• Today in pointless clothing lines of the stars: Miley Cyrus and Max Azria's Wal-Mart collection! The digs look well worth every penny of their sub-$20 price point. [Lucky]
• Now, even the Kings of Leon has one. [Blackbook]

• Lady Gaga wants in on the action. On starting a clothing line, she told Flare magazine, "At some point, I will. Right now, I'm more concerned with using my fame to promote young designers such as Gary Card, an artist who designed a piece I used on stage." Why would she do such a thing? "There hasn't been a commercial artist lately that has embodied avant-garde and couture so insistently as myself." [ONTD]
• Gaga has one new position to console herself with: M.A.C. Viva Glam AIDS fund face. Cyndi Lauper will co-star in the campaign to sell lipstick and raise money for research. [WWD]
• The British Fashion Council and British Vogue are launching a fashion prize to encourage young talent, somewhat along the lines of the American Vogue/CFDA Fashion Fund awards, which kicked off in 2003. £200,000 will be awarded to one UK designer who can demonstrate he or she has international stockists, a media profile, and demonstrated need of the money. [Telegraph]
• Angelina Jolie and Shiloh are apparently fans of Stella McCartney's line for GapKids. [Radaronline]
• That Christian Louboutin made his first public appearance in Washington, D.C., under Obama's watch is no coincidence. "For eight years I was invited, but I never wanted to come before. I never wanted to come with Bush," says the shoe designer. "I'm looking forward to coming back — at least for four years." We really want to make a crack about voting with your feet here. [WaPo]
• Roberto Cavalli: "All over the world people don't treat me like a fashion designer; they treat me like a rock star… I can't walk down 5th Avenue without being treated like a rock star. In fact, maybe it's more… Many times I've walked down 5th Avenue with rock stars and nobody pays attention to them. It's very strange." [FWD]
• Gisele Bundchen passed the written exam portion of her pilot's license. Although heavily pregnant, and "Almost too big to fly," according to her instructor, she's still making supervised practice flights up to three days a week. [People]
• Karolina Kurkova has given birth to a baby boy. [People]
• Kelly Osborne: Fan of Spanx. [People]
• Christian Siriano says his new reality TV show will reflect the best of several recent high-profile fashion documentaries. "It's very like The September Issue, very Valentino [The Last Emperor]. We want it to be as cool and as real as possible." Apparently, September Issue director R.J. Cutler wouldn't touch the project, but he did advise Siriano "just to be real." [The Cut]
• Sadie Frost's clothing line with Jemima French, FrostFrench, is opening its second store in London's Soho. [WWD]
• A real ad man of the 1960s has some bones to pick with Mad Men's treatment of the brand London Fog. So an employee of an industry that manufactures fictions objects to a fictional show's fictionalizing history? We shake our heads at the irony. [AdAge]
• JC Penney is being sued for trademark infringement by the retailer New York & Company. New York & Company says Penney's new "NYC Style" slogan is too close to its "NY Style" advertising tag line. [WWD]
• Can Sir Philip Green conquer America? [Bloomberg]
• Polo Ralph Lauren reported a 10% rise in second-quarter profits. [TS]
• Bata shoes was, before Communism, an international brand headquartered in Slovakia. The company town isn't doing so hot right now, with the economic transition and the competition from Asia. [BussinessWeek]
• Liz Claiborne may have had seven consecutive quarterly losses, with the announcement of an eight expected next week, but C.E.O. Bill McCombs doesn't have to worry about one thing: his job security. McCombs recently had his contract renewed for another three years. It's not an unusual strategy: only 38 companies in the S&P 500 have replaced their C.E.O.'s in the year to September 30, down 10 on the same period last year, despite the trying economic times. [WSJ]
• Not so lucky is Missoni's general manager, Massimo Gasparini. He has been let go and his position will not be filled. [WWD]

• Two weeks after adding Nicolas Cage's home to his sheaf of L.A. properties, Ed Hardy designer Christian Audigier has announced he's moving into Michael Jackson's last residence. Audigier will rent the $38 million home from his C.E.O., Hubert Guez. [E!]

• The glove the late King of Pop wore to marry Debbie Rowe has sold at auction for $49,000. [TMZ]
• "I love Japan. I love the people, the shopping, the fashion. I think they have so much fun with fashion...they don't take it too seriously," says Nicky Hilton. Don't take fashion seriously? Because insanely awesome and carefully cultivated street fashion just happens. [WWD]
  
