• Gwyneth Paltrow's clothing line with Zoetees is hitting stores this month. The collection includes tee shirts, studded tank tops, and a grey oversized blazer — fine basics, but there's no indication why the line should start at £100. [Elle UK]

• Earlier this year, Katy Perry, desirous of a fashion line, pre-emptively sued the Australian fashion designer Katie Perry for trademark infringement. Although the suit was later dropped, now that the pop star is in Australia, all mention of Katie Perry and the trademark issue is verboten during media interviews. Which is why when a television presenter asked the singer if there were any Australian artists she admired, Perry's manager actually killed the studio lights. [News.com.au]
• The tender melancholy of Being Donatella: "I would definitely prefer not to be obliged to attend certain events and parties, but I must." [ToL]
• Being longtime fans of documentarian Loïc Prigent — the man who made both the excellent Signé Chanel and Marc Jacobs & Louis Vuitton — we cannot wait to watch his new series, which follows four designers during the last 36 hours before their respective shows. Sonia Rykiel, Proenza Schouler, Jean Paul Gaultier Couture, and Fendi are featured; Prigent says "They only have 36 hours left; they don't have time to be polite." [W]
• Gaultier was among the guests evacuated from a hotel in Nice recently following a bomb threat. Nobody was injured and no explosives were found. [Yahoo!]
• Rachel Zoe's line for QVC will be shown in the biggest tent at New York Fashion Week. [The Cut]
• Between The Rachel Zoe Project, America's Next Top Model, Project Runway, Models Of The Runway, Project Runway All-Stars, The Fashion Show, and the upcoming Launch My Line, there's more fashion-themed reality television than any human being could ever watch. Is the genre reaching saturation? No, because women think about fashion the way men think about sports, and it would be silly to ask if there is too many sports shows! No, really: "The same way that sports is a passionate category for men, women look at style in the same way," said Style Network president Salaam Coleman Smith. "Women are passionate about transformation, and about ideas for living a fun, fabulous life, to improve themselves, find a new lipstick and figure out a new haircut." [WWD]
• Zoe, for her part, admits she has "a hard time" watching her show. That makes two of us. [WWD]
• Victoria Beckham found a lookbook model for her dress line who looks very much like Victoria Beckham. [Daily Mail]
• Hussein Chalayan's line for Puma looks exciting, intimidating, and totally technophiliac. [WWD]
• Pint-sized and cooler than we'll ever be, child style blogger Tavi WIlliams may have made the first cover of Pop magazine to be produced under new editor Dasha Zhukova. Interestingly, Tavi was just in the second issue of Love, which was founded by ex-Pop editor-in-chief Katie Grand. These are Tavi's first major magazine appearances. [Fashionologie]
• Meanwhile, Tavi was asked by Laura and Kate Mulleavy of Rodarte to film the presentation of the label's upcoming Target collaboration. None of the items in that collection will be priced above $80. [Lucky]
  
• Add Antonio Berardi and Stella McCartney for Adidas to the long list of English designers beating a return to London Fashion Week this season. [Telegraph]
• Cintra Wilson — the ordinarily funny writer who penned that amazingly tone-deaf, sizist JC Penney's store review for the New York Times — would like you to know that the controversy over her comments is officially over. At least to her. So don't write her about it! Don't read the comments under her post if you don't want to hear Wilson and an acolyte braying about the "whalesong" of complaint. [CintraWilson]
• House of Dereon now has a day dress collection. Weirdly, it includes an awful looking silk drawstring-waist jumpsuit. [WWD]
• You can watch an online short with Chloé Sevigny all about hip boutique Opening Ceremony's new store in Shibuya, Tokyo. [Dazed&Confused]
• Levi's Ryan McGinley-shot "Go Forth" ad campaign for its 501 jeans also has an online mockumentary component. You can watch these "Stories Of A New America" about good-looking young people doing cool things, you know, totally spontaneously, at Break.com. [MW]
• Kenny Chesney's apparel line will launch at MAGIC, the Las Vegas apparel industry event. [WWD]

