<![CDATA[Jezebel: l.a.m.b.]]> http://tags.gawker.com/assets/base/img/thumbs140x140/jezebel.com.png <![CDATA[Jezebel: l.a.m.b.]]> http://jezebel.com/tag/lamb http://jezebel.com/tag/lamb <![CDATA[Anna's Political Ambitions; What Lindsay Likes, Lindsay Takes]]>

  • Waiting, with Diane Von Furstenberg, for Mayor Bloomberg to arrive in Queens, Anna Wintour said, "If he doesn't show, Diane and I will run on a joint ticket and take over the city." Was that a...joke? Then Lindsay Lohan stole.
  • The new Emanual Ungaro creative consultant thingamajig dutifully turned up at the Ungaro store for Fashion's Night Out, selected a leather jacket that met with her approval, and headed for the door. Sales assistants ripped off the tags. [NYDN]
  • Yesterday afternoon, Gwen Stefani watched her own presentation, for her L.A.M.B. clothing line, from the audience. It took a while for anybody to recognize her, but once they did, she was mobbed — unusually, for fashion week, where everyone generally pretends not to notice the celebrities, and the celebrities wearily pretend not to notice that they're studiously being not noticed. Also Stefani and husband Gavin Rossdale made out. [The Cut]
  • Claudia Schiffer, 39, has posed for an unretouched fashion cover and spread in Tank magazine. However, she is wearing makeup. [Telegraph]
  • 13-year-old style blogger Tavi will be front row — with her dad — at Rodarte, due to her friendship with designers Kate and Laura Mulleavy. Tavi, who's on the cover of the current issue of Pop, is also reporting on the shows for the magazine. But the best part? She shops at Loehmann's with her mom. [WSJ]
  • Eric Gaskins, the ex-designer behind the formerly anonymous blog The Emperor's Old Clothes, has a book deal and a television show in the works. [WWD]
  • Last night, Zac Posen doused and stenciled four cream colored dresses worn live by model Anna Cleveland with paint. Because Fashion's Night Out is all about a) wearing pink leopard print capes to make grand entrances and b) stripping down to a tee shirt and getting one's hands dirty to "make people connect with the creative process." [USAToday]
  • Nobody wanted to play Wii tennis with designer Chris Benz. And Justin Timberlake hid for an hour from screaming fans inside the bridal salon at Saks. [NYObs]
  • Giorgio Armani says he has made a complete recovery from hepatitis. [AP]
  • Peter Som, nobody should consider bread, chocolate, and cheese to be "guilty pleasures"! [GlamChic]
  • The design duo behind label Libertine, Cindy Greene and Johnson Hartig, have split up. Hartig will take control over the line, and "return to its roots." [WWD]
  • Vena Cava designers Lisa Mayock and Sophie Buhai have two special guests in from California at each one of their presentations: their mothers. [The Cut]
  • Monique Lhuillier is pregnant, and due in November. She plans to name the daughter Sophia. Congratulations! [WWD]
  • Life advice from Carolina Herrera: "You have to be so happy. You have to love what you are doing...life is complicated, but you have to make the best of it." [GlamChic]
  • Remember how Thierry Mugler trumpeted his costume designs for Beyoncé's current tour? Turns out he may have had help from a high-profile freelancer, an experienced costume designer named Chris March. The Project Runway alum is suing Mugler for failing to pay for his services. March is also investigating starting his own line of women's wear with QVC. [WSJ]
  • Dries Van Noten, after accepting his award from the Museum at FIT's Couture Council, asked to speak to FIT students. The hour-long Q&A covered everything from his aesthetic, design processes, and perspectives, to his business model. Van Noten founded his label without a backer, and remains self-owned today. "I don't have managers pushing me for fragrance licenses, but I'm informed. I know what Barneys is selling well. I'm known for flowers, but where others might be pressured to put a little bit of flowers in because that's what sells, I can still do a collection of black-and-white and checks," said the Belgian. [WWD]
  • Tom Ford, on the release of his first film, A Single Man: "Of course I'm terrified because in a way it's the most personal thing I've ever done and it's the thing that is the most expressive of who I am." The main character, George, played by Colin Firth, is a middle-aged gay man who contemplates suicide following the death of his partner in a car crash. Ford says he based George's preparations for suicide on the actual suicide of a family member: "Someone did kill themselves in exactly that way — went to the store, bought a gun...went home and got a sleeping bag...laid everything out, got into the sleeping bag, zipped it up and killed himself because he didn't want to make a mess." Because it's an Isherwood adaptation, there will be lots of shots of men swimming naked, and playing tennis topless. [Reuters]
  • The Buckle is continuing its peerless run of solid growth in sales and revenue, even during this recession. The retailer has now had ten consecutive quarters of same-store sales growth, and its second quarter net income rose 12%, to $25 million. [TS]
  • Analysts are pleased by Ann Taylor's turnaround. Although the company announced a second quarter loss last month, stock has risen 21% since then. [Crain's]
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<![CDATA[Gweny Had A Little L.A.M.B.]]>

[New York, September 10. Image via Bauer-Griffin]