• Mad Men's Christina Hendricks tells InStyle Weddings about her planned wedding to actor Geoffrey Arend, and specifies the designer (Carolina Herrera) and the look (Sophia Loren) of her wedding dress, but doesn't let it be photographed. [People]
• Lily Cole is a model, who is also (very) smart. The Daily Mail took a break from publishing finger-wagging paparazzi photos of her and scurrilous scuttlebutt about her to notice these facts. [Daily Mail]
• Nanette Lepore would like you to remember Labor Day by saving New York's Garment District from rapacious commercial exploitation. [NYTimes]
• Juicy Couture co-founder Gela Nash-Taylor doesn't drink out of common Starbucks cups. She has her own paper cups, because "I'm so into monogramming. I'm doing it on everything right now." [ToL]
• More than 800 stores across all five boroughs are involved in Thursday's shopping-with-fun event, Fashion's Night Out in New York City. Other regional and international events are also planned. [BrandWeek]
• Karl Lagerfeld will be tending the Chanel store with Carine Roitfeld in Paris, for example. [WWD]
• R.J. Cutler's documentary, The September Issue took in more than a quarter of a million dollars over Labor Day weekend. The $40,000 per-screen average makes it the fifth-highest-grossing documentary ever made. [AdAge]
• Meanwhile, Studio 360's Kurt Anderson says that based on the film, the fashion world is "amazingly old-fashioned, like some royal artifact from the 18th Century." [Studio360]
• The Los Angeles Times says the film "charts the intersection of art and commerce with a perhaps inadvertent eye for an excess that wasn't to last." (I am quoted in this article, proving that if you write long enough and, well, long enough on the Internet, someday someone will mistake you for an expert in something.) [LATimes]
• Anna Wintour, for her part, says that complaining about the sea change in the fashion industry that has taken place since the filming of that documentary is "like talking about that house you could've bought for nothing on the beach in Southhampton. Forget it. It's gone. The amazing golden years that everyone in the industry was enjoying were fantastic from a business point of view but also maybe a little unseemly. Every celebrity thought she could be a designer, and how many handbags? How many shoes? How much of a thing does everyone really need?" Then Wintour goes to the Macy's in Queens where she will be — on Mayor Bloomberg's orders that the event not smack of elitism — kicking off Fashion's Night Out, and upon surveying the scene, asks in a horrified voice, "Can we...enhance?" [NYMag]
• Sixteen months of declining same-store sales at the department store chain might make the budget for those "enhancements" leaner, however. [BW]
• And retailers in general, after an apocalyptic fall and winter, and a barely-improved spring and summer, are hungry for the fall sales boost that events like Fashion's Night Out are aiming to provide. [WWD]
• WWD has a beautiful, subscription-only, series of photographs of various New York designers as they prepare for fashion week. Alex Wang looks radiant and un-stressed, but the same can't be said of the male models snapped lining up for a casting at Yigal Azrouël. [WWD]
• Naomi Campbell would like to point out, for all those who called her hypocritical for modeling fur in Dennis Basso's fall campaign, that she actually quit PETA years ago. So her hypocrisy has weathered a few seasons now — like a vintage mink. [SB]
• More bad news for Annie Leibovitz: the practically-bankrupt photographer is being sued by an Italian photographer, Paolo Pizzetti, who claims that Leibovitz used his pictures without consent — or payment — for a Lavazza coffee campaign. Since Leibovitz could not travel to Italy to complete the shoot, which features images of models in romantic poses in front of Italian landmarks like the Trevi fountain and the Piazza San Marco, she had Pizzetti scout locations and take snapshots for her. Then Leibovitz shot the models in a New York studio, and digitally stitched the fore- and backgrounds together. Pizzetti says he was never paid for the rights to his contributions. [AW]
• Lady Gaga is reportedly set to perform during New York Fashion Week at an after-party for Givenchy hosted by Out magazine and to be held at The Box. [WWD]
• On the night of the 13th in New York, a short teaser film for Spring '10 by Gareth Pugh will be screened at Milk studios' M.A.C.-sponsored fashion shows in Chelsea. Although the first screening will be invitation-only, the second is open to members of the public who register on M.A.C.'s Facebook page. [Style.com]
• And newly-minted director Christian Louboutin just wrapped filming on an advertisement for Piper-Heidseick champagne starring model Elisa Sednaoui. [WWD]
• Manolo Blahnik says he never wanted to be a celebrity designer, and blames Sex And The City for his unwilling transformation. "If people talk to me about Sex And The City, I get sick," he told the Telegraph. "The taxi drivers recognize me now. It becomes too much and I don't feel comfortable." [PC]
• Sojin Lee's new online fashion venture, Fashionair, has launched. Lee last worked for Net-A-Porter, and her backer is Simon Fuller's company. [Forbes]
• Giorgio Armani designed a custom costume for a Spanish matador. It's grey and spangled. [Telegraph]
• Despite growing sales, profits for 2008 at Armani shrank by 41.4%, to $188.3 million. [WWD]
• Harold Tillman, a British fashion businessman who already owns Jaeger, has apparently acquired the bankrupt house Acquascutum. [ElleUK]
• Tom Binns for Disney might seem like a weird combination, because, well, it's a weird combination. [WWD]
• The Ebony Fashion Fair, an important industry event for black designers and models, is canceling its fall tour. The largest traveling fashion show in the world, Ebony helped launch the careers of talents like Kevan Hall and Tracey Reese, and raised money for various local and national charities including the NAACP and the Urban League. The economy is the culprit. [Examiner]
• Milan Fashion Week has been thrown into "chaos" by a series of re-schedulings to avoid schedule conflicts, which begat new conflicts and new re-schedulings, and then yet more conflicts and re-schedulings. [WWD]

