<![CDATA[Jezebel: los angeles times]]> http://tags.gawker.com/assets/base/img/thumbs140x140/jezebel.com.png <![CDATA[Jezebel: los angeles times]]> http://jezebel.com/tag/losangelestimes http://jezebel.com/tag/losangelestimes <![CDATA[Everyone Wants A Piece Of Michael; Christina Hendricks Will Wear Herrera At Wedding]]>

  • The glove the late King of Pop wore to marry Debbie Rowe has sold at auction for $49,000. [TMZ]
  • "I love Japan. I love the people, the shopping, the fashion. I think they have so much fun with fashion...they don't take it too seriously," says Nicky Hilton. Don't take fashion seriously? Because insanely awesome and carefully cultivated street fashion just happens. [WWD]
  • Mad Men's Christina Hendricks tells InStyle Weddings about her planned wedding to actor Geoffrey Arend, and specifies the designer (Carolina Herrera) and the look (Sophia Loren) of her wedding dress, but doesn't let it be photographed. [People]
  • Lily Cole is a model, who is also (very) smart. The Daily Mail took a break from publishing finger-wagging paparazzi photos of her and scurrilous scuttlebutt about her to notice these facts. [Daily Mail]
  • Nanette Lepore would like you to remember Labor Day by saving New York's Garment District from rapacious commercial exploitation. [NYTimes]
  • Juicy Couture co-founder Gela Nash-Taylor doesn't drink out of common Starbucks cups. She has her own paper cups, because "I'm so into monogramming. I'm doing it on everything right now." [ToL]
  • More than 800 stores across all five boroughs are involved in Thursday's shopping-with-fun event, Fashion's Night Out in New York City. Other regional and international events are also planned. [BrandWeek]
  • Karl Lagerfeld will be tending the Chanel store with Carine Roitfeld in Paris, for example. [WWD]
  • R.J. Cutler's documentary, The September Issue took in more than a quarter of a million dollars over Labor Day weekend. The $40,000 per-screen average makes it the fifth-highest-grossing documentary ever made. [AdAge]
  • Meanwhile, Studio 360's Kurt Anderson says that based on the film, the fashion world is "amazingly old-fashioned, like some royal artifact from the 18th Century." [Studio360]
  • The Los Angeles Times says the film "charts the intersection of art and commerce with a perhaps inadvertent eye for an excess that wasn't to last." (I am quoted in this article, proving that if you write long enough and, well, long enough on the Internet, someday someone will mistake you for an expert in something.) [LATimes]
  • Anna Wintour, for her part, says that complaining about the sea change in the fashion industry that has taken place since the filming of that documentary is "like talking about that house you could've bought for nothing on the beach in Southhampton. Forget it. It's gone. The amazing golden years that everyone in the industry was enjoying were fantastic from a business point of view but also maybe a little unseemly. Every celebrity thought she could be a designer, and how many handbags? How many shoes? How much of a thing does everyone really need?" Then Wintour goes to the Macy's in Queens where she will be — on Mayor Bloomberg's orders that the event not smack of elitism — kicking off Fashion's Night Out, and upon surveying the scene, asks in a horrified voice, "Can we...enhance?" [NYMag]
  • Sixteen months of declining same-store sales at the department store chain might make the budget for those "enhancements" leaner, however. [BW]
  • And retailers in general, after an apocalyptic fall and winter, and a barely-improved spring and summer, are hungry for the fall sales boost that events like Fashion's Night Out are aiming to provide. [WWD]
  • WWD has a beautiful, subscription-only, series of photographs of various New York designers as they prepare for fashion week. Alex Wang looks radiant and un-stressed, but the same can't be said of the male models snapped lining up for a casting at Yigal AzrouĆ«l. [WWD]
  • Naomi Campbell would like to point out, for all those who called her hypocritical for modeling fur in Dennis Basso's fall campaign, that she actually quit PETA years ago. So her hypocrisy has weathered a few seasons now — like a vintage mink. [SB]
  • More bad news for Annie Leibovitz: the practically-bankrupt photographer is being sued by an Italian photographer, Paolo Pizzetti, who claims that Leibovitz used his pictures without consent — or payment — for a Lavazza coffee campaign. Since Leibovitz could not travel to Italy to complete the shoot, which features images of models in romantic poses in front of Italian landmarks like the Trevi fountain and the Piazza San Marco, she had Pizzetti scout locations and take snapshots for her. Then Leibovitz shot the models in a New York studio, and digitally stitched the fore- and backgrounds together. Pizzetti says he was never paid for the rights to his contributions. [AW]
  • Lady Gaga is reportedly set to perform during New York Fashion Week at an after-party for Givenchy hosted by Out magazine and to be held at The Box. [WWD]
  • On the night of the 13th in New York, a short teaser film for Spring '10 by Gareth Pugh will be screened at Milk studios' M.A.C.-sponsored fashion shows in Chelsea. Although the first screening will be invitation-only, the second is open to members of the public who register on M.A.C.'s Facebook page. [Style.com]
  • And newly-minted director Christian Louboutin just wrapped filming on an advertisement for Piper-Heidseick champagne starring model Elisa Sednaoui. [WWD]
  • Manolo Blahnik says he never wanted to be a celebrity designer, and blames Sex And The City for his unwilling transformation. "If people talk to me about Sex And The City, I get sick," he told the Telegraph. "The taxi drivers recognize me now. It becomes too much and I don't feel comfortable." [PC]
  • Sojin Lee's new online fashion venture, Fashionair, has launched. Lee last worked for Net-A-Porter, and her backer is Simon Fuller's company. [Forbes]
  • Giorgio Armani designed a custom costume for a Spanish matador. It's grey and spangled. [Telegraph]
  • Despite growing sales, profits for 2008 at Armani shrank by 41.4%, to $188.3 million. [WWD]
  • Harold Tillman, a British fashion businessman who already owns Jaeger, has apparently acquired the bankrupt house Acquascutum. [ElleUK]
  • Tom Binns for Disney might seem like a weird combination, because, well, it's a weird combination. [WWD]
  • The Ebony Fashion Fair, an important industry event for black designers and models, is canceling its fall tour. The largest traveling fashion show in the world, Ebony helped launch the careers of talents like Kevan Hall and Tracey Reese, and raised money for various local and national charities including the NAACP and the Urban League. The economy is the culprit. [Examiner]
  • Milan Fashion Week has been thrown into "chaos" by a series of re-schedulings to avoid schedule conflicts, which begat new conflicts and new re-schedulings, and then yet more conflicts and re-schedulings. [WWD]
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<![CDATA[False Modesty]]> Apparently the LA Times (in 1971!) wanted to shield readers from the moral degradation brought on by gazing upon the naked chest. Solution: draw a shirt! But clearly the "artist" was on a tight deadline. [Sociological Images]

