<![CDATA[Jezebel: naomi wolf]]> http://tags.gawker.com/assets/base/img/thumbs140x140/jezebel.com.png <![CDATA[Jezebel: naomi wolf]]> http://jezebel.com/tag/naomiwolf http://jezebel.com/tag/naomiwolf <![CDATA[Prominent Feminist Explains Why Angelina Jolie Is Best Thing, Ever]]> Angelina Jolie was named Forbes' "most powerful celeb in the world" last week. Naomi Wolf, in the new issue of Harper's Bazaar (?) thinks it's cuz Brangie "brings together almost every aspect of female empowerment and liberation." Or something like that.

"Serious thinkers" talking about pop culture is sort of my favorite thing ever, almost as good as when opera singers cover Stevie Wonder or chefs "reimagine" Twinkies. In recent weeks, we've seen Wolf, Rhodes scholar, prominent third-waver and beauty myth-maker, ask "who won feminism?" - the humorless old hairy-leggers or those of us living the dangerous vida loca?! The answer, according to her Bazaar piece, is Angelina Jolie. See, that's why women love her - "she becomes what psychoanalysts call an "ego ideal" for women — a kind of dream figure that allows women to access, through fantasies of their own, possibilities for their own heightened empowerment and liberation." Hey, you said it, we didn't.

Wolf breaks down Angie's mystical appeal thusly:

She's Hot.

Bosomy and wasp-waisted, with that curtain of hair and those crazy pillowy lips, she is an obvious male sex fantasy...Polls also show that if women — not just lesbian and bisexual women but straight women — had to choose a female lover, they would want to sleep with Angelina Jolie. In other words, women both identify with her and desire her.

She Has it All.

She makes the claim, with her life and actions, that, indeed, you can get away with it. All of it. Against every Western convention, she has managed to draw together all of these kinds of female liberation and empowerment. And her gestures determinedly transgress social boundaries — boundaries of convention, race, class, and gender — giving many of us a vicarious thrill.


She's Done the Impossible Switcheroo from Whore to Madonna.
Wolf points to Jolie's long, strange trip - from tiresomely brother-macking, blood-sportin' self-styled shit-show married to grizzled oldster with fear of antique furniture, to the (sexy!) paragon we all know and allegedly love.

She Flies a Plane.

Women are so used to being dependent on others (certainly on men) for where they go, metaphorically, and how they get there. Flying a private plane is the classic metaphor for choosing your own direction; usually, that is a guy thing to do, yet there was Jolie, with her aviator glasses on, taking flying lessons so she could blow the mind of her four-year-old son. That is the ultimate in single-mom chic: Even before she had reconstructed a nuclear (or postnuclear) family with a dad at the head of it, she was reframing single motherhood from a state of lack or insufficiency to a glamorous, unfettered lifestyle choice.

She's Takes Lovahs.

Equally ostentatiously in her role as lover, she took for her own pleasure the male seen as the most desired of the tribe, Brad Pitt, who is always ranked at the top of indexes of male beauty and virility. As for the constraints of social convention — ahem, he was still married? You can have a variety of feelings about this, but Jolie's evident disdain of that social constraint certainly, for better or worse, put her in the same self-entitled category as those men who have traditionally taken what they wanted and let the emotional chips fall where they may.

To those of us who find Brangelina impossibly dull (or, you know, fine in Girl, Interrupted and attagirl for UNICEF) her appeal is more like this: people like crappy movies, too. Movies full of abrupt transitions and overblown characters. (What this says about our feminist acumen I'm not sure, but then, Wolf doesn't think much of that.) I'm not sure if Wolf is paying Angie's fans the ultimate compliment or just being really patronizing. She's not wrong: clearly women are drawn to the dramatic highs and lows of the Angelina storyline, the family's beauty and diversity, the novelty of a movie star using her powers for good, the idea of a goddess who has it all. But is that a good thing? (If this is "having it all," "having it all" was a lot more literal than I ever knew.)

Brangelina are totally enigmatic; we don't know anything about them except the Harlequin-worthy synopsis. People like them because they can project whatever they want onto them. Maybe moms fantasize about Angie reading to her kids at night, then having hot sex with Brad. Those who want to turn their lives around probably are inspired by this scion of movie star and model who's fearlessly pursued a course of growing up. Doubtless somebody somewhere has taken up flying as a result. Hopefully a few have turned to good works. (Ideally no one, anywhere, will allow Angelina Jolie to have any impact on her decision to adopt or not.) Some woman involved with a married dude may stay with him that much longer because of her tabloid happy-ending. Some people will see The Last Kiss and think it's profound. And Naomi Wolf will look at Angelina Jolie and project her own fantasies: a feminist icon whom women love because they think the right way. And that right there pretty much justifies the Forbes pick.