• Kate Moss's latest fashion contribution: tights that look like you took a drunken prat fall on a gravel driveway. [The Sun]
• The surprise guest of honor at Macy's Glamorama in Chicago: Miss Piggy. [WWD]

• Cindy Crawford: "I have cellulite. I admit it. But sometimes I just say, 'Screw it, I am going to wear a bikini." [Redbook]
• Real Housewife Kelly Bensimon is still talking "exclusively" to gullible (or merely cynical of their readers' attention spans?) publications about her Navajo-inspired jewelry line. "My mother looked like Pocahontas and was obsessed with jewelry, so I really learned at young age how accessories can change your look in an inexpensive way," explains the ex-model. At least she didn't say she was going to take Pocahontas out of the canoe and put her in the disco? [People]
• A French graffiti artist/media prankster tagged a dripping Chanel logo on the side of a Giorgio Armani store in Hong Kong. He was arrested. [ChicReport]
• As one of Fashion's Night Out's eleventy-billion events, André Leon Talley is hosting a life-sized board game tournament. You could play in it. [The Cut]
• And here's a ...deal? If you spend $2,500 on Dior merchandise at Fashion's Night Out, you can have your picture taken with Charlize Theron. [WWD]
• i-D has become the first — and so far only — major fashion magazine to feature women of color on its front cover for the September issue. Earlier this year, Sessilee Lopez and Chanel Iman tweeted separately on the same day about doing "a major surprise cover," which led fashion watchers to assume the two models would be featured together. It turns out that cover was i-D, and models Jourdan Dunn and Arlenis Sosa are also pictured. [Fashionologie]
• There is now a rumor going around about the rumor that Haider Ackerman is replacing the (rumored retired) designer Martin Margiela, which would have it — on rumor, you understand — that Margiela's rumored retirement is all one big hoax from the rumored identity-playful Belgian designer. Allegedly. [Hintmag]
• There are yet more pictures of a gorgeous Isabeli Fontana in +J, Jil Sander's hotly-awaited new line for Uniqlo. [Uniqlo]
• PETA is planning shareholder action at Talbots' shareholder meeting next year over the company's use of Australian wool; PETA holds that Australian sheep farmers' use of mulesing is inhumane. [Dealbook]
• After losing their sales commission, a majority of the employees at three New York Cole Haan stores have voted to unionize. [Crain's]
• Time is calling Abercrombie & Fitch, which has experienced ten straight months of double-digit sales declines, the worst recession brand in the world. [Time
• Also in the red: Esprit, down 26%. [WWD]
• If director RJ Cutler had to compare The September Issue to the Clinton campaign what would he say? "The similarity I would focus on is one of leadership-people who are passionate about what they do and are doing it under high stake circumstances. It's a good way of describing Anna Wintour. It's a good way of describing James Carville. And George Stephanopolous. And Grace Coddington. Though they certainly dress differently." (We'd have gone with, "NA.") [Fashionista]
• Speaking of Vogue: The Australian iteration's putting out a book that's "as much about trends of the time as it is about fashion." [News.co.au]
• Oh yeah, here's the way to pull in the kids: on Friday, the Gap "dressed 1,200 New York Stock Exchange traders in its new 1969 Premium Jeans." [New York]
• Gucci's put out a limited edition watch, sales of which go towards Mary J. Blige's "Foundation for the Advancement of Women Now." WWD describes "The Gucci for FFAWN Twirl watch" as "a sleek black PVD bracelet decorated with the signature double-G motif and a monochrome dial, and its rotating case has black diamonds. The $1,895 watch turns on itself to switch from a bracelet to a timepiece and is engraved with the words 'Gucci for FFAWN.'" It looks like a snap bracelet! But presumably won't be recalled for safety reasons! [WWD]
• American Apparel takes to the web cam. Don't worry: it's just tutorials on how to do different (sartorial!) stuff with bits of jersey and string. [AdRants]
• Speaking of new media, Henri Bendel's defeated the purpose of it entirely by sticking a model in their window for hours at a time, pretending to net-surf. You can friend her. [Observer]

What becomes clear in the film is just how far Wintour's influence ranges within the domain of fashion. In addition to interceding with designers in order to appease retailers concerned with their collections' saleability, Wintour acts as a kind of kingmaker in other ways that far exceed the presumed ambit of her magazine. Thakoon, a young designer, was a runner-up in the Council of Fashion Designers of America/Vogue Fashion Fund Award, and in this clip, he's getting part of his prize: the chance to design a line of three white shirts for the Gap.

But it isn't the Gap creative director who's okaying Thakoon's designs. It's Anna Wintour. When, later in the movie, a journalist for the National Post asks him how it was to get that call from the Gap, Thakoon corrects her: He didn't get any call from the Gap. He got a call from Anna Wintour at Vogue. When the Spanish fast-fashion retailer Mango approaches Wintour about hiring a New York designer as a consultant, Wintour also pushes Thakoon. "Thakoon?" says a clearly jealous Oscar de la Renta, who notes that the Mango position pays extremely well. Wintour replies, "Thakoon."