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<![CDATA[The Real Housewives Of Materialism]]> Sure, Bravo's The Real Housewives's NYC and O.C. franchises seemed like great trash TV a year ago when most couldn't foresee how hard the economy would crater; but now the conspicuous consumption of the "real housewives" seems more than just silly. The Real Housewives of Atlanta, which premieres tonight at 9 p.m. and follows 5 women who are mostly wives of pro athletes and rich men who live in the Atlanta area. What do reviewers think? The LA Times says the materialism is "horrifying," while The Hollywood Reporter finds the women "self-indulgent to the point of boredom." Ouch. [LAT & THR]

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<![CDATA[The Future Of Female Comedies May Sit Squarely On Tina Fey's Shoulders]]> Despite the "Tina Feytigue" experienced by some media mavens sick of the writer/actress/producer's PhotoShopped face coming at them from the cover of every magazine, I am still deeply psyched for Baby Mama, the Fey/Amy Poehler vehicle coming out on Friday. The Los Angeles Times points out that Universal, the studio that produced Forgetting Sarah Marshall as well as Baby Mama, was much more aggressive in marketing the former because it was a more typical romantic comedy. Lorne Michaels, SNL and BM producer, tells the paper, "Normally [comedies are] about a guy who gets dumped by a pretty girl and ends up with a prettier girl. This is not that."

Because the film is not typical boy-meets-girl fare, the Times is wondering if two women in their late 30s can carry a comedy in a world where 14-year-old boys (and men with 14-year-old mentalities) are the comedy film "sweet spot" of ticket purchasers. Baby Mama has neither big boobs, nor big bombs. Here's what Poehler has to say on the matter: "Everything is a harder sell until it's a success and then it's not." She continues:

What I'm proud of about this film is that there was an actual beginning and middle and end, and characters change and all that kind of stuff. Which is kind of like an actual movie? It's nice to be a part of that. Especially coming from the world with a lot of sketch, where everything is transient and temporary. It's nice to explore an actual arc in an actual film. I like movies that 14-year-old boys like, I like a lot of those. I would hope that they would like the same things I like too.
We all hope, considering that Baby Mama may break or make a new generation of female-centric comedies getting the greenlight.

Fey and Poehler Gamble With 'Baby Mama' [Los Angeles Times]
Tina Feytigue [Videogum]

Earlier: Tina Fey To Amy Poehler: I Wanna Put My Baby Inside You
Tina Fey: Comedienne, Cover Girl And "Great Role Model" For Women

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<![CDATA[Fashion Blogger Announces That "It" Bags Are (Finally) Dead]]> On November 1 of last year New York Times fashion writer Eric Wilson put forth the bold headline: "Is This It for the It Bag?". Today, Los Angeles Times fashion blogger Monica Corcoran responds with the following: "The It Bag Is Dead. Designers Mourn." Well there you have it! Wrote Wilson back in November: "There is too much inventory. Prices are absurdly high... Status handbags, you see, are a lot like housing. After the rise of the $1,000 purse, fashion's equivalent of the $1 million studio, there inevitably comes talk of a backlash." (In the new issue of Harper's Bazaar, Bottega Veneta designer Tomas Maier rails against the very idea of such bags, calling them "bullshit".) But in her piece today, Corcoran suggests that the death of the It Bag has less to do with economics and more to do with celebrity, i.e., that the way we consume paparazzi images of women more famous more for forgetting to wear underwear could be impacting the status of the objects they carry that we are supposed to aspire to.

The Muse [the It Bag created by Yves Saint Laurent]...was the Palme d'Or among accessory addicts. Like a slain stag slung across the roof of a pickup truck, the Muse signified that a woman had bagged the right bag. Lindsay Lohan, Paris Hilton and other starlets reserved the cozy crooks of their arms for the popular purse. These days, life pales for the Muse...[T]he YSL handbag was last seen...priced at 20% off. Much like the popular pretty girl who always dies first in a horror film, the "it" bag was a victim of its own ambition.
So really, when you think about it, the It Bag was both killed by Lindsay Lohan and is a metaphor for Lohan herself! Meta.

The it Bag Is Dead. Designers Mourn. [All the Rage]
Related: Is This It for the It Bag? [New York Times]

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