause these events," he said. They also suggested that Neda had gone intentionally to her death in order to undermine the state, but he could see that even they did not believe this;

"They weren't serious. It was pretty clear that they themselves didn't believe the accusations they were making." What was clear was the damage they felt Neda's death had dealt the Islamic Republic and that he had made it much worse by speaking out.

Then they changed tack. "They said 'The Iranian government is proud of you.' They brought me ice cream and biscuits. Then they wanted me to return to my cell. I went back feeling a little relieved. I thought, OK, let me turn off my light. It was like a searchlight shining straight on my face. Then I realised there was no switch to turn it off."

After months of torture, Makan was finally released on bail, thanks to the pressure placed on the regime by Neda's family, Amnesty, and other international organizations. Once released on bail, Makan's family and friends urged him to flee the country. Despite his initial reluctance to run, he finally escaped. "I didn't want to leave. For one, I believe this movement has not died out, and will never die out. But when I saw the constraints I was under, that they had me under constant surveillance, and that I had to keep silent, I really couldn't stand it," he said. And exile does have certain benefits: Now Makan can speak out, and more fully continue his mission to keep Neda's memory alive. "Now I have left Iran, I can cry out. To break the silence."

He also speaks about the days leading up to Neda's death, and her involvement in the protests. While neither Neda nor Caspian were particularly political, he says that Neda "joined the protesters from the beginning" and had only one goal: "democracy and freedom for Iranians." He recalls discussions they had about the dangers of the demonstrations:

"She said, 'You support me in everything I do, why not this?' I said, 'You don't understand these people. What happens if they catch you?' She said, 'It's not important, Caspian. It's my duty.' She said: 'Caspian, let me tell you the truth. I think that under the circumstances we now have, we're all responsible. Even if we'd had a child, I'd carry my child to these demos on my back.' That's when I realised I couldn't prevent her from going."

He says Neda attended virtually every demonstration. Although he sometimes went with her, Makan was not with Neda on the day of her death. He was taking photographs of demonstrators in another part of the city (Makan worked as a photographer), capturing image after image of security guards beating the protesters. He heard news of his girlfriend's death in the early morning, around the same time that the video clip of Neda, blood pouring from her face as her father screamed, was making its way around the world.

Makan now lives in a small apartment in a city he does not know. He keeps his whereabouts unknown, out of fear for the long reach of the Iranian secret police. Neda's parents, who still reside in Iran, face similar difficulties, but like Makan, they refuse to be silent. On November 4th, Neda's parents were attacked and detailed at a protest. A source told the Times of London that members of the security forces threatened them, saying they could meet the same fate as their daughter. Even more recently, Neda's tombstone was destroyed by supporters of Iran's current regime. A recording captured Hajar Rostami, Neda's mother, weeping over her desecrated grave and crying "My child has no gravestone... You bastards! Why don't you leave my child alone?" From exile, Makan added:

"The breaking of Neda's gravestone broke the hearts of millions of freedom-loving people around the world. The repressors, believing they can stifle the cries for freedom, have even attacked, beaten, threatened and insulted Neda's parents. This is while the Islamic Republic of Iran denies Neda's murder."

Caspar Makan: I Cannot Believe It Yet. I Still Think I Will See Neda Again." [Guardian]
Grave Of Neda Soltan Desecrated By Supporters Of The Regime [Times]

Related: Neda Soltani: Student & Symbol (And Why She Ought To Be Both)

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<![CDATA[Latex, Sex & A Burning Sensation: An Analysis Of Lady Gaga's New Vid]]>
Oh. My. God. I love the "Bad Romance" video so hard. And I love it even more now that I've broken it down frame-by-frame and discovered the underlying themes and hidden meanings. Let's begin:


Fade in. Ms. Gaga, ever the generous host, is just chilling with her minions, listening to music.


She is wearing her razor-blade sunglasses, because a girl can never be too careful. The world assaults us with images! We must fight back! (Or, as she told MTV News: "I wanted to design a pair for some of the toughest chicks and some of my girlfriends - don't do this at home! - they used to keep razor blades in the side of their mouths… That tough female spirit is something that I want to project. It's meant to be, 'This is my shield, this is my weapon, this is my inner sense of fame, this is my monster.") I certainly hope you're taking notes.


FYI: Motherboard, barbed wire or fine screen door mesh manicures are the new hot shit. Adjust accordingly.



Suddenly, there's a flash of light.