André Leon Talley, is a man who must live by his own "aesthetics of style." In this scene, he's decked out in designer goods, emerging from his chauffeured car holding a Louis Vuitton racket case, a small Louis Vuitton trunk, wearing Damon Dash trousers, and a vintage 1960s Piaget diamond-encrusted tennis watch. A Louis Vuitton towel is draped over his Ralph Lauren polo shirt. "Miss Wintour inaugurated me into health," he explains, "She saved my life. I guess." Then he plays what could almost be mistaken for tennis.

But the woman who steals this quiet, ploddingly paced movie is stylist Grace Coddington. Although it's a little hard to pick a winner among the Wintour and Coddington duo — in truth neither has the kind of aesthetic sense that commands much awe, as any Vogue reader has seen from Coddington's borderline cheesy styling and conceptualization (especially in her frequent "fairytale" shoots), and from Wintour's predilection for running stonkingly unimaginative spreads with models jumping in head-to-toe runway looks in front of gray backdrops. But Coddington doesn't have to be remade as, as one source calls her in a nice bit of hyperbole, "the greatest living stylist" in order for the movie to work.

To be Wintour's foil, she just has to be her reflective, sensitive, eyes-open self. Standing there on the steps of Versailles, with the wind in her hair and her boss far away, Coddington is likable and one feels that she has earned the viewer's respect.

Earlier: The September Issue: A Portrait Of The Quaint Old Consumer Economy

• "I've thought about clothing and jewelry lines," says Usher. "But fragrance stays on when everything else comes off." [People]
• Bottom of the barrel? For $8, American Apparel will sell you a bag of fabric scraps. [BF]

• Elle Creative Director Joe Zee dined with R.J. Cutler, the director of The September Issue. Which obviously means that he's going to spend two more years making a movie about Elle now! [FWD]
• Says lost soul Ashley Olsen, in fashion, "everyone is just really looking out for themselves. I don't know if I'll be designing this collection forever. A couple of years from now, I'm sure I'll want to do something else, and I'm not going to shy away from that. What if I just want to be an artist, or if I want to go back to acting? Which is not in the cards, but what if I wanted to do that?" [Daily Express]
• An Hermès representative says the rumors that creative director Jean Paul Gaultier is going to leave the company are false. Gaultier has been in his position for six years, and Hermès has experienced continued strong sales from its luxury categories since the start of the recession. [FashionMag]
• Christian Blanckaert, Hermès' director of international affairs, is leaving the company in early September. Blanckaert will become the non-executive chairman of the French children's clothing line Petit Bateau, and is expected to pursue a more international strategy for the brand. [WWD]
• Meanwhile, some anonymous sources in the finance industry are saying that Louis Vuitton Moët Hennessy may spin off DKNY, the Donna Karan diffusion label it has owned since 2001. Or that it may sell Moët Hennessy itself, where revenues fell 17% in the first half of 2009. The reason the luxury conglomerate supposedly wants to free up some cash? To make a bid for Hermès, which is trading well below its usual share price. [Fashionista]
  
• Conservative party supporter Anya Hindmarch: "I started my business when I was 18, and I realized the difference it made having Thatcher in power. It was the start of privatization-there was a feeling of ‘Get out there, get going, be an entrepreneur.' I've seen what politics can do to make a difference. It really inspires me and that's why I've been passionate about it." [VF]
• Lara Stone is set to curate the choices available at Not Just A Label's online shop, a home for avant-garde and emerging designers. Lara's choices go on sale on September 2. [UK Elle]
• Uniqlo has a licensing deal with Disney that'll allow it to roll out Disney-themed apparel starting next month. Which should mean the mouse products will hit stores around the same time as Jil Sander's long-awaited first collection for the retailer. [WWD]
• Jean-Charles de Castelbajac is launching a diffusion line called JC/DC. The line will be presented in London and again in Paris at the upcoming shows, and the company wants real-life hepcats to model its wares — anyone who wants to apply for a spot in the runway lineup can do so via the websites of Dazed & Confused or Jalouse magazine, respectively. [WWD]
• Someone named Bronson van Wyck is obsessed with "The Penguin Sparkling Water Maker from Williams-Sonoma. The penguin makes the water fizzy. You can adjust from superfizzy like Perrier to moderate like S. Pellegrino to milder like Hendon." Socials! They're not like us at all. [WWD]
• Vogue Brasil mis-spelled photographer Guy Bourdin's name as "Guy Bourdain" in huge font on its cover. [MadeinBrazil]
• Rosemary Port, the writer behind the infamous "Skanks In NYC" hate-blog against model Liskula Cohen, says that she will continue her $15 million lawsuit against Google for disclosing her e-mail address and IP to Cohen. Even though Google only disclosed those details after losing its long legal battle and being ordered to so by a Manhattan supreme court judge! Port feels her right to privacy has been violated, and alleges of Cohen, "By going to the press, she defamed herself." Her lawyer had this to say: "I'm ready to take this all the way to the Supreme Court. Our Founding Fathers wrote 'The Federalist Papers' under pseudonyms. Inherent in the First Amendment is the right to speak anonymously. Shouldn't that right extend to the new public square of the Internet?" Which, if you think about it, is an airtight argument. Doesn't anyone else remember reading that long footnote in the Federalist Papers where James Madison goes on and on about how Brutus is, like, such a ho? And then of course next month Robert Yates was all like, Nuh uh, you're a big fat skank, Publius, and everyone knows it! Whatever, Rosemary Port. Defamation isn't traditionally considered protected speech. [NYDN]
• Louis Vuitton has won a $400,000 judgment against Bonini Handbags for trademark infringement. [WWD]
• Derek Blasberg watched The Rachel Zoe Project in Los Angeles, with Rachel Zoe. "Watching the actual show and having an alternate show happening in front of me was surreal. And kind of confusing. There was Brad on TV wearing a Missoni sequined shift dress impersonating his boss, and then there, in the flesh, was Brad trying on a Louis Vuitton tennis skirt and booties impersonating his boss. Taylor was on TV moaning, and there she was in person moaning." [StyleFile]
• Casual Male, a U.S. maker of men's plus-size clothing, has seen its quarterly profits increase by 92.1% on last year, even as sales fell 13.4%. [WWD]

