<![CDATA[Jezebel: linda evangelista]]> http://tags.gawker.com/assets/base/img/thumbs140x140/jezebel.com.png <![CDATA[Jezebel: linda evangelista]]> http://jezebel.com/tag/lindaevangelista http://jezebel.com/tag/lindaevangelista <![CDATA[Lindsay Lohan, Couturiere; People Are Angry At Ralph Lauren]]>

  • Lindsay Lohan, finally addressing her disastrously received first Ungaro collection, says, "I am learning." But she will be back in Paris for the next show! "It's already in January. I thought it was in March." January? January means couture.

Could Mounir Moufarrige seriously be reviving Ungaro's couture division — which was shuttered in 2004 — with Lohan at the helm? God help us. Lohan also denies any responsibility for, or foreknowledge of, those ridiculous sparkly heart pasties that the Ungaro models purposefully flashed during the show that just walked in Paris. [People]

  • Selena Gomez is launching a fashion line, called Selena Gomez Dream Out Loud. Something called Cynosure Holdings is responsible for the collection, which seems appropriate, somehow. It's not coming out till fall 2010, so if the economy gets worse, there's still time for it the whole idea to slink quietly away, like Pastelle. [WWD]
  • Here are some first looks from Rodarte's Target collection, due out on December 20. It includes a lot of leopard print, lace, sequins, and tulle. [Seventeen and A Tiny Machine]
  • Carmen Marc Valvo focuses on the positive: "I've survived in this business for over 20 years. And I've survived colon cancer; so a little dip in the world economy isn't enough to keep me down." [Houston Chronicle]
  • Badgley Mischka are doing a lower-priced line, called Mark & James. [WWD]
  • Ordinary New Yorkers speak out on Filippa Hamilton, the Ralph Lauren face who was fired for being too fat, at size 4: "It makes me angry," says Alexandria Blackwell, 15, of the Bronx. "They always want skinnier." Dr. Robyn Silverman, a child and teen development expert, says, "If a stunning size 4 model is too overweight to look good in their clothes, then they need to change their clothes, not the model." Revolutionary! [NYDN]
  • Delia Ephron, on clothes and life: "Clothes have special power. I'll always remember the raspberry colored v-necked silk sweater I was wearing on my husband and my first date. If I hadn't been wearing that sweater that night, would any of it have happened?" Nora says dressing well becomes more important as women age. "Of course it does, because looking good is so easy when you're young. For openers, you're young, and that looks good." [Glamour]
  • Linda Evangelista, on doing a shoot for W with chickens: "I grew up in Canada, in an area where everyone had chickens. I mean, we weren't supposed to have chickens — it was a residential area, but we did. Also, when I went back to Italy with my parents where they grew up, there were chickens. So you can say I know a lot about chickens." [W]
  • Marie Claire editor Joanna Coles' limited vocabulary drew the attention of Fashion Week Daily, which provided a handy summary of Coles' questions for Hilary Swank, with every repetition of the word "assume" highlighted. [FWD]
  • Crocs is opening a flagship store in Boulder, Colorado. [UPI]
  • Someone, somewhere, "officially" named Ines de la Fressange the most chic woman in Paris. Carla Bruni, eat your heart out! [Telegraph]
  • "I'm excited to go to Olympics in Vancouver," says former figure skater Vera Wang. "I'm definitely going. I always try to go anytime the Olympics come close to our continent!" She still thinks about her former sport. "Skating became a different sport with the magnification of television. And certainly a few exciting things happened in between, like knee clubbing and scandals to raise the sport's profile. But in the end, it's one of the most beautiful spectator sports that you can watch. It's not just about being insanely athletic; it's all being expressive and artistic. There's no other sport that combines spinning, jumping, choreography, costumes, music all in one- it's a full on press." [FWD]
  • When she moved on to being an editor at Vogue, Wang had a few hairy moments. "There was a time where I put all of the furs on a Vogue shoot with Deborah Turbeville into the water, and the entire fur industry wanted to sue me," the designer recalled. "Another time we ruined a Frank Stella painting…we were shooting at night and I remember watching a model jumping up and down in front of a work of art that fell apart. It's hard to put a number on it, but that work of art was worth a quarter of a million 35 years ago. That's probably $3 billion now." [WWD]
  • Vera Wang popped in to Karolina Kurkova's baby shower, which was also attended by Adriana Lima, Michelle Monaghan, Rachel Roy. Lima, who is also pregnant, compared bellies with Kurkova. [P6]
  • Heidi Klum says she's not going to try and lose the baby weight just to be in this year's Victoria's Secret show. [People]
  • Jason Wu is greeting his adoring public in Taiwan this week. [WWD]
  • Zac Posen is dipping his toe in the churning waters of advertising. Coco Rocha stars and Ellen von Unwerth shot. [Fashionista]
  • "Being fierce is a state of being, not something you can become. It's a high point of being a certain persona. Ferosh is a downgraded version of being fierce." — Leading ferocity expert Christian Siriano. [Star-Trib]
  • The Gap is bringing back television advertising, after two years without. The chain will also open a flagship in China next year, but overall the company plans to reduce its retail space by 10% over the next five years. Its September same-store sales were down a relatively modest 1%. [TS]
  • H&M's same-store sales slid 8% in September. [WSJ]
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<![CDATA[Glamour & Quirkiness At Milan amfAR Gala]]> Janet Jackson, Dita Von Teese, Chanel Iman, Donatella Versace and many more got all dressed up for amfAR's Inaugural Milan Fashion Week Event last night. Gorgeous gowns and elegantly eccentric ensembles abound!


Italian TV host Simona Ventura's cups runneth over in a gown that's part Mae West, part Sleeping Beauty.


Get oooout! Donatella Versace keeps the Versace message alive: It's all about tight or shiny, and hopefully a little of both. Kudos on braving the ankle-snapping heels, the thought of which make we mere mortals tremble.


Anna Piaggi! Italian fashion writer! Style icon! She of magical spreads for Italian Vogue! Always eccentric, never afraid. And she's used a bright red manual Olivetti typewriter for her work since 1969. What is not to love?!?!


Ms. Jackson's curves are positively goddess-like in this draped gown. We've been seeing a lot of electric blue and sapphire blue on the runways, and this jewel tone is really exquisite.


Kanye wants to know if you've heard any funny Kanye West jokes lately. Looks like he left one accessory — the booze bottle — at home. As for Amber Rose? She makes chic look easy. Damn her.


Rachel Bilson's black column dress is elegant, though a little dull.


Model Noemi Lenoir is one of my favorites, and her silky shirtdress is certainly sleek and chic.


A little Internet research reveals Hofit Golan's claim to fame seems to be posing on red carpets in skin-baring outfits. Mission accomplished!


While this is not my favorite dress on Dita Von Teese, I appreciate her wearing a bright color, when almost everyone else chose black. She is a show-stopper, even if the ruching and the sleeves seem a bit much.


Model Anja Rubik makes chain mail look sexy.


Chanel Iman is adorable, but I'm going to have to pretend I didn't see that incredibly chunky shoe peeking out from under her sumptuous gown.


Alek Wek: Stunning. Period.


On the left we have Giovanna Battaglia. L'Uomo Vogue editor and former Dolce and Gabbana model. On the right: Vladimir Restoin Roitfeld, son of French Vogue editor Carine Roitfeld. In other words, friends, you're looking at fashion royalty. Her ensemble is ridiculous — yet somehow amazing; his vibe reeks of "I'd rather be on a boat in Sardegna." Bow down.