A room! With Ukranian vodka! This must be a dream. Or a nightmare?



Coffin-like pods line the floor. Note the one which reads "Monster," as therein lies our heroine.



By the way: Since The Lady refers to her creative team as the Haus of Gaga, this scenario, naturally, takes place in the Bath Haus of Gaga.



The Lady emerges, wrapped up for freshness.



It's important to loosen up the joints and muscles after being transported — nay, kidnapped — into a questionable dimension. Working out with friends keeps you motivated.



Speeding through a hole in the time/space continuum often leaves a layer of grime. Bathing is a must.



Here, her eyes are wide with knowledge, not fear: She is a captive!



Product placement! Did you know that Dr. Dre, who has his own Beats By Dre headphones, worked with The Lady to make Heartbeats by Lady Gaga?



Back to the story: Gaga is ripped from the bath by her captors.



She is really just an innocent young thing, what could they possibly want with her?



Well, first they'd like to strip her of her latex garments…



…Then they'd like to force imported vodka down her throat. The usual Tuesday night stuff.



Fueled by liquor, Gaga is trussed up in a sparkly ensemble, robbed of her Burberry overcoat and forced to dance.



So many male bidders, so little time!



The Man With The Gold Chin Strap takes an interest in Ms. Gaga. Gold+Man= Goldman? As in Goldman Sachs? Is Gaga part of the bailout package?



Her brain aches; she must make a choice. She can flee. Sure. But she can also stay and dance her ass off, use this man the way he wants to use her. She could really, really use the money, you see…



…She's got a little problem with her spine. And Oxford won't cover the surgery.



So she dances. She seduces him because she has to. And because she can.



According to The Woman's Dictionary Of Symbols & Sacred Objects, the bond between cats and women has always been strong. There was a time that the patriarchy, suspicious of this connection, would accuse any woman seen talking to or petting a cat of witchcraft. Cats were sacred to the Ancient Egyptians, and festivals for the the cat goddess Bast were huge. The Norse goddess Freya rode in a chariot drawn by cats, and felines were generally thought to be magic. So save your shaved pussy jokes until the end.




Oooh, looky! Our favorite ankle-snapping Alexander McQueen shoes from his Spring 2010 show in paris. You know, the Futuristic Interplanetary Mutant Alien Queen one. Not Derelicte In Wonderland… that's so Fall 2009.



If you saw the McQueen ensembles and thought to yourself, "Who wears that? Now you know.



Anyway: Gaga drags herself and her bear carcass peignoir to do what she knows she must do.



Mr. Goldman awaits, hand creeping toward his stimulus package.



He'd like to see what he's purchased.



She's happy to oblige.



But! Little does he know — she has power, strength, and can, like a young Drew Barrymore, start fires with her mind.



(See, she has already informed the others that there will be a revolt! That's where the red and the leather come in: Viva La Revolucion!)



Yes, the bed is aflame. Fire can be symbolic of passion, but in this case, she is using it as a weapon, to destroy her enemy.



In the end, her sparkbra is saved, but Mr. Goldman? He is merely a charred skeleton.

The moral: Buy flame-retardant lingerie.




Here's the video clip, sans commentary. Enjoy.

Lady Gaga Says 'Bad Romance' Video Is About 'Tough Female Spirit' [MTV News]
Bad Romance Exclusive Premiere [Facebook]
Lady Gaga Bad Romance [YouTube]

Earlier: Questions About The High Fashion & Domestic Violence In Lady GaGa's Video
An Analysis Of The Underlying Themes In Britney's New Candie's Commerical

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<![CDATA[Oh, Christ.]]> Did you know that the oldest Western religions had "mother" goddesses and not a male god, and that Christianity was similar in its early days? "Late medieval and Renaissance art often features the Virgin Mary, one breast exposed, nursing the baby Jesus," reports Utne. "The mother's breast is a symbol of God's love; her milk represents salvation." Then, after about 1750, naked breasts were either medical or erotic. Author Margaret R. Miles suggest we bring back the breast as it was: "In societies in which violence is rampant on the street and in the media, the nursing Virgin can perhaps communicate God's love to people in a way that a violent image, the image of one more sacrificial victim, cannot." Oh, and a footnote! The Vatican recently clarified that all Catholics baptized in the name of the creator, redeemer, and sanctifier—a popular gender-neutral alternative to father, son, and holy spirit—should be re-baptized using the proper male names for God. [Utne]

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