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Whatever Happened To The "Comedy Of Equals"?

Good news for lady-helmed comedies! Baby Mama raked in over $18 million this weekend, according to Box Office Mojo, beating out Harold and Kumar Escape From Guantanamo Bay by about $4 million. I asked a friend who works in the film industry, and he says that while $18 mil is a definite hit, it remains to be seen whether Baby Mama's success will lead the way for more female-centric comedic films. "Sisters are doing it for themselves but its no Superbad," in terms of box office brawn, my film-y friend tells me. He also tells me that the highest grossing romantic comedy is Wedding Crashers, which earned $209 million. "How much better could Wedding Crashers have been had they given Rachel McAdams something to do besides stand still and look pretty?" wonders Molly Lambert at culture blog This Recording. More »

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Does The Female "Buddy" Movie Exist?

A reader pointed us to a blog called xkcd, where the poster asks, "Quick, name a few recent popular movies where the two top-billed stars are female." Does your mind go blank? Hollywood loves a buddy movie, but when it comes to women, they're usually love interests, or looking for love interests. Especially recently. Of course, indie films and horror or sci-fi flicks often get away with having a woman as the lead (and not in love), but indie ≠ Hollywood. And directors get away with having a woman as the hero in a horror or sci-fi movie because it's not real. It's a fantasy when Milla Jovovich kicks zombie ass or Uma Thurman slashes ninjas with a samurai sword. In any case, the guy from xkcd tallied up the male/male pairings, the male/female pairings, the female/male parings and female/female pairings of a few years' worth of movies, using IMDB to pinpoint the 20 biggest titles of each year. Here's what he found: More »

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Women In Hollywood Speak Out On Women In Hollywood

Today, Salon has the transcript of a roundtable discussion between a group of the most powerful women in Hollywood. The panel was moderated by producer Lynda Obst (Contact, Sleepless in Seattle). Included in the conversation were (among others) writer/director Nora Ephron (When Harry Met Sally), writer/producer Laura Ziskin (To Die For, Spider-Man), writer/director Callie Khouri (Thelma & Louise), producer Cathy Konrad (Walk the Line), writer/director Kimberly Peirce (Boys Don't Cry), and a female studio head: Universal president of production Donna Langley. (Part of the discussion appears in this month's Elle magazine, but Salon has the extended version.) The group touched on a number of subjects, including whether or not women — other than Julia Roberts, that is! — can "open" films. Some of the highlights, after the jump. More »