Dean and Dan Caten — founders of Dsquared — can pull off pink tux jackets with roughed-up jeans like no one else. They need to call Chuck Bass when they're looking for a third to call the corners with.


Linda Evangelista looks like she's been watching old movies on TCM. Loving the hair and slinky velvet skirt!

[Images via Getty.]

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<![CDATA[The September Issue: A Portrait Of The Quaint Old Consumer Economy]]> There is something almost touchingly prelapsarian about The September Issue, R. J. Cutler's documentary about the making of the biggest ever issue of American Vogue.

The September, 2007, Vogue, which sold 13 million copies, weighed nearly five pounds, and its 840 pages made it the single largest magazine ever published. Seven-hundred and twenty-seven of those pages were ads. When publisher Tom Florio exhorts the magazine's advertising sales team to "sell Vogue the brand like it's never been sold before," you feel it: this is what things were like when economic growth and consumer spending were lockstep in one upward trend, and magazines like Vogue could reliably put out Our Biggest Issue Ever, every year.

You feel it when Grace Coddington reports that Wintour, in killing shots from a lavish 1920s-themed spread, has "just thrown out probably $50,000 worth of work." You feel it when Wintour, having seen stills from an editorial with a color-blocking theme, orders a re-shoot, with different models, different clothes, and a different photographer. (No sum is supplied for the cost of that waste of daily rates, studio rental, and catering.)

You also feel it when Wintour is filmed with her deputy, Sally Singer, at a retailer luncheon the magazine has convened. Retailers are nervous about certain of the things they've seen on the fall runways, and they rely on Wintour as a kind of emissary to the design world; when Singer prompts her boss to share their "good news," Wintour tilts her head and reports that she has spoken to "Mrs. Prada" several times, and that she has agreed to "reinterpret" certain of her runway looks in a more wearable silk-mohair blend, instead of the wool-mohair she had shown on the catwalk. The assembled tableful of executives from Saks and Bergdorf's practically coo with appreciation.

After that decree is handed down to such a happy reception, Burt Tansky, the president and C.E.O. of Neiman Marcus, starts to ask Wintour a long question about delivery schedules. Designers, it seems, are making late and infrequent deliveries, which retailers feel cost them sales; customers want what's new right now. Tansky uses the phrase "demand outstripping supply" several times. It is a shocking moment: it's as if the incredible glut of oversupply, the $3,000 handbag bubble that rose through the market during the years of easy credit and burst last fall in a mess of steep discounting and steeper layoffs, had risen up, taken over Tansky's body, and thunderously demanded to be fed.

Wintour's response is equally shocking: given her magazine's role in pushing the culture of consumption, the culture of "aspirational" consumerism and "It" bags, one might expect Wintour to tell the titans of retail that she will speak to these tardy designers and tell them what's what. But instead she dresses down Tansky, giving him a politician's non-response about how she "hears what he is saying" and that it boils down to a problem of "editing." She says some of the younger designers have trouble editing their collections down, and she will see what she can do. Never mind that "editing" is almost the exact opposite of Tansky's concern; Wintour gets up from the table and leaves. And one is confronted with the surprising sense that, whether or not she knew it at the time, Wintour was on the right side of that issue.

There are a number of surprising things about The September Issue, which I finally saw last night. Although Wintour comes across as fairly warm and forthcoming, the camera cannot hide her staff's authentically fearful reactions to her presence; when Wintour is perusing photo spreads with her art director, she moves slowly and deliberately down a long bench, looking at photos one by one. When she approaches a young assistant who is lingering over, or perhaps just straightening, one of the shots, Wintour, without moving a muscle, says quietly, "Excuse me." The girl jumps out of Wintour's way like she's been bitten, and Wintour continues down the line of pictures without breaking stride.

Apparently, there also must be a rider in Patrick Demarchelier's contract about being able to shoot in beautiful locations, because we witness the production of one of those terrible, jumping, grey-background editorials of which Vogue is so very fond, and it doesn't take place at Milk Studios. Demarchelier, Caroline Trentini, Coddington, and the rest of the team are whisked away to a beautiful modernist house on a wide-open expanse of land; in the living room, a grey backdrop has been hung, and what emerges is a shoot which gives no inkling of its geographical origin. The location fees alone for that shoot boggle the mind.

The adversarial but respectful relationship between Grace Coddington, Vogue's top stylist, and Wintour is also explored. While other fashion editors crumble under Wintour's reproach — Edward Enninful says after a styling critique where Wintour rejects nearly every look he has put together that he wants to kill himself — Coddington fights, both in her editor's office and via backchannels. (She's always using the documentarians to try and find out how her spreads are faring — gaining pages, losing pages, or holding steady — in the layout room.) Wintour seems to respect Coddington all the more for her willingness to scrap; it's as though, like a good boss, she wants to be challenged.

When cover subject Sienna Miller steps into the scene, an instructive juxtaposition between celebrities and models is created. (We also see Raquel Zimmerman, Caroline Trentini, Coco Rocha, and numerous other no-name girls, do their thing; during a couture shoot in Paris, Zimmerman carefully eats a fruit tart the size of a saucer, while a distressed makeup artist looks on in preparation to re-perform her handiwork.) Sienna is full of life, giddy and excited and seemingly fun — also a canny business woman: she makes sure to introduce her designer sister, Savannah, to Wintour and the Vogue team — and the models are more subdued; there's a care taken in their movements. When a source makes the argument that women like Sienna got the idea to be models because they saw the supermodels of the late 80s and early 90s take over the fashion world, and grew to covet Linda Evangelista and Christy Turlington's beautiful ubiquity, it's hard not to agree. Sienna poses and jumps and mugs for the camera like an actress trying to look like a bombastic 80s model, as if by sheer enthusiasm she could will a beautiful picture into existence, and consequently her shots take all manner of Photoshop trickery — fake backgrounds, a head from one shot Frankensteined onto the neck and shoulders from another — to finesse. Raquel and Coco know just how to move a hand or a shoulder to set off the lines of the garment, and they work at it until the shot is just right. Coddington says at one point that she wouldn't care if she never saw another celebrity again in her life; and after seeing the focus that Raquel brings to that couture shoot — which ended up in the October, 2007, issue — you can't help but kind of agree.


The film is a well-studied evocation of all the hard work that goes into producing a magazine; unfortunately, the beauty and editorial sides are a little under-represented (we briefly see a spread featuring the makeup artist Pat McGrath in the layout room, and Wintour spends one scene looking bored while a junior editor goes over story ideas for the issue. "We're focusing on the eye, because I think eyes are a real concern for all women, they're the first thing that starts to really show age, even girls in their 20s worry about their eyes," says the editor. It's like watching a need being manufactured.) Wintour emerges as a surprisingly insecure. "Just because you like to put on a beautiful Carolina Herrera dress or a pair of J Brand blue jeans instead of something basic from Kmart doesn't mean you're a dumb person" is the kind of pre-emptive defense that says more about the defender's perceptions of the attack than anything else. "People are scared of fashion — because they're frightened or insecure, so they put it down...There is something about fashion that can make people very nervous." The idea that people only hate what they do not understand — implicit in which is the idea that there are no valid grounds on which to criticize Wintour, her magazine, or the fashion industry, just hurt feelings — is about the oldest trick in the book. And it comes off like Wintour, with her intellectual heavyweight family, is shadow-boxing. Who seriously pretends these days that appreciating good design and being smart are incompatible? Wintour's eagerness to defend herself on the issue is telling.