As Cathy Horyn writes in today's New York Times, the September 2007 issue of Vogue was the largest issue ever: 840 pages. The cover proclaimed, "Fearless Fashion." Horyn says the issue, in the film,

...has all the gaiety of the "Titanic" two miles out to sea, with a spread on Sienna Miller in Rome, pages of models leaping in the new fall clothes, and a reflective piece by Plum Sykes on brooches.

Obviously times have changed. Today, NY Post media columnist Keith Kelly reports:

Conde Nast is reeling from what is expected to be a loss of 5,000 ad pages this year, translating into a revenue shortfall of between $275 million and $350 million — and very likely pushing the publishing giant into the red.

Vogue is one of the magazines whose ad pages are down; and in The September Issue, viewers see Anna Wintour spend, spend, spend. When Wintour cuts a photo shoot, the magazine's creative director, Grace Coddington sighs, "They've probably thrown out $50,000 worth of work," according to today's Gatecrasher column. And, notes Horyn, magazines like Vogue have always "readily projected a spare-no-expense mentality to help maintain their status." She continues:

A fashion shoot at a magazine like Vogue, or Vanity Fair, or W, can easily cost $150,000. Anna Wintour, the editor of Vogue, has killed shoots that didn't meet her standards and ordered them reshot. Such creative excess serves Vogue's star image, like the Town Cars waiting outside Condé Nast, and apparently has been condoned by management so long as revenues are high… It may be difficult for outsiders to appreciate the logic in fashion shoots that require a team of 30 photographic assistants, digital producers, lighting experts, hairstylists, makeup artists, a manicurist, editorial gofers and caterers to feed everyone. It's not uncommon at a top American magazine, editors say, to spend $5,000 a day just on food at a shoot.

But these days, there's a recession afoot. And last we heard, Vogue's September 2009 issue will only be around 450 pages — almost half of what it was 2 years ago — making The September Issue not only a documentary of what it takes to make a fashion magazine, but, quite possibly, evidence of the end of an era.

Still Fearless at Vogue? [NY Times]
Vogue's Anna Wintour's Power On Display In Film 'The September Issue' [Gatecrasher]
Sea Of Red At Conde [NY Post]

Earlier: September Ladymags: "Looking Thin"
5 Guesses Why Vogue Is Hurting
In Vogue: Things Learned From The September Issue, September Issue Trailer
The September Issue Less Than Flattering?

• 42-year-old Kristen McMenamy, whose deeply unconventional beauty shone in many of the most memorable fashion photographs of the early '90s, was chosen by Steven Meisel for the new cover of Italian Vogue. [FWD]