• Unlike her husband, who plans on doing zero promotional work for his Adidas line, Victoria Beckham is in New York to unveil a new 20 ft Emporio Armani ad at Macy's. [UPI]

• Posh is also expanding her fashion reach, manufacturing her dVb jeans in-house in London, and signing a new sunglasses deal with maker Cutler & Gross. [WWD]
• Around 200 people waited on the street for Michelle Obama to emerge from the US mission to the UN on Tuesday. The First Lady wore the same Tracy Feith dress she wore to a post-inaugural prayer breakfast in January. [WWD]
• Three words: Target. Anna. Sui. [WWD]
• Did Kate Moss really refuse to shake Agyness Deyn's hand in the receiving line at the Met ball on Monday? [Racked]
• And did Gisele Bundchen and Bar Refaeli — ex- and current girlfriend, respectively, of Leonardo DiCaprio — have a frosty encounter at the end of the night? That sounds kind of like the last party I went to, only it was on a tiny fire escape, not at the Temple of Dendur, and the awkward partner-in-common pairing was male, not female, and, oh yeah, nobody was wearing Versace. [The Observer]
• Madonna apparently says Jesus Luz's name in the Lamb of God pronunciation, not the From South America pronunciation. [WWD]
• Dasha Zhukova, a socialite who took over Katie Grand's job at Pop despite having no editorial experience, said at Rodarte's Met afterparty, "Are we in a basement? Because this is the chicest underground party I've been to. Literally, underground." The venue, the SubMercer, is indeed underground. Well done, Dasha. [Style.com]
• Pierre Cardin was hospitalized in Marseille after a fainting episode earlier this week. He is expected to be discharged today. What, you wonder, does Pierre Cardin amuse himself with in his twilight years? Why, the meticulous restoration of the chateau of the Marquis de Sade. [AP]
• The new issue of Worldwide Women's Wear Digest is out, for anyone who tires of fashion's efforts at self-parody. [WWWD]
• Simon Doonan of Barneys asked Stella McCartney what the deal is with her and jumpsuits when the designer made an appearance at the store in New York. "I love them because they're just so effortless," McCartney replied. She then mentioned that at the Met ball, to which she wore a jumpsuit, she required the assistance of a friend every time she needed to use the rest room. Effortless, indeed. [Fashionista]
• Barneys, meanwhile, is said to be looking to close two of its seven stores, including the one it opened just last year in Las Vegas. Rumors have flown as of late about the luxury retailer's troubles. [WSJ]
• Designer Antonio Berardi says it took three attempts to be accepted at Central St. Martins, England's top fashion school — but not because his work wasn't up to scratch (he was already working in John Galliano's atelier). "I was 18 stone [252 lbs] and people didn't really see me, even in class. And, then, all of a sudden it changed and that was equally weird." [Telegraph]
• Anya Hindmarch's London Pont St. store was burglarized on Monday, and the thieves made off with just under $70,000 worth of spring and summer stock. It is the sixth time Hindmarch's stores have been targeted. You might think she'd beef up security, no? [Vogue UK]
• In a surprise move, the bankrupt Filene's Basement chain will not be liquidated by its new owners. The much-beloved designer discounter, which sells unwanted end-of-season wares from department stores at significantly lower prices, found its business fell off as high-end department stores scrambling for customers practically matched Filene's level of discounting. But the new owners, Crown Acquisitions and the Chetrit Group, who picked up the chain for only $22 million, plan to inject $25 million into inventory and marketing. Their focus will be on what they see as Filene's Basement's core customer — city-dwellers looking for a bargain. "The weakest stores they had were in the suburbs," explained the head of Crown Acquisitions. [NY Post]
• A French e-tailer is allowing users to buy items from its site for any sum they wish — so long as it's over 1 Euro and they order a maximum of two. Since this is a recession, and all. [Reuters]
• Olivier Theyskens says all that talk about him becoming creative director of Halston, now that he's been let go from Nina Ricci, is just rumors. [The Cut]
• Serena Williams did three hours on the Home Shopping Network and moved 25,000 units of her clothing and accessories. Not bad for an afternoon's work. [PR Newswire]
• Marks & Spencer, Britain's biggest lingerie retailer, has decided that all you ladies with curves should pay an extra £2 for the privilege of wearing anything larger than their D-sized bras. [Daily Mail]
• Model Katie Fogarty, on Internet folks watching videos of her fall on the Prada runway: "Whatever lightens people's days!" We're glad she sees it as a no harm, no foul situation. (And we're especially glad Fogarty didn't actually come to any harm during that mishap.) [Teen Vogue]
• True Religion jeans reported a 10% jump in earnings for the first quarter of this year, on the back of a 19% iincrease in sales. [The Street]
• Steve Madden's earnings for the same period jumped 68%. Profits were $6.6 million. [WWD]
• Kenneth Cole lost $8.2 million in the same quarter. Sales decreased by 16%. [The Street]