Vogue editorial image via Luxx at The Fashion Spot

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<![CDATA[Karl Thinks Feminists Are "Ugly"; Posh Spice Gives Up On Armani]]>

  • For the September issue of Harper's Bazaar, the magazine interviewed Karl Lagerfeld, speaking as Coco Chanel. In character, the Grand Teuton shared such idiotic reflections as: "I was never a feminist because I was never ugly enough for that." [FWD]
  • A very painterly, Frenchified image of 90s supe Linda Evangelista made the grade as John Galliano's fall campaign. [SassyBella]
  • On Sunday, the Mandarin Oriental Hotel in Washington, D.C., hosted an exhibition of the Indonesian batik textiles collected by President Obama's mother, Anne Dunham, during her years in the country. There were traditional Indonesian dance and music performances, and fashion shows from two Indonesian designers. [WWD]
  • Victoria Beckham has decided not to renew her contract with Emporio Armani, apparently because she wants to concentrate on her dress line. [UK Vogue]
  • Spice Girls svengali Simon Fuller has acquired a 51% stake in Storm, the London model agency that represents such top names as Kate Moss, Jourdan Dunn, Eva Herzigova, and Lily Cole. [Telegraph]
  • This fall is going to be an exciting time for designer fast-fashion lines. Unrolling next season at a chain near you: Jimmy Choo for H&M, Stella McCartney for Gap Kids, Anna Sui for Target, Christopher Kane for TopShop, Adam Lippes for Mango, and, uh, Lauren Conrad for Kohl's. [TS]
  • Add to that list Jil Sander's hotly anticipated +J line for Uniqlo, which will begin hitting stores in October. The 140-piece collection is believed to start at around $25. [Fashionologie]
  • Stars like Mariah Carey, Jessica Simpson, Emeril Lagasse, and Martha Stewart are promoting Macy's "Come Together" program, a special night of dinner parties intended to inspire charitable giving. Americans are asked to host a special dinner in their homes, and solicit donations to Feeding America, in lieu of any gifts for the host. Macy's will match those donations until enough money has been raised to serve 10 million meals to poor families this fall and winter. You can register a dinner party or get new information at Come Together. [People]
  • Are you a man? Are you really, really ridiculously good-looking? Have you ever dreamed of becoming a Calvin Klein underwear model? Do you live in one of nine European countries? In that case, you might be in luck: to launch a new underwear line, Calvin Klein is holding a model search. Jamie Dornan will be one of the judges. [WWD]
  • "She's like, 'What about Maximilian? Bruno? Sebastian? Hector? Guido?' I always tell her I'll put it on my list." Karolina Kurkova's Slovak mother sure does have interesting taste in baby boy names. [USAToday]
  • Donald Fisher, the Gap founder, and his wife Doris spent the last 50 years collecting art by such eminent figures as Andy Warhol, Roy Lichtenstein, and Alexander Calder. But San Francisco preservationists have nixed the Fishers' plans to build a museum in the Presidio, a historic military base inside the city. The Fishers would prefer to keep the priceless collection in San Francisco, perhaps at the De Young or at the SFMOMA, but after the rejection of their standalone museum idea, other art museums are actively wooing the couple. [LATimes]
  • Australian Merino lambs are routinely mulesed — that is, they have the skin around their buttocks cut off, often without anaesthetic, to prevent a disease called flystrike, which occurs when flies lay maggots in the folds of the lambs' skin, and those maggots then commence eating the animals' flesh. Although flystrike is horrifying, many animal rights activists are even more aghast at the mulesing, and with Australian farmers now announcing that they will fail to meet an agreed-upon 2010 deadline for ending the practice, some top fashion chains are discussing a ban on Australian merino wool. In which case, might I suggest New Zealand merino as an alternative? New Zealand is already phasing out mulesing. [Guardian]
  • Heidi Klum had to close her five-year-old jewelry line because of a trademark infringement lawsuit from Van Cleef & Arpels, who objected to her use of its signature clover design. "We stopped because we had a lawsuit with Van Cleef & Arpels — they wanted to have the clover, even though our designs had never matched," said the supermodel. "I think when you're a small company, which we are, we're not a Van Cleef — they have a thousand lawyers. I'm a small fry next to that." [LATimes]
  • Imagine the delicate hell of being a parts model: "Most people can walk away from work when they're done with a job, but parts models can't, because [our parts] have to be flawless. I moisturize 20 to 30 times a day, and wear gloves 90 percent of the time," says hand model Ashley Covington. [CNN]
  • Coach C.E.O. Lew Frankfort, who has been with the company for 30 years, extended his contract until 2013. [Crain's]
  • Paula Dorf cosmetics is bankrupt. The company filed for Chapter 11 bankruptcy protection, owing more than 50 creditors a total of $3.9 million. [Crain's]
  • K Swiss lost $11.5 million in the second quarter of this year. Last year, they made a $26.4 million profit in the same period. [WWD]
  • Astoundingly, high-end children's clothing is also suffering in this economy. A Connecticut store that sold $995 Peter Som girls' dresses close its doors this summer, and companies are dialing back their kids lines. [WSJ]
  • A new strategy in the open question of how, and whom, to sue over the online trade in counterfeit luxury goods: after the failure to get auction sites like eBay held accountable — L'Oréal lost its multi-million-dollar suit, and Steve Madden had to drop its lawsuit just last week — Gucci has hit upon suing the credit card processing companies. The lawsuit accuses the companies of facilitating the sale of fake purses, and names the companies "full partners in those counterfeiting activities." Gucci has already wrangled a $5.2 million settlement from the Laurette Company, which runs the website TheBagAddiction.com, where counterfeit bags were often sold, and the credit card processing companies are those companies which worked closely with Laurette. [Reuters]
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<![CDATA[The Patron Saint Of Fierce]]>

[New York, August 5. Image via Splash]

(Click to enlarge.)

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<![CDATA[Photoshop Of Horrors]]> Among the problems in this Linda Evangelista L'Oreal ad: Chopped off fingers; black hole the fingers are disappearing into; weird transition between the back of her "hair" and the front; lack of neck. Click to enlarge. [Photoshop Disasters]

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<![CDATA[An 80s-Tastic Christy Turlington Retrospective]]> Christy Turlington's presence on the August cover of American Vogue prompted Style.com to duck into the archives for more of the supermodel's old work for the title. We thought the list lacked for a little seminal 80s campaign oomph, so...



We decided to resurrect some early gems, like this Versace campaign, shot by Richard Avedon, and co-starring (who else?) Naomi and Linda.


There is an entire cultural studies thesis about power dressing and the representation of women as authority figures and "having it all" latent in this picture from 1987.


Isn't it strange that this one, though it dates from almost ten years later, seems so passive by comparison? Calvin Klein had Turlington on a very restrictive exclusive contract until the early 1990s, when she was dumped by the brand for cutting her hair without consulting them — a relationship, and a reaction, that has always struck me as emblematic of a deep paternalism.


Herb Ritts, for Versace, makes Turlington look here like a piece of Surrealist art.


You just know there's a hipster in Williamsburg itching to wear this, a coat so ugly even Irving Penn couldn't make it look appetizing, right now.


