This has been a day of great writing for you, Ms. Anna N! Really enjoyed this, as I enjoy opera but don't obsessively follow it.
I wonder if in this era of movies and TV, which show us perfectly matched and beautiful couples, audiences are losing the ability to make the mental leaps required to look at a black Butterfly or a white Aida. Or to accept the passion of a visually "mismatched" couple (one partner a foot shorter than the other and half the age, for example). And maybe that's a problem for traditional opera. People are looking for operas to be cast on looks, and that's just not how it's done.
I always enjoy the sound of opera, and often when I attend, I don't bother with translations or conscious watching of the staging (though that may be my qualms with the Met's new uber-modern staging). I just want to hear it, to the point where I wouldn't mind having it performed without staging. I wonder if anyone does the same?
@JerseyGrrrl: "I wonder if in this era of movies and TV, which show us perfectly matched and beautiful couples, audiences are losing the ability to make the mental leaps required to look at a black Butterfly or a white Aida."
IMO you're being very generous, assuming they had it to begin with.
I am a young opera singer---2008 marked the beginning of my professional career. I have a big voice, and a big body. The field has definitely, in the last decade, become much more aesthetically minded. With all the HD simulcasts from the met---opera singers are now expected to have the looks of movie stars. I understand it to some extent--when body weight becomes restrictive to stage movement, I think it begins to be a problem. But as a '5"8 size 24 woman, with stature and mobility, I feel unbelievable pressure from my voice teachers, my coaches, my directors, to lose weight. I think I have a problem swallowing this because the field is so fantastically hard to begin with. Ive spent a decade training, studying music theory, studying 4 languages to fluency, studying stage craft, vocal technique. And yet, it is never enough. It gets discouraging, you know?
@mezzosop: Wow, I'm really impressed. I have developed a relatively recent interest in opera and have had some casual classical voice training and - WOW - it demands so much athleticism! I hope you don't get too discouraged because all the true opera lovers out there really don't judge singers on their physical appearance but on their talent. (People on Youtube HATE Anna Netrebko because she's so pretty but lack the desired 'musicality'.) So, if it means anything to you, you have my support!
I wasn't a theater major, but I know enough to say that anybody that compares opera to television has failed Theatre Arts 101. Live drama, unlike television, is about suspension of disbelief. They're not just asking you to believe that a little guy is in love with a fat lady, or that a black guy could be an army commander in ancient Greece--they're asking you to believe that some plaster and wire and cloth is a tree, that a stage is actually a room, that people regularly pause in the midst of dying of poison for a 15-minute aria. The point is that if they do their job well, it works. Compared to all of that, believing that a little guy is in love with a fat lady doesn't seem all that absurd.
@nora charles: I was just going to make that point in a much nastier way. Thanks for being articulate! Yeah, if you can believe that 30 people are all reacting to something by singing the same song in harmony, but that another person might be attracted to a woman you are not attracted to, you should be banned from the theatre.
How does one continue to sing opera after gastric bypass surgery? I would imagine this would have a significant effect on your breathing and thus the support for all those (literally) breath-taking notes. No?
A little off and on topic, but one time in Opera class, we were learning about Brunnhildes and the mountains and fire and all the shit a man had to go through to get her and my friend Samantha looks over at me, incredible concern playing on her face, and goes "who would WANT her?"
Oh good lord, can we put away the dicks for even one day and stop acting like no one and nothing's worth watching, engaging in or supporting unless it can be fucked (animal, vegetable or mineral)?
08/24/09
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08/17/09
I wonder if in this era of movies and TV, which show us perfectly matched and beautiful couples, audiences are losing the ability to make the mental leaps required to look at a black Butterfly or a white Aida. Or to accept the passion of a visually "mismatched" couple (one partner a foot shorter than the other and half the age, for example). And maybe that's a problem for traditional opera. People are looking for operas to be cast on looks, and that's just not how it's done.
I always enjoy the sound of opera, and often when I attend, I don't bother with translations or conscious watching of the staging (though that may be my qualms with the Met's new uber-modern staging). I just want to hear it, to the point where I wouldn't mind having it performed without staging. I wonder if anyone does the same?
08/18/09
IMO you're being very generous, assuming they had it to begin with.
08/17/09
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08/17/09
How does one continue to sing opera after gastric bypass surgery? I would imagine this would have a significant effect on your breathing and thus the support for all those (literally) breath-taking notes. No?
08/17/09
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08/17/09
Yup! And get young, Nobel prize-smart, hot, rich babes, too!
06/25/09
Wow, celebrity deaths really do happen in three's.
06/25/09