• Yves Saint Laurent's Stefano Pilati, whose recent ads have starred Naomi Campbell, continues his run with the '90s supes in his Fall 2009 campaign. Christy Turlington, wearing pleated pants that do no women any favors, poses against a white background, inside a black picture frame that floats in space. [Telegraph]
• Speaking of Naomi Campbell, she'll be the face of Dennis Basso this fall. Basso is a well-known fur designer, and Campbell once famously declared that she'd rather go naked than wear fur, but obviously her naked avarice got in the way. [WWD]
• Madonna wore jet-beaded Givenchy couture on stage in London. Says designer Riccardo Tisci, "She's wearing an outfit that will make history." [People]
• The couture shows get underway in Paris today, and in this economy, selling $70,000 dresses seems like a difficult task. But at Christian Lacroix, whose house recently declared bankruptcy, there is an order backlog for more than 20 outfits. [WWD]
• That still might not save Lacroix. Employees were told Friday of a restructuring plan that would cut the 124-strong workforce to 12, and reduce the Lacroix label to a licensing operation. The only hope is for a buyer to step in. [WWD]
• Prodigious design talent — and rumored Madonna collaborator — Christian Audigier has some sharp words for Victoria Beckham and her celebrity dress line. "I like her, she is a nice girl, but she is not completely my style. I have seen some of her designs — they are very simple. It's difficult for an artist or a singer to enter into the world of fashion," quoth the popularizer of such classics as the trucker hat and the tattoo t-shirt. "You can't just rely on your name to help you sell. The way to sell and who to sell to and what you want to accomplish, these are all things you will need help with if you're entering into the world." [HindustanTimes]
• "I can't analyse my appeal. If I did I'd be in a straitjacket," reports supermodel Daria Werbowy. "I am very lucid in relation to the reality of this industry, the ephemeral nature of beauty and fame,' she says, 'and that gives me a certain distance and quite a bit of humour." [Telegraph]
• Stylist Patricia Field took the opportunity of an interview with the Mirror to settle an old disagreement with Kristin Davis. And with A-line skirts, which we always have found extremely flattering. "I hate the A-line skirt. It's like a lampshade. Ugly. Kristin Davis always wanted to wear A-line skirts as she thought it hid her big behind. She has a fabulous figure – she is completely hour glass, and I would say: ‘Kristin, you have a small waist – show off your round ass!' She would never show it. I wanted to make her into a Bettie Page in Sex And The City, but all she wanted were A-line skirts and Ralph Lauren clothes." [Mirror]
• Meanwhile, Roberto Cavalli has deep thoughts on our economy. "I never pay attention to costs — it's not attractive to speak about numbers. Why can't we just focus on the beauty of an object? I don't know anything about the financial crisis." [ToL]
• Times of London writer Shane Watson asks whether Abercrombie & Fitch's decision to tell an employee with a prosthetic arm to stay in the stockroom was really all that surprising, given the chain's refusal to hire anyone who isn't "regulation cute." Because discriminating against disabled people is exactly the same as dictating your employees hair length and nail polish colors! [ToL]
• Seeing the Wall Street Journal's perspectival dry-point etching of a man wearing skinny jeans totally makes up for this pedestrian story about how the trend caught on. [WSJ]
• Foot wear maestro Manolo Blahnik: "Are shoes so important? Really? If I was a woman, I would be dressed in the same thing for a month and just change my hat and gloves. Maybe my shoes too; yes, I see what you mean but, really, it's jewels that change an outfit. And I do love gloves. And I adddore hats. There are toooo many shoes now. I always tell the children, 'Don't do shoes! Do hats!' And the shoes are so strange, so vulgar. I hate these platforms that are all over the place today; they are all about grabbing attention. They are suburban! I never do a platform. Well, I did, in the 1970s, but that was a bad experience." [FT]
• Ben Westwood, Vivienne Westwood's fetish photographer son, whose latest exhibit featured bound models with the heads of celebrities' children inexpertly Photoshopped onto their bodies, is launching a men's wear line. London Fashion Week must be holding its breath. [Harper's Bazaar]
• Children's apparel is more resilient than other sectors of the clothing market during economic downturns. Why? Kids grow. [WWD]
• The Guardian reviewed R.J. Cutler's The September Issue, and called it "utterly riveting." The paper also said, of the relationship between stylist Grace Coddington and editor Anna Wintour, "to watch them do battle over whether or not to shoot a rubber dress is to see the great fashion battle of creativity versus commerciality acted out in an urbane New York office: a Punch and Judy show scripted by Woody Allen." [Guardian]
• If this is news to anyone here: online ads in the form of fake quizzes, à la Coach's new "Are you a Poppy girl?", are rigged. We are all Poppy girls, in the eyes of Reed Krakoff. Buy a $198 tote bag now! [TBM]
• Apparently, while New York has been drowning in a consistent downpour since mid-April, London has been having a heat wave. Unsurprisingly, sales of bikinis — and beer — have spiked. [FT]
• Because he is paid primarily in stock and options, Ralph Lauren's compensation slipped by more than 40% in value this year. He still made $20.3 million. [WWD]
• Despite cashflow concerns, Prada is still opening stores at a fast clip. Two new boutiques will open this month in Paris and Prague, and the company plans to keep up its 2008 pace, which saw 34 new stores open, for the next three years. [WWD]
• For those nights when you can't seem to remember your underwear, behold: the anti-paparazzi handbag! Activated by camera flashes, the bag emits a beam of light (clue: it's like a slave flash) powerful enough to ruin anyone's shot. [BoingBoing]

Everyone wants to know what exactly goes on around the 12th floor of 4 Times Square. As the trailer states, one in ten U.S. women will get Vogue's September issue — which is a fantastically broad reach for a fashion title. How the sausage is made is a question that R. J. Cutler's documentary will, one hopes, answer in full. What we can tell from the trailer is this:

Wintour's legendary editorial nit-picking is not an exaggeration. In addition to replacing stylists, trashing finished shoots (including one with Hilary Rhoda and Chanel Iman, which never saw the light of ink), pre-approving all styling choices, and demanding a full, un-edited selection of shots from the photographers Vogue works with, she nay-says fonts. "This type seems so large, and pretentious," she mutters. "It looks like it's for blind people."