Pressing questions: what is going on with the crotch of those pants?


Oh, man, remember film grain?


Since it seems inevitable that we're heading back to the 90s, would it be totally unrealistic to hope that we might return to these 90s?


Because I, for one, do not relish the thought of going back to these ones.


Ah, that's better.


Irving Penn contributes so very rarely to Vogue these days — which is understandable, given his advanced years. But this picture, and the next one, help show why he is missed.


Seriously, how long has it been since we've seen the actual shape of a human body, unaltered by Photoshop, in the pages of American Vogue? All the twists and overlaps are what make this picture — like the bulge in her arm that proves its supporting her weight, and the indentation the protrusion of her heel makes in her ass. And you can easily imagine these being among the first features that would be smoothed and tightened away under today's aesthetic regime.


Like they are here, in this otherwise striking cover from 2002.


Someone should make pumps like these again. They're not stupidly high, they have that perfect not-too-pointy toe, and the classic tapering heel. No hidden platform, no witchy long vamp, no 4" stiletto to negotiate walking in — just cute proportions and cute prints. Linda is saying, "Fuck yeah!"


Meisel in the 80s doing Avedon in the 50s isn't the most original of themes, but I'm a sucker for shots of women putting on their makeup and jewelry. Something about those moments of feminine toilette is so intimate and fascinating.


Shoulder-grazing ear-rings and 3 lb necklaces are fun to wear! Whee!


Never one to shy away from the unusual, for a 2006 campaign for her Puma line Nuala, the supermodel had artist Alex Katz paint her.

Christy Turlington is, of course, a lot more than a model these days. She quit the industry at the age of 25 to study comparative religion at NYU, and is currently a graduate student in public health at Columbia. Now 40 and a mother of two, Turlington is making a documentary about maternal health in developing countries. She's financing it with the money she makes from her occasional gigs, like being the next face of YSL. "I can talk about things that people in the field are afraid to bring up," says Turlington, "because their funding is tied to administrations and policy."

25 Years of Christy Turlington in Vogue [Style.com]
Beauty And Soul [Style.com]

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<![CDATA[Supermodel Gets Naked For Movie; The Kaiser Said To Be Leaving Chanel]]>

  • Karl Lagerfeld, Olivier Theyskens, and Alber Elbaz are rumored to be doing a grand fashion switcheroo. According to fashion writer Diane Pernet, Lagerfeld hasn't renewed his contract at Chanel, and Elbaz, of Lanvin, is going to take his place. Theyskens won't go to Schiaparelli, as previously thought, and instead will take the reins at Lanvin. Just wrap your head around that for a minute. [ASVOF]
  • Proctor & Gamble is ending distribution of Max Factor makeup in the United States. [WWD]
  • A nude photo of Carla Bruni-Sarkozy auctioned in Berlin sold for $19,600. It had been estimated to fetch $3,568-$4,997. [AP]
  • André Leon Talley says that Anna Wintour was "thrilled" with Morley Safer's softly-lit, mostly softball 60 Minutes profile — this despite the fact that Safer essentially called Wintour a "bitch" to her face. Talley did puzzle at some of Safer's takes on the various designers and models he met in the course of his research — he memorably said Karl Lagerfeld "this season favors a Dracula look." "He's had that look for eight years!" laughed Talley. [Mediabistro]
  • Model Daisy Lowe: "I'm going to get old and wrinkly, and when I'm older I'm going to put on loads of weight, and I'm excited about it. I think it's just really important to remember that you aren't your face." [Telegraph]
  • Designer Charlotte Ronson: "i lost my favorite black vintage sweatshirt at Avenue in ny last night. Please if anyone finds it contact me. there will be a reward." [CJRonson's Twitter]
  • Linda Evangelista says that lip liner and a slick of gloss is a much more "modern" look than lipstick. Okay. [MSN]
  • Creative director Esteban Cortazar is said to be on his way out at the troubled house of Ungaro. Although Lindsay Lohan is not, as had been rumored, in the running for any kind of creative position, C.E.O. Mounir Moufarrige favors her, or another celebrity, as a face of the brand. This marketing strategy was not to the 25-year-old Columbian designer's liking. [WWD]
  • Jason Wu showed his resort collection yesterday in New York, and some of the editors who came to watch it did not eat any of the hors d'oeuvres. Shocking fashion behavior, that! [P6]
  • Banana Republic is going to launch a men's and women's fragrance duo, to be called Republic Collection. [WWD]
  • Pictures of the Hotel Missoni in Edinburgh, the first of three currently planned Missoni-designed hotels, are now available. It looks nice. Single rooms start around $289 per night. [Hotel Missoni]
  • For those of you who appreciate good design, have several homes, and enjoy the sun (but not the surf), Rosa Cha has a line of beach wear that can't get wet. Although Raquel Welch has already bought up all their $1,200 leather bikinis (joke), and a $1,900 caftan also already sold out, the designer's Swarovski-studded bathers are still available, at $3,200 for a maillot and $1,200 for a bikini. "The people that buy the pieces are people who, well, can definitely afford these kinds of items," said store manager Christina Delice. Indeed. [UPI]
  • First order of business for Roberto Cavalli and Clessidra SpA, the private equity fund he just agreed (in a non-binding way) to sell 30% of his business to, is finding a C.E.O. Apparently, they already have a shortlist, although we don't know who's on it. Versace, whose C.E.O Giancarlo di Risio is expected to tender his resignation to the board at its meeting in Milan today, isn't in any such hurry. The company is understood to be still drafting its list of potential leaders. [WWD]
  • Abercrombie & Fitch experienced a 28% drop in same-store sales for the month of May. Stock fell by 13% after the announcement. [The Street]
  • Madewell, the slightly-less-expensive J. Crew outpost, is going to launch an e-commerce site in its name by the first quarter of next year, said C.E.O. Mickey Drexler. Let's hope it works a little better than the regular J. Crew site. [WWD]
  • Although Orla Kiely's privately held company is not obligated to disclose its sales and revenue figures publicly, the designer says her business is going gangbusters, recession be damned. Her housewares line for Target is especially successful. [NY Times]
  • A Pennsylvania woman who patented her design for a bra that would provide uplift and a smooth silhouette, and then sought out Victoria's Secret as a potential manufacturing partner, says that the company instead consulted with her long enough to steal the idea. She is suing. [UPI]
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<![CDATA[Eva Mendes For Calvin Klein; Nobody Puts Alaïa In The Corner]]>