The Power of Angelina
[Harper's Bazaar]

Related: What's Angelina Jolie's Allure? [People]
The World's Most Powerful Celebrities [Forbes]
Who Won Feminism? [Washington Post]

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<![CDATA[Comic Confrontations: Judge Judy Vs. Feminists, Part 2]]> Feminists love bickering about feminism. And as more women join the conversation, it gets nastier…and better! But it's time Judge Judy kept some order. (Continued from Part 1.)






































Earlier: •Comic Confrontations: Judge Judy Vs. Feminists
Comic Confrontations: Judge Judy Vs. Michele Bachmann
Comic Confrontations: Judge Judy Vs. Perez Hilton
Comic Confrontations: Judge Judy Vs. The Real Housewives Of New York
Comic Confrontations: Judge Judy Vs. Kathy Griffin
Comic Confrontations: Judge Judy Vs. Sarah Palin
Comic Confrontations: Judge Judy Vs. Amy Winehouse
Conceptual Confrontations: Judge Judy Vs. Latarian Milton
Comic Confrontations: Judge Judy Vs. Crazy Hillary Supporters

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<![CDATA[NYT Writer Finds Out Jerks Still Exist In Academia]]> A distinguished, sixtyish writer arrives to address a graduate program. He praises another university for its "hot students" and disses his wife ("sleep with one student and wake up 17 years later married to her"). He says a female prof "eats like a man," and he seems to like the word "beaver." Sounds like a tale from the 1970s, right? Or at least the early 80s, when Naomi Wolf (at left) experienced sexual harassment at the roving hands of Harold Bloom? J.D. Nordell, writing in last week's Times, thinks so too, except it happened to her this year. Her experience with the Visiting Douchebag reminded her how lucky she is that his crap is no longer widely tolerated — and how unfortunate we all are that it still sometimes exists.

In my own graduate program, we talk a lot about racism in literature. One problem a classmate of mine identified is the treatment of racism as a relic — a nasty feature of the 50s and 60s, unenlightened days when people didn't know what we know now. Unfortunately many of us — myself on occasion — develop the same attitude to sexism, especially of the more obvious type perpetrated by Nordell's visitor. Like Nordell, we think of such behavior as a throwback to the "Bad Old Days" of academia, when male profs could call on female students "because you're so much more pleasant to look at," and never face repercussions. Now our universities have policies in place to make sure professors treat women equally, but they can't always force them to take us seriously. Nordell notes that the visitor had grievances filed against him at another university, but that he was not found guilty of sexual harassment. "While specific conduct can be outlawed," she writes, "the attitudes it springs from cannot."

Nordell says she's "in awe of those students who broke in the academic world — as if it were a stiff leather shoe — so that I am able to participate unharmed." And indeed we all owe a lot to women who went to college when it was a much scarier place. But her story shows that the academic shoe may not be all that broken in yet. Women who experience what Nordell experienced still get the message that what matters about them is not their intellect but their attractiveness to men — can they really come away from this entirely unharmed? Did you experience behavior like this when you were in college or grad school? How do you feel about it now?

The Visitor [NY Times]

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<![CDATA[Who's To Blame For Little-Girl Voices?]]> They say women pick clothes to impress women, but do they pick voices to impress men? That's the question we were left with after listening to reporter Ashley Milne-Tyte's segment on NPR's 'Marketplace' about the disturbing — and apparently growing — trend of adult women who sound like little girls. Like Monica Goodling, the 33-year-old, right-wing Justice Department official with a suspicious law degree, bad ethics and the voice of a twelve-year-old. Seems that we weren't the only ones cringing during Goodling's Legally Blonde-like testimony before Congress last month: In fact, Milne-Tyte started off her Marketplace segment with an audio snippet of Goodling's remarks before the mostly-male House Justice Committee, then spoke to business and communication experts about this sort of vocal dumbing-down among female professionals. The theory behind it is that some women are either so scared of their own professional shadows or so afraid of being labeled feminists that they "overcorrect" by speaking and/or acting like young girls. Take Emily Longrio, a female professional who says she took voice training at the request of her boss. And what did Longrio learn? The power of "um"!

Making declarative statements is kind of intimidating. It's a lot easier to say "Um, I'd like to talk about our annual report today," than "I'd like to talk about our annual report today.

Apparently an "um" really changes things! But, seriously: If, as Naomi Wolf intimated in the Washington Post yesterday, the childlike behavior exhibited by certain women is some deep-seated attempt to reassure the world of their vulnerability and femininity, who exactly is pushing them to do so? Other women? Or the same type of men who criticize someone like Hillary Clinton for being nakedly ambitious and "shrill"? We're curious here, people. Weigh in, in the comments.

Professional Women? With Little-Girl Voices? [Marketplace]
Related: The Image Of Helplessness [WashingtonPost]
Little Girl Voices On Grown Women [WSJ]

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