<![CDATA[Jezebel: lisa appignanesi]]> http://tags.gawker.com/assets/base/img/thumbs140x140/jezebel.com.png <![CDATA[Jezebel: lisa appignanesi]]> http://jezebel.com/tag/lisaappignanesi http://jezebel.com/tag/lisaappignanesi <![CDATA[Mad, Bad & Sad: History Of Female Mental Illness Turns Into Indictment Of Psychotherapy]]> From force-feeding to tooth removal to stomach surgery, mental patients throughout history — many of them women — have endured some pretty horrific therapies. In Mad, Bad & Sad, Lisa Appignanesi questions whether modern treatments are much better.

Subtitled A History of Women and the Mind Doctors, Appignanesi's book aims to trace the relationship between women's "madness, badness, and sadness" and their treatment by (usually male) professionals from the late 18th century to the present day. The book does a good job of describing the connection early physicians saw between physical and mental ailments — the "moving womb" theory of hysteria, the fits of numbness and paralysis supposedly brought on by a frightening sight or memory. The "mind doctors" of the 18th and 19th centuries were of course wrong about the specifics of these connections (breast milk, for instance, does not travel into the brain and cause insanity), but it's interesting to note that they understood what we sometimes forget — that the mind and body can influence each other, for good and ill.

Unfortunately, this awareness often led to sexism. Appignanesi notes that doctors in the second half of the 19th century believed that problems with the female reproductive system caused "nervous afflictions," and that,

Throughout this period, doctors and scientists seemed determined to raise the existing division of labor in the middle class to a universal given, and to transform women's place in the domestic sphere into a biological inevitability from which deviation of any kind would bring breakdown, not only of the mind but of the species. Women were understood as being fashioned by evolution for the home and maternity, nervously fragile, intellectually inferior. Moving away from that lesser birthright, allowing energies to be drained by intellectual or imaginative exertion would lead to nervous collapse or to that capacious list of symptoms which most often went under the catch-all diagnosis of neurasthenia or its near-neighbour hysteria.

Prejudicial theory was often matched by brutal practice. Pelvic surgery and force-feeding were common treatments, and Appignanesi tells the story of one woman fed so violently in an asylum that all her teeth were broken. Especially gruesome was early 20th-century hospital superintendent Henry Cotton, who believed psychosis was caused by "chronic pus infections" and who "treated" sufferers not only with tooth removal but with surgery on the stomach, tonsils, uterus, and colon.

There's an interesting book to be written about how fads in mental treatment have harmed and helped women's bodies and minds over the past two centuries. Mad, Bad & Sad is not that book. Appignanesi offers overlong and sometimes jumbled case histories in lieu of any real tracking of trends. Instead of a full picture of how culture has shaped women's diagnosis and treatment, we get scattershot portraits of such ailments as hysteria, neurasthenia, eating disorders, and borderline personality disorder without a coherent explanation of what brought each of these conditions to the fore. It's clear that aspects of mental illness are culturally determined — there's a reason why the diagnosis and even the symptoms of hysteria were prevalent in one century, BPD in another, but Appignanesi doesn't really examine what that reason is.

She does say that "therapies [...] can create their own best patients," and she seemed nearly as skeptical of modern SSRIs and cognitive-behavioral therapy as she does of tooth removal and pelvic surgery. Despite her graphic descriptions of blood-vomiting hysterics, she sometimes seems to think that mental illness is largely illusory, something imposed by doctors on women going through normal life phases like adolescence and childbirth. The only therapies she seems to support are journaling, psychoanalysis (with some reservations), and just growing out of your problems.

Appignanesi makes good points at the beginning of her book about the inherent sexism of early psychiatric theories. She might have used these insights to examine how modern-day therapists might transcend gender stereotypes and treatment fads to give their patients the best possible care. Instead, she seems to consider almost all mental health treatments to be forms of insidious social programming. Of course, psychotherapy does tend to reinforce social norms even as it helps patients deal with their very real pain. Whether the two necessarily go hand in hand is an interesting question. It's too bad Appignanesi doesn't make a serious effort to answer it.