  • At last night's Met ball, seven models and one designer were conspicuously absent. Azzedine Alaïa, the diminutive Tunisian-born designer whose relationship with his models, particularly the mega-famous 80s/90s supes, is so deep that most of them call him "papa," was not asked to be part of the Met's exhibition, themed "The Model as Muse." Because, explains curator Harold Koda, he assumed, without even checking, that Alaïa would not want to be in the exhibit. Although Alaïa made and fitted dresses for models including Stephanie Seymour, Naomi Campbell (who has been his muse for 23 years), Veronica Webb, and Linda Evangelista to attend the exhibit opening, when he found out that none of his work would be represented at the museum, he asked all his models not to attend. Which they were more than happy to do. "Azzedine has made my dress for every single ball," said Seymour. "I will still make my donation to the Met, but I won't be going." Koda, ball organizer Anna Wintour, and co-chair Marc Jacobs, whose company is sponsoring the event, are all very sorry indeed that the designer who has perhaps the most enduring links of all with his model-muses will not be included in the show about designers, models, and muses. But none of them admit a whit of responsibility, which leads me to point out here, that Azzedine Alaïa, like Dries van Noten and a handful of other successful designers, doesn't produce campaigns. Armani and Versace, the two designers who dominate the 80s section of the exhibit, regularly lavish Vogue with their advertising dollars. [On The Runway & On The Runway]
  • Of the event itself, the Times writes: "Asked how she felt about being a museum-worthy muse, Ms. Moss shrugged and pulled a big piece of gum out of her mouth. 'I'm amused,' she said. 'I think it's quite interesting for somebody to go outside of the box and think that a model actually has had some input into fashion. A lot of the time, the models don't really get a say.'" [NY Times]
  • Significantly more enthusiastic was André Leon Talley, who, upon his first sighting of Moss, was heard to shriek "Goddess!" [WWD Twitter]
  • Today, Chanel launches its new ad for its No. 5 perfume, a video by Jean-Pierre Jeunet, starring Audrey Tautou. In honor of the momentous occasion, the stretch of Fifth Avenue that borders Saks will be renamed "Avenue No 5" and the department store's windows will be dressed to celebrate the ad. [Racked]
  • Jason Wu gives New York magazine a tour of the modest West 37th St. one-bedroom, decorated all in gray, that his family bought him after he moved to New York. The designer relaxes by cooking dinners for his friends. In between, he clears off the kitchen bench to design his FAO Schwartz range of dolls. [NYMag]
  • Elle MacPherson's style icons are Steve McQueen and Katharine Hepburn. She also name-drops Banjo and Matilda cashmere, "an Australian brand," without specifying that it's owned by her brother and sister-in-law. [Independent]
  • Marc Jacobs: "If you have five minutes free in New York, you're a failure. If you have five minutes free in Paris, you're a success." [Glamour]
  • Stella McCartney has been making appearances at Barneys left and right; she's doing two more before the week is out. And her 23-piece collection for Net-a-porter goes on sale today. [WWD]
  • Miuccia Prada loves her Carston Höller office slide, contemporary art, and Earl Grey tea. And being different. "I always want to be different, as a way to progress. At the beginning, I wanted to make a soft bag out of stiff leather. I wanted to make rich materials look poor, and poor materials look rich. Always there was something disturbing. In the end, that's probably why people like Prada." [Telegraph]
  • American Apparel's witness list for its upcoming court date with Woody Allen includes Allen's ex, Mia Farrow, his current wife and Farrow's adopted daughter, Soon-Yi Previn, and Larry Flynt. [Reuters]
  • Conflicting reports about Liz Claiborne today: while just last week Racked was reporting that, gee, an awful lot of the new Isaac Mizrahi-designed clothes seemed to be already needing heavy discounts on the website to move, today, Goldman Sachs upgraded the stock to a "buy," partly due to the company's leaner inventories. Share prices rose 30%, to $6.46, following the news. [Crain's]
  • In this economy, retailers are trying "positive thinking." Because it's all they have left! Ha ha, I'm kidding. But only a little. [WWD]
  • Adidas needs to save 100 million Euros this year. To that end, it's closing regional offices in Europe and Asia, and has not ruled out shutting retail stores. [NY Times]
  • J. Crew's children's line, Crewcuts, now has its own standalone catalog. [WWD]
  • Estée Lauder's profits fell 70% in the third quarter, so now they're touting the brand as a good option for bargain-hunters. There'll be more free services at the cosmetics counter, and smaller-size products that'll be priced to scale. But probably still expensive. [WSJ]
  • Kathy Ireland thinks the media obsession with women's bodies is ridiculous, and that the focus on how we look, as opposed to our health, is misdirected. Because bodies are for living in, not looking at. "Beautiful people come in all shapes and sizes, ages and colors," Ireland told Larry King. "With my weight gain, people wanted to know, Well, when is she going to squeeze back into a bikini? No. That is not what it's about. But what people weren't asking me [was], What's the triglyceride level? What is the C reactive protein?...Heart disease is the number one killer of women in America." [CNN]
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<![CDATA[Chanel Does Couture For Ballerinas; Is Supermodel A Michael Kors Klepto?]]>

  • Did Eva Herzigova drink a lot of champagne at the opening of the Michael Kors store in London, and then walk out the door with a bracelet, watch, and sunglasses? Security guards reportedly looked like they were going to stop the supermodel, until the paparazzi started taking her picture. Kors claimed the next day that Herzigova was "being cheeky" — but that the items were a gift. [Daily Mail]
  • Get ready to see a lot more of Jessica Biel: The actress has been named the newest face of Revlon. [WWD]
  • Filene's Basement has filed for bankruptcy protection. Apparently, now that other stores have been forced to cut their prices, Filene's discounts are less impressive in the retail lineup. [Reuters]
  • The Olivier Theyskens/Halston rumors are back. With the added complicator of Anna Wintour's involvement. [WWD]
  • Holding the annual costume institute gala at the Met might distract from the Renoirs, sniffs writer Michael Gross. [NY Post]
  • Christy Turlington, Naomi Campbell, and Linda Evangelista will all skip the event. Turlington is out of the country, filming a (doubtless very important) "documentary on maternal health." Steven Meisel will also sit the party out — but that's no surprise since the man is rarely glimpsed in public. [P6]
  • Patti Smith doesn't require fashion. "I can wear rags," says the musician. "But they have to be cool rags." [The Cut]
  • Mischa Barton, however, pretty much requires headbands. Or at least requires you to buy hers, since she doesn't have a career anymore, other than waiting to see if her pilot is getting picked up. [People]
  • England apparently has has a Dress of the Year award since 1963. And this year it went to Kate Moss, for one of her Topshop designs. [Independent]
  • Meanwhile Topshop, ever the good neighbor, has apparently knocked off Alexander Wang's "naked" dress — the one with the floating embroidery on mesh. [Racked]
  • Wang's jacket for the Gap looks like a a biker jacket that swallowed a trench coat. [Racked]
  • Is Azzedine Alaïa looking to launch a lingerie line? If so, why wont the famously body-conscious women's wear designer design it himself? [Elle]
  • Speaking of lingerie, you should read this entertaining profile of Joe Corré, son of Vivienne Westwood and Malcolm McLaren, and co-founder of Agent Provocateur. "I don't buy into all this brand-identity bollocks — the Gucci lifestyle, the Prada lifestyle," says Corré. "What does that mean? That you're a rich, bored idiot with no soul? It's just emperor's new clothes bullshit. We're against all that. Agent Provocateur is about an attitude, about empowerment." [Guardian]
  • Hogan's fall campaign will reportedly star Nate Lowman, an artist who dates Mary-Kate Olsen. [Fashionista]
  • Bar Refaeli, the Israeli supermodel, has designed "the perfect little black bikini." It looks exactly like every other string bikini you've ever seen, but it costs $120. [People]
  • Ben Sherman is quitting the footwear business by the end of this year. [WWD]
  • On the other foot: Skechers, which is now back in the black. [WWD]
  • Lily Cole, the British model, has not one but three movies coming out. And a new Rimmel ad. And, oh yeah, she's a full-time student at Cabridge. [The Cut]
  • Thom Browne, whose business was rumored to be in dire straits recently, had his CEO and CFO depart on Friday. [WWD]
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<![CDATA[Tatjana Patiz Is The Now-Anonymous Model]]> Of the five models appeared on the cover of 1990's Vogue, four of them became household names. The Guardian asks: why not the fifth?

