<![CDATA[Jezebel: metiers d'art]]> http://tags.gawker.com/assets/base/img/thumbs140x140/jezebel.com.png <![CDATA[Jezebel: metiers d'art]]> http://jezebel.com/tag/metiersdart http://jezebel.com/tag/metiersdart <![CDATA[Tim Gunn Makes Conflict-Of-Interest Case Work]]>

  • Tim Gunn is taking some conflict-of-interest heat regarding a recent column he wrote OK! magazine. (Tim writes for OK!? How declasse!) When advising a reader about what jeans are best to fit most bodies, he steered the reader towards Liz Claiborne and Lucky Brand. Funny thing is, Gunn just happens to be the Chief Creative Officer of Liz Claiborne. [WWD, 2nd item]
  • The ads of David Beckham in his Emporio Armani undies don't hit the UK 'til March, but sales for white men's briefs have already gone up 50% since the announcement was made that Beckham's face (and balls) would be tied to the brand. [WWD, 2nd item]
  • Marc Jacobs on his camel toe costume: "I love being the unexpected, even if that means not moving for the entire night. You just kind of slide in from the front and hang out here. And the fur is all artificial of course, but there is simply too much of it!" Why are we not surprised that Jacobs would be anti-bush? [Fashion Week Daily]
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<![CDATA[Chanel Metiers D'Art: What Do English Chic And Amy Winehouse Have In Common?]]> Last week, Karl Lagerfeld showed the annual Métiers d'Art collection for the house of Chanel in London. Our favorite krazy Kraut said the collection was an homage to both the old-school English chic loved by Mlle Coco herself and, um, Amy Winehouse. (Lagerfeld even went so far as to call Winehouse the new Brigitte Bardot.) So how did the collection look? Well, very Lagerfeld-for-Chanel, if you ask us. It dutifully paid homage to classic Chanel cuts and shapes, but played with proportion and fabrics to create a look more rebellious than prim. But seriously, we have no idea what our favorite druggie chanteuse has to do with any of it, besides the beehives and heavy eye-makeup. Some highlights, in a gallery after the jump.

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