• So, why was Lithuanian-born model Auguste Abeliunate crying on the Jil Sander runway? Was it Raf Simons' severe, Germanic threads? Sander's in denial: "No model was crying on the runway!" says a rep. [WSJ]

• Michelle Obama's Michael Kors White House portrait LBD marks the biggest American designer name the first lady has chosen so far. [WWD]
• The mystery man who bid $40 million for two Qing dynasty bronzes from the YSL collection is now refusing to honor the winning bid, as the 18th century pieces were looted in 1860. [NYT]
• Notorious designer/rapist Anand Jon is requesting a new trial. [Times of India]
• Speaking of legal troubles! The perennially ludicrous Roberto Cavalli is being sued by Ittierre Spa's administrators for his comments regarding the Just Cavalli license. [WWD]
• He, characteristically, seems unruffled: "I have 11 million fans [on Facebook], I saw that only Madonna has more than me. It's lovely. It's not for the money–believe me, I don't care. It's vibrations. I hate drugs, I've never used them in my life–never smoked a marijuana cigarette. But my drug is the adrenaline, the vibrations. That's what makes me love life!" [Fashion Week Daily]
• H&M, struggling with fast fashion, gets into fast home textiles. [WSJ]
• Art world macher Dasha Zhukova has been appointed as editor in chief of POP magazine. [WWD]
• We're all for "feisty females" inspiring designers - and we dig the Pam Anderson-Westwood collab - but Pixie Geldof? Srsly? "Spoiled children" wasn't really what we had in mind. [Independent]
• Not, mind you, that actress/model/writers havn't suffered in their long lives. Writes Peaches: "As early as age 9, I preferred to wear garish, ill fitting ‘80s prom dresses over jeans – usually to disastrous results. I did envy the more put-together girls who had armoires full of perfectly ironed, timeless pieces; they looked effortless in their black or white silk staple skirts and trousers dressed up with a statement bag or Chanel jacket. But at heart, I was a magpie, always rooting through bargain bins at charity shops for, say, a sequined cape, which for some reason I just had to own." [Nylon]
• $7 grand for a heel? A bargain! The Louboutin "Marie Antoinette" is "an open-toe platform high heel in satin, embroidered with colorful beads by the house of Jean-Francois Lesage, edged with a ruffling of chiffon and velvet." Oh, and even better: it's grotesquely ugly! [LA Times]
• ScarJo, Dolce, Gabbana, some Italian department store. For unclear reasons, this drew a crowd of a thousand. Quoth the Waits enthusiast, "Who doesn't want to look like the femme fatales from the Forties and Fifties?" [WWD]
• Nicole Farhi's psyched to be a grandma, but within reason: "One thing I won't be doing, though, is a range of Farhi clothes for children. I love kids, but I'm not making kids' clothes!" [Telegraph]
• Stacy London is on a quest to end "mom jeans'" bad rep. "Moms are superheroes. 'Mom jeans' should be a super cool . . . pair of jeans," says the What Not to Wear maven. [LAT]
• Victoria Beckham's dress line has singlehandedly boosted the business of one British fabric mill. [Telegraph]
• "Do you want to smell like Halle Berry?" Well, that really depends on what she smells like. Presumably, like the new perfume she's seen advertising here in a series of diaphanous cover-ups. [The Life Files]
• In case you were wondering, model Eva Herzigova is "a 35-year-old woman, mother to a 21-month-old son - beautiful, powerful and in total control." [TimesUK]
• Oh, and homeless style enthusiast/model Erin Wasson? "It's humbling...I still can't get over the fact that these people want to come out to see little old me." Us, neither. [Style.com]
• Speaking of genuine modesty, we love Tim Gunn: "I'm grateful every day that I still have a job at Liz Claiborne. I make no assumptions about me...I'm confident that Liz Claiborne, Inc. will pull out of this, because we're operating so thoughtfully and so strategically ... But it is a challenging time."[New York]
• Even Obama fave J. Crew is feeling the pinch: they've eliminated 95 positions. [WWD]
• Steve Madden, at least, is up! [WWD]
• A "model" who fell through a hole in a "runway" in 2007 is suing the companies involved in the fashion show. [The Life Files]
• Crocs is confident that a new CEO will turn the company around. Hey, we couldn't have predicted their initial success...[WWD]