Naomi Campbell, Linda Evangelista, Christy Turlington and Cindy Crawford are all one-name famous, and are even enjoying a "supermodel revival." What of Tatjana Patitz? She's certainly had a successful career, and now models for Uniqlo and a few other small companies. But it's a good indication of the vagaries of the modeling agency that one model should make it to household name status while another, as beautiful, as charismatic, as distinctive, should not.

Nowadays, Patitz lives on a Malibu ranch with her young son and a veritable menagerie. Her passion, she says, is the conservation work she does with wild mustangs. And maybe her path is best explained by her words, ""There were glamorous moments, but it was exhausting...The low points were having to travel so much and being exhausted. I always thought that [fashion and modelling] wasn't who I was; it was what I did. It didn't define me. Living out here and coming back to this place was like a sigh of relief in a sense."


The Forgotten Supermodel
[Guardian]

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<![CDATA[Katie For Miu Miu Looks A Lot Like Victoria For Armani]]>

  • Lindsay Lohan's latest campaign, for Fornarina, has debuted. She looks a little like a hard-partying LA star who woke up in a strange mansion wondering, 'Why?' Must have been a stretch. [People]
  • One reason J Crew's chief exec may have been so confident the era of the $800 shoe was over yesterday is because he knew the era of the $300 shoe was over, too: the retailer, for the first time in its history, has so much unsold stock that it's been forced to contract with a sample sale operator just to move the units. The brand's own network of factory stores could not absorb the overruns. Fellow retailer Calypso recently took the same move, and one industry consultant says another "high-end retailer" is planning a first-time warehouse sale. J Crew's sale starts next Tuesday in Manhattan, and stock will be discounted up to 70%. [Crain's]
  • Barnes and Noble, being booksellers, probably should know a thing or two about copyright and intellectual property, no? Unfortunately, the megastore is pimping a bookbag (with a lifetime guarantee!) that bears a striking resemblance to a Louis Vuitton resort collection canvas tote from 2005. Down to the very buckles, and the striped webbing handles. Someone's gonna get fired for this. [Fashionista]
  • Valentino has been fined for tax evasion in Italy. His longtime business partner, Giancarlo Giammetti, is also cited, and together they owe some $39 million. Valentino retired from his label last year, and officially moved his residence back to Italy, which is how they got him. The two claim it's all a misunderstanding. [WWD]
  • Second bankruptcy of the week: Retailer Gottschalks is in Chapter 11, trying to get a reorganization plan approved. [AP]
  • Kenneth Cole is forecasting a fourth quarter operations loss and 11% reduction in same-store sales. Share prices are near 52-week lows. [Crain's]
  • Decidedly not floundering is Swatch. The watchmaker plans to open 15 stores in Hong Kong alone this year. [WSJ]
  • Vera Wang, who founded her line after failing to male the U.S. Olympic figure skating team, is being inducted into the sport's hall of fame for her costume designs. How sweet. [WWD]
  • I kind of love it when the mainstream press covers fashion; they always think they have discovered some massive, important story about how industry conditions are changing, or something, and then they go and drop a line like "Linda Evangelista, the current face of fashion giant Prada" and I get my hackles all up like BITCH, THAT NEW CAMPAIGN DROPPED TWO WEEKS AGO, and it stars Ymre Steikema, Anna Jagodzinska, Giedre Dukauskaite, Katrin Thormann, Nimue Smit, Sigrid Agren, Toni Garrn, and Viktoriya Sasonkina. And then I discount everything the esteemed Daily Telegraph has to tell me about models getting "curvier" (ha, ha, ha!) or whatever. [Daily Telegraph]
  • Peter Som is in a state of uncertainty after the departure of his financial backer and the cancellation of his fashion week show. The talented designer is putting out feelers to do a diffusion line for Target or H&M. He doesn't care which. [The Cut]
  • And...Opening Ceremony for Uniqlo! Shazam. [Refinery29]
  • Designers are also creating t-shirts and totes in support of our president-elect. The sales of the items, by talents like Alexander Wang, Diane von Furstenberg, and, er, House of Dereon, will help pay for the inauguration. [WWD]
  • The USA Today has some standard-issue rules for inauguration outfits, including such headscratchers as keeping your gown 1-1.5" off the floor since "that way, you're not going to step on it" and "High heels may look great, but they're not always comfortable." Revolutionary. [USATODAY]
  • Time talked to Vivienne Westwood, and she said awesome things like, "I just think people buy too many clothes, whether they love fashion or whether they just want 12 T shirts, all different colors, and 12 pairs of jeans all the same. People look a mess because they're buying too many clothes; they're not thinking. If you do buy something new, if you've got the money to afford it, then buy a beautiful piece." Read it. [Time]
  • Now it makes sense. The reason Niki Taylor was replaced by Australian model Nicole Trunfio on Make Me A Supermodel: she's pregnant again. She wanted to share the news with ET, naturally. [ETonline]
  • Now, ladies, let Diane von Furstenberg explain how to do a mariage blanc: "Barry respects me so much," she said of husband Diller. "We don't live together during the week, although we go out together. I live on top of my shop; he lives at the Carlyle hotel. It doesn't feel strange at all. I just need a little bit of space. If I can't be alone a little bit, then I lose myself — and I cannot lose myself." Actually sounds pretty giddy. [Racked]
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<![CDATA[Brad Passes Time To Leo.]]>

  • Leo DiCaprio has taken over for Brad Pitt as the Tag Heuer spokesman. Wearing that watch is not an easy job. [WWD]
  • Speaking of watches, here's the $8 grand Obama model. "To mark the occasion and commemorate John F. Kennedy's timeless style, Omega has reissued the ultra thin timepiece the man wore during his inauguration on January 20th, 1961." "The man" would surely approve. [Racked]
  • Given her influence, anti-fur critics are urging Michelle Obama to avoid fur at the inauguration. [HSUS]
  • Fur aside, 'Obama' is the biggest name in luxury goods for 09! [Extra]
  • Get the Obama look yourself, on a budget! "If you're looking to mimic Michelle Obama's graceful style or Barack Obama's sharp suits, while not spending a fortune, you can find it on SHOP.COM." [Shop.com]
  • Ambassador Anna Wintour's fate is being contemplated by the fashion world "'with a guillotine glee akin to that which preceded the death of Marie Antoinette.' But one fashion source dismissed the prospects of her purported replacement, French Vogue editrix Carine Roitfeld: 'I don't see how you could give it to Carine. She barely speaks English.'" [New York Post]
  • Accessories led the counterfeit seizures in '08. Well, yeah. [WWD]
  • We're not gonna lie: the waxen LiLo for Fornarina ads kinda depress us. [Fabsugar]
  • Men's Vogue stays alive...in a Lord Voldemort sort of way. The Spring Issue will be "reverse-bound" to the back of women's Vogue.[ WWD]
  • In an awesome and vaguely disturbing Dean and Dan ad, supermodels Naomi Campbell and Linda Evangelista engage in fisticuffs. [Models.com]
  • Peter Som parts ways with Creative Design Studios. [WWD]
  • Deep holiday discounting has hurt Ted Baker's profits. [FT]
  • Daisy Fuentes's new beauty line, Style Pro, uses all natural ingredients. [WWD]
  • Are we obsessed with Sofia Coppola's enchanting Miss Dior ad? Obvs. But are we the only ones who kind of wish it was Audrey, or at least someone alive with a bit more personality? [Fashionista]
  • Katie Holmes buys a cookie, some sweaters. [WWD]
  • Aeropostale was one of the few winners in a dismal retail season. [The Street ]
  • We love Oscar de la Renta: "This is a challenging time to be a designer because a woman today knows so much more...There has never been a woman so in control of her destiny as a woman today." [Bergdorf Goodman via New York]
  • By contrast: "Karl Lagerfeld: That's the kind of thing we promise to do, but we never do it… So I have your big book in front of me.
    Tom Ford: Yes, it's very big.
    Karl Lagerfeld: Quite beautiful, but it's really the final point of a decade.
    Tom Ford: It is a closed period. And that was one of the reasons I wanted to do the book. For me, like you, being a Virgo, we like to have things very neat, very clean, very finished and I wanted to finish that chapter of my life so I could move on to the next one.
    Karl Lagerfeld: Exactly. I never turn pages; I tear them out. When the time is finished I don't turn the pages anymore, I forget about them.
    Tom Ford: I see what you're saying.
    Karl Lagerfeld: I think it's a very good attitude in life." [FakeKarl]
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<![CDATA[Kate Moss Is Solid Gold. No, Really.]]>