The trailer also makes clear that Wintour's interventions do not always redound to her title's benefit. The camera lingers over an image from stylist Grace Coddington and photographer Steven Meisel's 1920s-themed shoot, which Coddington reports her boss killed and re-shot at least three times.

Even in grainy online video, this double-page picture — a witty take on "Déjeuner dur L'herbe", with picnicking models in pageboys and flapper dresses — looks better than what actually made it into the magazine nearly two years ago.

As for the actual September, 2007, issue, it mostly sticks out in my mind as the point at which Vogue basically ate itself. In addition to relying on model Caroline Trentini, a perennial Wintour favorite, to do three editorials, there were numerous other embarrassing juxtapositions that proved the paucity of Vogue's ideas. For instance, accidentally publishing a shot-by-shot re-make of a David Sims editorial which had been perfect-bound by the magazine only seven months before.

That's Patrick Demarchelier's September, 2007, story with Trentini, "Brights! Camera! Action!" on the left, and Sims' February, 2007, story with Gemma Ward, "Park Avenue" on the right. In case you couldn't tell them apart.

And Raquel Zimmerman appeared for a Craig McDean edit in a head-to-toe Balenciaga runway look, which was also identical to the David Sims-shot Balenciaga campaign of that season, starring Anabela Belikova.

Advertising and editorial images which are not just indistinguishable, but actually mirrors of one another — just a few pages apart.

I suppose that kind of overlap is the risk you run when all your styling decisions are taken straight off the catwalks of six months prior, and your inch-thick magazine is 87% ads, anyway. To date, the September, 2007, issue remains the biggest Vogue ever printed — a monument to pre-recession thinking, advertiser largesse, and hamstrung creativity that we may never see surpassed.

The September Issue [Yahoo! Movies]

Earlier: The September Issue Less Than Flattering?

A&E IndieFilms, in addition to bringing us documentaries like Jesus Camp and co-producing The September Issue, is owned by Hearst Entertainment and Syndication. Hearst Entertainment and Syndication, as the name might suggest, is owned by Hearst. What else is owned by Hearst? Vogue competitor Harper's Bazaar, Glamour doppelganger Marie Claire, and a raft of other direct pendants to Condé Nast media properties. It's not clear that A&E IndieFilms' ownership status meant that anyone at Hearst enjoyed editorial control or creative influence over The September Issue, it is surprising that Condé Nast would accidentally put itself in its rival's hands.

And it does fit with reports that the documentary is notably harsher on Anna Wintour than previously thought.

Fashion Week Daily acquired a copy of the documentary, which isn't to be released in the U.S. and U.K. until September 11, and posted a detailed recap of its contents on the Friday before the long U.S. Memorial Day weekend. Cutler opens with a long discourse from Wintour, defending fashion on intellectual grounds, and calling people who criticize the fashion industry frightened:

"What I often see is that people are scared of fashion — because they're frightened or insecure, so they put it down. On the whole, people who say demeaning things about our world, I think it's because they feel in some way excluded or not part of the "cool group." Just because you like to put on a beautiful Carolina Herrera dress of a pair of J Brand blue jeans instead of something basic from K-Mart doesn't mean you're a dumb person. There is something about fashion that can make people very nervous."

It's often those who themselves are most desperate to be taken seriously who are quickest to project "insecurity" onto others. Perhaps it isn't a coincidence that Cutler, when he succeeds in getting Wintour to talk about her family, admits that her fellow high-achieving siblings — Patrick Wintour, political editor of the Guardian, Nora Wintour, deputy-general secretary of the Public Services International union, and James Wintour, an official with the Gravesham Borough Council who works in low-income housing — all regard her work with, she believes, "amusement."

What seems to emerge as a theme of the film, however, is Anna Wintour's relationship with Vogue stylist and former model Grace Coddington. Coddington, unhappy about the documentary team, threatened to quit the magazine and resisted Cutler's attempts to film her for months, the director recalled. (Coddington eventually relented, and Cutler's team's presence at one of her shoots led to a charming picture of Caroline Trentini and a cameraman, jumping together for an editorial.)

Wintour says that the cameraman's stomach needs retouching. "You need to go to the gym!" she says, not remotely in jest. (This is the woman who ordered Oprah to drop 20 lbs before shooting her for the cover, and who bullied André Leon Talley into taking up tennis, a sport he is filmed pursuing while decked out in Damon Dash pants, a Polo Ralph Lauren shirt, a vintage diamond Piaget watch, a Louis Vuitton towel, a Louis Vuitton racquet cover, and a Louis Vuitton gym bag.) Coddington rejects Wintour's criticism of the cameraman's body — "Everybody isn't perfect in this world. It's enough that the models are perfect. You don't need to go to the gym" — but she waits for her boss to leave the room before airing her disagreement.