Cool pictures. Interesting photography. Strong images, a visual language in which a short story is told without words. No "thin thighs fast" or scrunchie-oriented sex tips. Just wacky, irreverent, romantic or intriguing eye candy.
The spreads seem designed to be ripped out and hung on your wall.





Love is edited by Katie Grand, whom the Independent calls "the London über-stylist." Grand formerly edited Pop (in 2005, an article claimed that one fashion insider said Pop was "so hip it makes Anna Wintour tremble"). Before that, Grand worked as a stylist for The Face.
While Pop and The Face of these magazines were steeped in fashion, neither publication took itself too seriously; it was about the joy that comes from playing with clothes, with images. And as the first images trickle out of Love, my first thoughts are: It looks fun. Not overly prim, predictable, posed fun like the jumping models seen month after month in Vogue, but spontaneous, silly, with a joie de vivre that seems missing from most American ladymags.

Though I haven't gotten my hands on an issue (yet), so far my one complaint about Love is that it's bi. As in biannual. Who only gives love twice a year?


Love Pages [Mag Culture]
Love Magazine [Hapsical]
Fashion: Can you feel the LOVE? [Independent]
Related: Katie Grand: She's Popping Out [Hint]
Earlier: Ditto Or Deyn

Chicago Tribune:

The first disc focuses on ballads that hint at introspection. The second adopts an alter ego—"Sasha Fierce"—to dish out dance-floor dirt. The production sticks to form, clearing out things for Beyonce's thin, pretty voice to deliver thin, pretty hooks galore. But the gimmicky concept falls flat.

In the album's first half, Beyonce adopts a familiar (if dispiriting) guise: doormat. "If I Were a Boy" offers a promising premise, the kind of illuminating gender-bender Prince might've written, but instead portrays the narrator as a needy victim. It's more of the same role Beyonce also played on her previous album, 2006's "B-Day." Her softer songs inevitably portray men as unfaithful curs, but she still can't live without them.

The Los Angeles Times (Blog):

The weirdest thing about this split is its racial undertone. The Beyonce ballads fall into that soft-rock zone that incorporates elements of crossover country, Celine-and-Whitney style divadom, and U2-derived guitar hymnody. They're vehemently not R&B, and Beyonce enunciates them in a firmly post-racial style, in the same ballpark as her multi-culti rivals Alicia Keys and Leona Lewis. ("Halo," written by the hip hop world's latest rock crush, Ryan Tedder, was originally intended for Lewis.)

There's also the clear influence of Beyonce's idol, Barbra Streisand. The cowriters on these songs are mostly white, though Babyface, long soul's ambassador to soft rock, makes an appearance. The unrelenting uplift of these tracks conjures thoughts of transcendence, and that universal tone is vehemently not grounded in a "black" sound.

Sasha Fierce, on the other hand, knows where her home is. Enlisting top urban music producers including Rodney "Darkchild" Jerkins, Sean Garrett and Jim Jonsin (who's white, but a veteran of Flo Rida's dirty rap scene), she stars in songs that manically reference the current lingo of the dancefloor and the mixtape.