  • I know this is why I go to the British Museum: to see a life-sized Kate Moss rendered in pure gold. "A solid gold sculpture of the model, thought to be the world's largest gold statue built since the time of ancient Egypt, was given its first showing yesterday." [Independent]
  • Working to combat any taint of elitism, Anna Wintour and Sarah Jessica Parker are hosting a fashion show to raise funds for the Obama campaign. "The Sept. 9 shindig at the Charles Nolan Studio will feature designs from Beyoncé and Tina Knowles for House of Dereon, Diane Von Furstenberg, Marc Jacobs, Zac Posen, Juicy Couture, Narciso Rodriguez and Proenza Schouler, among others." [E]
  • Meanwhile on the left coast, "Michelle Obama will get her chance to meet fashion and entertainment types in Los Angeles." Tom Ford is one of the hosts. [WWD]
  • Armani joins the ranks of fashion designers inexplicably designing luxury residences. "The Armani Residences in Marassi, Egypt will offer palatial villas (of 2,500 to 5,400 square feet) furnished by, of course, Armani Casa. The resort includes a boardwalk lounge, health club, reflective pool, resort club, screening room, swimming pools, pool deck, and retail outlets." [Fashion Week Daily]
  • Whether she's selling the label or not, Jil Sander is launching swimwear. [WWD]
  • Despite a makeover, Vogue.com won't be getting its own site; it's still under Style.com's banner. [WWD]
  • There's a book coming out on the 2002 rape and murder of fashion writer Christa Worthington. Some are crying poor taste. [NYT]
  • Several retailers — Chico's and American Eagle among them — do better than expected. [NYT]
  • Esprit shares plunge. [Reuters]
  • Miami is scandalized by billboards: "Shot by Michael Thompson, model Hana Soukupova appears wearing only Wolford fishnet stockings. Perhaps it was their open weave that led the city to reject the banners, which usually run on major arteries, arguing they could cause traffic accidents." [WWD]
  • Retailers bank on familiarity, hire old-school supermodels. "There's Linda Evangelista, with her trademark haughty sneer, wearing Prada's new austere lace look, Naomi Campbell shaking a waist-long mane of hair in an Yves Saint Laurent dress, and a black-bobbed Claudia Schiffer posing in front of a shabby-chic door for Chanel." [The Guardian]
  • Sheryl Crowe, who's clothing line was already inexplicable, is moving into shoes. [WWD]
  • Half the charges have been dropped against accused rapist and designer Anand Jon; that still leaves ten accusers. [LAT]
  • Justin Timerlake (as William Rast, of course)'s cinematic ads are here! [FabSugar]
  • Nina Garcia goes pretty easy on Hillary: "You know, I thought that what she wore was almost like sending us a message that she doesn't really care what we think." [New York]
  • Oh, the challenges of costume design: "I'm the luckiest costume designer in Hollywood, for sure," The Telegraph reported Zophres said. "But getting George and Brad to look like ordinary guys? Even cheap suits look better on Brad." [UPI]
  • Mulberry may be a luxury brand, but their factory still sounds like hell on earth. [Telegraph]
  • Valentino has no problem playing favorites: "When asked to name the actresses who stood out for him, the designer said: "I have to be very sincere, the person that makes me feel very happy, also because (she) chose vintage, was Julia Roberts, when she got the Academy Award... I was very excited to see her when she appeared with my dress."" [The Star]
  • Don't worry! "Style.com, the online home of Vogue, is introducing an iPhone application designed to enable dedicated followers of fashion to watch runway shows during New York Fashion Week." [NYT]
  • Tommy Hilfiger's fashion week invitation features...a bare-assed model. [Nylon]
  • Yes, indeedy. "I Am Queen" is in the works. Perfume or cologne? Diddy has yet to say! [NYT]
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<![CDATA[Will Italian Vogue Break With Fashion Mag Tradition, Feature Black Models?]]>

  • Europeans are always more progressive than Americans. Rumor is, Italian Vogue may be producing a cover featuring only black models. [Fashionista]
  • Oh. My. God. High School Musical and Hannah Montana-inspired Crocs, soon available at a store near you. [Yahoo]
  • Francis Ford Coppola and Sofia Coppola will be the next faces of Louis Vuitton's "core values" campaign (the very same campaign in which Keith Richards agreed to participate in exchange for a LV monogrammed guitar case.) What do you think the Coppolas get out of this? An LV director's chair? An LV vinyard? [WWD, 1st item]
  • "Boyfriend" jackets are big for spring. But Peter Som says the ones he designed for Bill Blass are inspired by Hillary Clinton and Michelle Obama. [WSJ]
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<![CDATA[10 Things Karl Lagerfeld Could Do Without]]> We don't always get around to reading Hong Kong's Prestige Magazine — uh, okay, we didn't know it existed until we learned that a friend of ours was working there — but the recent Karl Lagerfeld cover interview, conducted by said friend, Stephen Short, is nothing less than magnificent. Stephen, who apparently received a Karl Lagerfeld action figure for his efforts, talked to Karl for about three hours late one evening, and Karl had a lot to say, generally all negative, on subjects from books to children to love to Diane Von Furstenberg to food to the nineties. We excerpted some of his most effusively misanthropic utterances for your enjoyment.

Food.
I hate the smell of cooking. Some people love it, but I don't care for it. I don't eat sweet things. I don't eat greasy things. And I like fish better than meat. In fact, I hate meat. My doctor calls me to eat meat twice a week, as apparently we are cannibals. There used to be a Nobu here in Paris but it was very bad; it was horrible. The one one in London is great. It's my favorite restaurant in London.

Fat people.
Yes, new Russian girls are like this. But this is a subject I won't discuss. You know why? In France there are a large percentage of young girls who are overweight and less than one percent are skinny. So let's talk about the 25 percent who have a weight problem, or are overweight. We don't need to discuss the less than one percent. Anorexia is nothing to do with fashion. These Russian girls are so young. Chinese ones are skinny, too, and bony. I don't think it's a subject to discuss. And in today's world, many people take drugs, not only models, hmm? It's an unnecessary subject. Let's talk about the fat ones.