Mad, Bad, And Sad: A History Of Women And The Mind Doctors [Amazon]

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<![CDATA[What Do Bradshaw, Plath, And De Beauvoir Have In Common? An Addiction To Egotistical Men]]> There's an article in today's Guardian asking Can a feminist really love Sex and the City? The short answer: yes. A woman's pop cultural affections often have very little to do with her belief system. But the other question implicit in this article would be "Is Carrie Bradshaw a proper feminist icon?" That question is more difficult to answer. One passage, where author Alice Wignall is making the argument against Bradshaw's feminist status, stood out to me: "[The] central relationship is clearly problematic. Mr Big is arrogant, egocentric and apparently unable to see a good thing when she is standing in front of him in four-inch heels. Carrie's own inability to wake up and realise what a terrible cliche she is dating renders her, at best, pretty dumb and, at worst, passive and weak." In some ways, Carrie's "problematic" love for a terminally egotistical man makes her very similar to a lot of the women in the feminist pantheon, specifically Simone de Beauvoir, Sylvia Plath, and Rebecca West.

Beauvoir had a famously open relationship with Sartre, but, as Lisa Appignanesi pointed out in the Guardian, Sartre was the one who insisted on sleeping with other people, and Beauvoir was the one who went along with it. According to Appignanesi, "In this lifelong relationship of supposed equals, he, it turned out, was far more equal than she was. It was he who engaged in countless affairs, to which she responded on only a few occasions with longer-lasting passions of her own. Between the lines of her fiction and what are in effect six volumes of autobiography, it is also evident that De Beauvoir suffered deeply from jealousy."

Sylvia Plath famously killed herself after fellow poet, husband Ted Hughes, left her for another woman. Plath had a history of mental illness and one prior suicide attempt, but her obsession with Ted and his betrayal arguably hastened her demise. Although she pursued her own career with vibrant ambition, she still typed his manuscripts for him.

Rebecca West was a 20-year-old, up and coming critic and journalist when she met H.G. Wells. They began a passionate love affair that would last a decade. What's the problem with that? Wells already had a wife, and several children. When West became pregnant out of wedlock with Wells' baby (a big deal when it happened in 1913), she decided to keep the child. According to the book, after she told Wells she would bear their child, An Affair To Remember: The Greatest Love Stories of All Time, "Most of the adjustments were made by Rebecca. She moved from rented house to rented house. She had nothing but Wells — from time to time — and her writing." Most of the time, Wells remained at home with his wife.

The moral of this story is, many great feminists were not so "feminist" in their love lives, and no one can be a shining example of any -ism 24/7. (The verdict is still out on whether or not Carrie's a "feminist" considering the entirety of her "self" is constructed around her love life. Her shoes remain fantastic, though.)

Can A Feminist Really Love Sex And The City? [Guardian]
'Our Relationship Was The Greatest Achievement Of My Life' [Guardian]
An Affair To Remember: The Greatest Love Stories of All Time [Google Books]

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<![CDATA[In Post-Industrial Society, Women Are Either "Princess Crazy" Or Her Handmaidens]]> How many times has a dude accused you of being "crazy" when you think you're being perfectly rational? Well there's a new book out by Paris-born writer Lisa Appignanesi, Mad, Bad and Sad: A History of Women and the Mind Doctors from 1800, which argues that women's so-called madness has been gerrymandered by shifting definitions that often equate craziness and "feminine" behavior. In a review of Mad, Bad and Sad, Telegraph scribe Melanie McGrath says that, "Our current expectations to be made, as one advocate of Prozac puts it, 'better than well', along with ever-expanding definitions of what constitutes mental illness, have served to turn us all, if not into Princesses of Crazy then into her handmaidens."

Appignanesi discusses cultural expectations of "madness" by citing the biographies of suicidal, cultural icons such as Marilyn Monroe, Sylvia Plath, and Virginia Woolf. According to McGrath, "We are not simple creatures,' [Appignanesi] says, in something of an understatement. By accepting, even colluding with, the continual expansion of categories of mental illness, we deny life's natural ups and downs and by doing so, impoverish its quality."

Appignanesi isn't the only one lamenting the over-diagnosis of a captive public. There has been much ink spilled on the over-prescription of psychiatric medication, and stereotypically (as Appignanesi points out), women are more demonstratively emotional than men are — so are they being more aggressively over-prescribed? Should we be pulling up the proverbial yellow wallpaper of our feminine oppression instead of swilling Prozac? As we watch former icon of ultra-girliness, Britney Spears, mentally unravel before our eyes, these are all valid questions to be asking ourselves. As we ponder, I'm just going to call myself a handmaiden of princess crazy because, you know, it has a nice ring to it!

Femininity As Mental Illness [Telegraph]
Mad, Bad and Sad: A History of Women and the Mind Doctors from 1800 [Amazon]

Earlier: What's The Difference Between A "Real" Depressive And A "Lazy" Pill Freak?
In Defense Of Depression
Boys Who Use The Word "Drama": An Investigation

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