Newsday:

The Sasha Fierce songs are more interesting, but not as accomplished. "Single Ladies" and "Radio" are pleasantly danceable, but nowhere near as game-changing as "Crazy in Love" or even "Déj ... Vu." Even on "Sweet Dreams," which has a silky groove matched with some hip-hop phrasing, she holds back a little. Only on "Diva," where she explains, "A diva is a female version of a hustla," does she show the envelope-pushing pop star that we've come to expect.

In the end, neither Beyoncé personality gets fully developed here. "I Am ... Sasha Fierce" is supposed to be a declaration, but it sounds more like "I Am ... Not Sure."

USA Today:

On I Am … Sasha Fierce, Beyoncé, like David Bowie and Mariah Carey before her, unleashes an alter ego, and uses it to both open her heart and maintain her dignity.

Available in standard and deluxe editions, the album is divided into two discs.The first is gentler and more patently vulnerable, while Ms. Fierce is a vehicle for the confidence and sass that the singer summons onstage. But as that title, with its sly ellipsis, suggests, Beyoncé and Sasha are bound by more than a creative concept. There are strength and defiance in I Am's tender ballads, and unfulfilled yearning in Sasha Fierce's funkier, more flamboyant fare.

Houston Chronicle:

The stronger half is the bright pop I Am disc. Beyoncé brings astonishing force and emotion to several songs, and the results are often gorgeous.

Current single If I Were a Boy finds her cleverly exploring the dynamics of a strained relationship. It’s an elegant new musical direction and unlike anything on Top 40 radio, which is definitely a good thing. (“If I were a boy/I think I could understand/How it feels to love a girl/I swear I’d be a better man.”)

NY Post:

Dr. Freud might be able to straighten Lady B out, but the split personality of the album isn't the problem - it's merely a distraction. The real trouble is that this double disc needed to be edited according to the A&R man's record rule: good songs in, bad songs out.

Simple.

You don't have to have a golden ear to say with authority "Ave Maria" - which uses the hymn standard as its foundation - is a disaster. You'd have to consult "Velveeta" to make this song any cheesier

Globe and Mail:

This seems to be the point of her new double album. Disc two is devoted to her tough stage persona, "Sasha," and disc one is about "who I am underneath all the makeup."

If I Were A Boy, the slow-burning single from disc one, is the best thing the "real" Beyoncé has to offer. If she were a boy, she tells us, she would do all the careless things that boys do, except trample on the soul of the girl. She's like a child resolving to be a perfect sensitive parent, because she knows how a kid feels.

But the child doesn't yet question the parents' authority, just as Beyoncé won't challenge the boy's. By the next song (Halo), he's back on his pedestal.

Rolling Stone:

Having transitioned a more grown-up sound, Beyoncé has gotten conceptual on us: Her third album offers two discs, a collection of heartfelt ballads credited to Beyoncé and a danceable set credited to "Sasha Fierce," the pop diva's more brash, lady-empowering alter ego. Though some of the slow songs have thoroughly memorable tunes, the lyrics are full of bland self-affirmation and saggy lines like "You're everything I thought you never were." But the "Sasha" disc boasts Beyoncé's most adventurous music yet: She rides frothy techno on "Radio," turns out modal-sounding hooks over 808 bass on "Diva" and juices the eerie, Nine Inch Nails-style beats of "Video Phone" with lines like "Press 'record' and I'll let you film me." Another plus: The girl who blew up going all melismatic has never sung with more restraint than she does on Sasha.

Entertainment Weekly:

The collection might have been better served had she edited it down to one disc, rather than belabor what ultimately seems like a marketing gimmick. And while fans will surely speculate, there's little in the lyrics that feels more revealing than previous emotional fire-starters such as 2006's ''Ring the Alarm.'' But who said we had a right to that, anyway? For all the pop-fantastic satisfaction that Beyoncéthe entertainer provides, the public can surely reward her by leaving Beyoncé the private citizen well enough alone.

Beyonce Tells Fans To Call Her By Her Alter-Ego 'Sasha Fierce' [Fox News]

Beyonce's newest album 'I Am...Sasha Fierce (Deluxe Edition)' comes out in stores today.