Children.
Do you ever wish you had a son to pass on your wisdom to, to continue the Chanel heritage?
That's the last thing I want. I hate all children. For other people, it's fine, but not for me. I was born not to be a family person.

Going to other places that involve people.
I live in certain isolation. I never take appointments in the morning. I leave my house only after lunch. I don't want to have a social life. I've had enough of that in my life. It's demode. It's another era. Perhaps people are still excited by that era, but not me. It's uninteresting today. It says nothing. It's boring, pretentious and vulgar...Even for charity, people get paid. I try to avoid charity. It doesn't happen for me. I'm rich enough not to have to do that. Thank God I don't have to do that. I do a lot of unnecessary things for free, but I'm very much against that. Money itself isn't interesting, the use of it is.

Going to other places, period.
Sometimes, to be inspired by things or places, it's better not to go there. You have to imagine. I imagine the world from my window. I am not a traveler. I hate it. I never look at my watch. The good thing about private jets is that you go whenever you're ready. That's the real luxury of today. In all my contracts it says, if you want me, send a private jet.

People who try to touch him.
Also I cannot go on airlines because people stare at me, you have to be touched by people. I hate that...I hate bespoke because I hate to be touched by strangers. It bores me to death.

People who try to analyze him.
Diane von Furstenberg told me she thinks you may not be the best designer aesthetically, but that you're by far the smartest.
And look at her prints, hmm? Maybe I've known her for too many years. Maybe she's right, I don't know. If she were an expert, perhaps her designs may be more impressive...I'm not a frustrated writer or architect, I'm frustrated by nothing at all, and frustration is the mother of all crimes. Ambition? I have no ambition. I just want things in a certain way...I don't want to be a teacher. I don't want to inform others through myself. In that way, it's all for myself. I'm the most selfish person in the world. Being selfish, I take care of others. My mother always used to say, "Don't sacrifice yourself too much, because if you sacrifice too much there's nothing else you can give and nobody will care for you.

The nineties.
I think that Claudia Schiffer is better than ever. There are few very, very, very great girls. But it's not like in the '90s, the days of Linda Evangelista. That's demode now, that's another era. Very tacky, hmmm? On the one hand there was something intellectual going on during that time. On the other, it was just tacky. But you know, decades have a look, a mood, but that was that. We know what the '90s looked like now, but during the '90s we thought it was great perhaps...I put on weight in the early '90s because clothes were so large, then they got tighter, so I slimmed down. Never go one size ahead. Go down but not up.

Technology, the internet, etc.
I'm a computer by myself. I have a memory also for unnecessary things. Telephone numbers are a problem, but historical details are not.

Love.
Love is a subject I don't analyze publicly. Love is only an interesting subject when it's beyond. When it's down to earth it ceases to become interesting. It's a very dangerous subject. I've had so many tragedies in life, it's hard to discuss the subject.

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<![CDATA[Designers, Old School Supermodels Have Super Style At Murakami Show]]> Last night the Brooklyn Museum kicked off its new Louis Vuitton-sponsored exhibit on artist Takashi Murakami, who made a name for himself Stateside for putting whimsical art all over old-school Vuitton handbags. At the event: Once blue-haired Louis Vuitton creative director Marc Jacobs (left) who, a la Amy Winehouse, has apparently gone back to black. Also: Linda Evangelista, Selita Ebanks and Eva Herzigova. Models, Murakami, and more, after the jump.

The Good: chiaraclemente040308.jpgWaris Ahluwalia and Chriara Clemente are one fierce duo. lindaevangelista040308.jpgLinda Evangelista: Oh yes. selitaebanks040308.jpgSelita Ebanks is the shit. takashimurakami040308.jpgI want to put Takashi Murakami in my pocket and bring him home with me.

The Bad: evaherzigova040308.jpgEva Herzigova was one of my favorite supermodels; why must she pain me by wearing this heinous fur? jennifercreel040308.jpgJennifer Creel is stiff; perhaps she could use a stiff one? kristindavis40308.jpgI pray to Pat Field and whomever else might be able to salvage Kristin Davis from the wardrobe of Charlotte York. mr040308.jpgThis MR. guy scares me. terrencekoh040308.jpgSame goes for Terrence Koh. tinsleymortimer040308.jpgAnd Tinsley Mortimer.

The Ugly: chihoashima040308.jpgOh no, Chiho Ashima. Oh. No.

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<![CDATA[Linda Evangelista Goose-Steps In Style]]>

[Beverly Hills, February 19. Image via INFDaily.com]

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<![CDATA[Breaking: Black Model Spotted On Malibu Beach!]]>

[Malibu, February 17. Image via Flynet]

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<![CDATA[Naomi Campbell Is Still Mad That Ethnic Models Aren't Working]]>

  • "Linda Evangelista and Christy Turlington would go to big designers and say: 'If you don't want Naomi to be in your show, then I don't want to be in it'...Women of colour are not a trend...That's the bottom line." — Naomi Campbell, still fighting for the cause of models of color. [Vogue UK]
  • Speaking of women of color: Liya Kebede is looking to diversify! The model will be launching a children's clothing line made in Ethiopia but sold in the United States. [Chic Report]
  • Dylan McDermott on why he attended the Proenza Schouler show: "My publicist said I should come." We admire his honesty. [WWD, 1st item]
  • Saleisha from ANTM walked in the Tibi show yesterday. No one cared. [Fashion Week Daily]
  • And this is why I can't get enough of wunderkind designer Chris Benz: "Fall was kind of inspired by the time when I was staying in the 8th arrondissement in Paris...and there were these amazing old women with their slips showing, who would wear a hat from 1952 that they just pulled out. It was very Carol Channing. This will be known as the granny collection!" (Though Benz told me at his presentation on Monday night that the collection was inspired by The Royal Tenenbaums, but whatevs.) [Fashion Week Daily]
  • Natalia Vodianova isn't really retiring! Says the Russian model, "I think maybe I'll do one a year. I don't want to get rusty." [FabSugar]
  • Marie Claire editor-in-chief Joanna Coles on the Halston show: "I actually thought a lot of the models were too young to wear the clothes!" Obvs. [Chic Report]
  • Rihanna on why she designed her umbrella line for Totes, "We ladies hate walking around with clumsy umbrellas all the time." True 'dat. [WWD, 2nd item]
  • Why Rachel Zoe claims to have not been at the Halston show on Monday, "I have five clients in town and my television show, and my day job comes first." Haha — bitch totally got fired. [WWD, 5th item]
  • Through the magic of Facebook, spoiled teens (and bored bloggers who spend way too much time on Facebook) can tell all the world if they prefer Barneys to Coach and Marc Jacobs to Victoria's Secret. [WWD, sub req'd]
  • Cole Haan's new CEO wants the label to re-invent itself and become super-cool. LOL! [WWD, sub req'd]
  • In case you still haven't heard: The economy's really bad. Which is why Macy's is thinking of consolidating its regional operations. [WWD, sub req'd]
  • Liz Claiborne has sold Laundry by Design and C&C California to Perry Ellis. We hope they're happy together. [WWD, sub req'd]
  • Ralph Lauren's net income: Up by 2%. People still love that stupid little polo horse? [WSJ]
  • Wish you were at Monday night's Chloe Sevigny for Opening Ceremony launch party? Pretend that you were with this video. [NYT]
  • And watch the Proenza Schouler show for yourself here. [Sassybella]
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