The film also apparently gives an unprecedentedly detailed look at Wintour's managerial style and her level of involvement with the magazine. Wintour retains absolute creative control over every editorial shot. She does not shy from killing spreads by talented and proven long-time collaborators, such as Edward Enninful (Coddington's story with Trentini is a re-shoot of an Enninful effort) and Coddington herself. "I'm in a really foul mood right now because they've just killed another spread of my '20s story, and they're about to kill another one," says Coddington, at one point. "And they're all lying to me about it. It's just incredibly boring."

She also kills a spread with models Hilary Rhoda and Chanel Iman, jumping. (This was during Vogue's long, just-ended drought of faces of color on its editorial pages — it's interesting to note that Iman, who is black, was even in the running for inclusion in American Vogue in September 2007.)

It's no wonder, really, that her publication's creativity so often ends up channeled into the inevitable jumping editorial, the inevitable lavish-but-boring set piece. Wintour's nit-picking leaves even the talented eyes and minds around her too hamstrung to function.

If the full film is as critical as FWD maintains, then that means Anna Wintour has made one move worthy of respect: allowing Cutler to film her, no-holds-barred. But will Condé Nast be pleased at the results?

The September Issue, Revealed! [FWD]
More Details from The September Issue Vogue Documentary Featuring Anna Wintour and Grace Coddington [Fashionologie]
Hearst Takes On Condé [FWD]
Film reveals soft side to Vogue's icy style queen Anna Wintour [Guardian]

Earlier:
Vogue Documentary Is Delicious & Devil-ish

• Michelle Obama wore French-born Brooklyn-based designer Sophie Theallet to unveil a bust of Sojourner Truth at Emancipation Hall yesterday. Naturally, journalistically, WWD asked the designer to specify the First Lady's measurements. Theallet declined. [WWD]

• Michael Kors, on the now-solved problem of women becoming socially invisible as they age: "I used to hear women saying, ‘Oh, I hate my arms, I hate my thighs' when they got older, but now they don't. They're in the gym or doing yoga, or getting what they don't like fixed. Sigourney Weaver's 60, Michelle Pfeiffer's 50. Michelle Obama is showing older women that you can be serious without looking stiff, and showing younger women that you don't have to dress like a hoochy mama to be modern. It's all different. Everyone is refusing to age." [Times of London]
• Christopher Kane is tackling a wider range of items than ever in his next season's Topshop range. Expect bags, knitwear, and shoes, in addition to the clothes. [Grazia]
• Fellow Brit Stella McCartney made the Time 100, the only fashion designer represented. Gwyneth Paltrow, her BFF, did the profile. [WWD]
• Vera Wang bedazzled a BlackBerry for a breast cancer charity raffle. Elizabeth Hurley will do the honors. [WWD]
• Now this is a match made in heaven: showmen fashion designers Viktor & Rolf are turning their talents to opera. For a German production of Der Freischütz, the duo made costumes with over a million crystals. That, Vera, is how you do bling. [Elle UK]
• The Payless shoes on Christian Siriano's runway back in February were kind of hideous; the ones likely to make it into stores this August are kind of boring. Let's hope he can even out his aesthetic at some point during his multi-year contract. [Racked]
• Alexa Chung, the British ex-model, moved to New York to further her television career — and was hotly rumored to be exploring options with MTV. That opportunity seems to have come to fruition: Chung will host a daily show on the network, something like TRL, only with Twitter. [Yahoo! News]
• The September Issue Director R.J. Cutler, on how his subject, Anna Wintour, communicates: "It's mostly in silences, gestures, and the occasional use of language. It's more than enough and she always gets her way. When she's not getting her way, she's happy to speak at greater length. In her work environment, that's how she communicates with everyone. Some people see the film and say, she seems so closed. She's a closed gal. That's who she is. But the times that she does open up in her life are the times that you see her open in the film — when she's with Bee, when she's talking about her dad, talking about her siblings. It's family." [MakingOf]
• The SoHo Hogan store is closing, and looking for a space uptown. [Racked]
• Australian Fashion Week, like fashion weeks everywhere, was smaller this season than before the recession. There were 15% fewer shows, and two catwalks inside the venue, compared to last August's three. Fewer buyers attended, and, barring any case of Aussie economic exceptionalism, the orders they place will prove smaller. Organizers say they expect things will be much better next season, because organizers have to say things like that. At least in public. [Reuters]
• As for the designers who did bother showing, half of them seemed to be phoning in 80s nostalgia and Balmain shoulderpads, and one, Ant!podium, well, they really, really like Beth Ditto. So they found a proudly non-model-sized tattooed artist named Tokio Pink to walk in their show. Such is their commitment to diversity. [News.com.au]
• Max Azria, on the other hand, isn't predicting any great improvement in business conditions during the rest of this year. [WWD]
• Jones Apparel Group, owner of the brands Anne Klein, Nine West, and Jones New York, handily beat analysts' expectations in their quarterly profit announcement. Although revenue still fell 9%, Jones shares rose 10% in response to the good news. [Reuters]
• Prada's profits fell 22% in 2008. [WWD]
• The opening of Forever 21's first store in Japan was a bit of a madhouse, apparently. It isn't hard to imagine why. [WWD]