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<![CDATA[Kylie Checks Out Couture; Marc Jacobs' West Village Death Grip Tightens]]>

  • In the 1930s aesthetic of some of the couture shows — especially Gaultier's — some observers see the influence of our current economic crisis. We'd argue that anyone who saw Jean Paul Gaultier's crocodile overalls and furs and thought "This is the new frugality!" is blind, but whatever. [Reuters]
  • Marc Jacobs is extending his reach in the West Village of Manhattan. The designer already has five stores in a radius of as many blocks, but he still expects to open a sixth in the neighborhood next February. The space, at the corner of Bleecker and West 11th Sts., has been occupied by the Biography Book Shop for over 20 years. "The space is now worth eight times what the Biography Book Shop was paying," said building owner Alexander Brodsky, who added that Marc Jacobs would be paying more than $400/sq. ft. The fate of the book store is unknown. [WWD]
  • And here's Jacobs on those bunny ears Madonna wore to the Met ball, which she also sports in the fall Louis Vuitton ad campaign: "There's a girl who works for us, Lucy, she's on the design team, and Adrian, one of the boys, was tying a little bit of fabric around and it reminded me of bunny. We were thinking of all these different things like can-can dancers, and I saw this piece of fabric wrapped around Lucy's head and said, 'Bunny ears, that's what we need to finish this look.' So we made all these radzimir bunny ears and that's how it happened. I like the kind of Playboy, French coquette aspect to it." Jacobs also referred obliquely to the extensive use of Photoshop — "The solarization that they're doing to the pictures is going to give a really dramatic effect" — and confirmed that the painter Tamara de Lempicka had been a reference. [Fashionologie]
  • Celebrity fashion lines are not faring well in the market downturn. A round-up of those that have closed: Mandy Moore's Mblem, Heidi Montag's Heidiwood, and Jennifer Lopez's Sweetface and JLO by Jennifer Lopez. Paris Hilton also closed her unsuccessful line with Dollhouse, and Lauren Conrad put her clothing line "on hiatus" (although she did hit back with a lower-priced range for Kohl's). Interestingly, lines where the celeb doesn't have the star branding role — Justin Timberlake's William Rast, Gwen Stefani's L.A.M.B., Jay-Z's Rocawear — are proving more resilient. [WWD]
  • That doesn't mean fashion houses don't still believe celebs can move product. Marion Cotillard is in another new ad for Dior's Lady Dior handbag. [GlamChic]
  • Diane von Furstenberg totally wishes Brüno had crashed one of her shows. [WWD]
  • New York bumped into prominent couture consumer Daphne Guinness on the street, and asked her about her outfit. Guinness was wearing a fitted black dress by L'Wren Scott, black scarves, asymmetrical cat-eyed sunglasses, and 7" red platform Mary-Jane heels. [The Cut]
  • An exhibit at the Museum at FIT, which opened Tuesday, explores fashion's relationship with politics. Included is everything from white suits worn by suffragettes to Jean-Charles de Castelbajac's sequined dress with Obama's face. Of course, also still open at the Museum at FIT is the Isabel Toledo retrospective that features Michelle Obama's inauguration day outfit. [WWD]
  • We've officially found the limits of Mrs. Obama's fashion appeal: Russia, apparently, is immune to the charms of her sheath dresses and belts. "Her clothes are modest and neutral," said local designer Denis Simachev. A Russian fashion historian attributed the cool reaction to a difference in taste, the Russian being somewhat more outré: "A lot of Russians think that when something shines, it's beautiful." [WWD]
  • Meanwhile, the White House is locked in a war of words with an Italian luxury goods brand over a clutch purse. VBH claims that Michelle Obama carried its black crocodile envelope clutch, sticker price $5,950, during a meet-and-greet with President Medvedev and his wife Svetlana. The White House says the purse was a black patent clutch that cost $875. Please let the Obamas not be stupid enough to lie about something so minor and so easily disproven. [NYDN]
  • Everybody's favorite pervy photographer, Terry Richardson, is being immortalized in a 7.5" action figure. [Slamxhype]
  • The Wall Street Journal road-tested some vegan shoes, and found that faux leather and suede are getting realer looking by the minute. Pity two of their four offerings cost over $150, and one costs over $1,200. [WSJ]
  • Isaac Mizrahi curated a summer show at the Julie Saul Gallery in Chelsea, which opens tonight. The busy designer modestly says the principal theme is just "work I like by people I like," but Mizrahi goes on to explain how his famous sense of color has been informed by his favorite artists over the years. "Every time I think about color I refer to Julia Sherman," says Mizrahi. "Those Julia Sherman reds next to pale, pale pink, my Spring collection is going to be all about that. I feel like people are really open to color now. When I launched in ‘87 and I did super-bright colors, they loved it, but they didn't buy it. They'd shoot it, they'd laud it, but they'd wind up buying black. I'm talking about New York, now. The South is a different story-that's always been a haven for me. But here in the city, these days-it's nuts, color is what flies off the rack. My own line, and Liz Claiborne, too. More color sells better."
    [Style.com]
  • Shoe designer Jimmy Choo says you should wash your feet in warm, salted water every night before you go to bed. Also he says that Malaysia is beautiful and you should visit. [Daily Mail]
  • In case you're not already reading BryanBoy, plus Susie Bubble, the Sartorialist, Jak & Jil, and Fashion Toast, here are a few reasons why you might want to.
    [TDB]
  • Once upon a time, Kira Plastinina was just another teenaged Russian orange juice heiress with a love for pink clothes. Then Kira wanted a fashion chain, so her dad bought her one. The stores did well enough in her home country and in Ukraine, but Plastinina had her her eyes set on a higher prize: the American market. So her dad agreed to pay for Kira Plastinina stores all over the East and West coasts, and threw a launch party/16th birthday where he paid Paris Hilton and Usher to show up. Within seven months, the whole hot-pink operation had been shuttered, and Kira's U.S. vehicle, the K.P. Clothing Co., was in Chapter 7 liquidation with debts of over $54 million. Which outcome, one might think, would put paid to little Kira's notions of world chain store domination — but no! Cleverly disguised under a new business name (Pink Square) and a new brand (K. Plastinina), the teenaged tycoon reopened two of her former Los Angeles locations. Which is where protesters from a building company that did $2.5 million worth of unpaid work went to go find her yesterday. "The point of all this is that there are still people suffering because of what [the company] did," says Aaron Rectenwald, who built Kira eight of her original American stores. "We haven't gotten the attention of management yet so we'll be coming back until we do." [WWD]
  • The 17 workers suing New York-based retailer Scoop for allegedly giving them bogus promotions to salaried positions to avoid paying them overtime staged a protest outside Scoop's SoHo store yesterday. The former employees, most of whom are from West Africa, also allege that Scoop fired people who were in fact legal residents for supposed immigration violations. Scoop's current owners released a statement that read, "Although these allegations are against Scoop's previous management, we've conducted an internal audit to insure the company is in compliance with local, state and federal wage and hour laws. Scoop's current wage and hour practices are conducted in accordance with all state, local and federal laws." The chain's founding owners had no comment. [WWD]
  • Gap Inc. expects to expand into Thailand by next Spring. The company as a whole will, however, close more stores than it will open in the next fiscal year — 100 compared to just 50. [WSJ]
  • Over 3,000 pairs of Charles by Charles David high heeled shoes sold at Nordstrom Rack from April to June of this year are being recalled. The recall affects various colors and styles of shoe, and was put into effect because the heels of the shoes can easily detach while the wearer is walking. If you're affected, you can take yours back to the store for a full refund. [UPI]
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<![CDATA[Why Won't Sexist Advertising Go Away?]]> In an essay on The Huffington Post, writer Alex Leo notes that while this was a big year for women — the first serious female presidential candidate, the first predominately female state senate, the first female Top Chef — the advertising world has a lot of catching up to do. Ms. Leo names the five sexist trends in ads that just won't die:

Bondage, rape, "sluts," girl-on-girl action, and cum shots. And we're not talking about "edgy" brands like American Apparel, or specifically male-oriented products, like Axe body wash. The ads in question are from major companies: Remy Martin, Dolce & Gabbana, BMW, Nikon and L.A.M.B. We would add non-essential toplessness to the list. But for each ad, Leo explains why the trend won't die, despite "our cultural outrage and personal boredom."

The Remy Martin "bondage" ad is supposed to be "sexy" and make you want to drink liquor. Writes Leo: "These women are obviously putting on a show for an outsider, not having a passionate lesbian love affair for themselves. These types of ads gain traction in cultural periods of female advancement—capturing the fantasy of 'putting us back where we belong.'" The Dolce & Gabbana "rape" ad is "fashionable" because, Leo writes, "the world of high fashion has been the worst offender in the violence-as-art game." She adds: "Any woman that sees those shoes instead of that message deserves those shoes." Of the BMW ad, in which the reclining, baby-faced girl has a tagline, "you know you're not the first," Leo says: "This combination of the Madonna and the whore is ultimately a fantasy of degrading both body and mind. This girl is in no way a threat: she's young and won't say no, no one has to offer her anything, she is just there for your needs, just like a car." When it comes to girl-on-girl, Leo writes, "Oh my god is this played out." How true! And yet Nikon could not resist. As for the Gwen Stefani bukkake alert, well, what was she thinking? (And why are there so many semen-squirty ads?)

Out of all of these ads, the only one ever to be banned (in Spain) was the Dolce & Gabbana "gang rape." Why do mainstream brands greenlight these ads? And why do mainstream magazines publish them? Because "sex sells"? What a lame excuse. People love the Coca-Cola ad in which there's a miniature surreal world inside the vending machine, and there's no ejaculate in it. Could the real reason these sexist ads stick around be that consumers don't complain?

Five Sexist Trends the Advertising World Just Can't Shake [Huffington Post]
Earlier: Advertising Taking Cues From Porn: What Is The World Cumming To?
Bukkake Alert
Badvertising: Big Hair Is Sexy, Cigarettes Whiten Teeth, Not Having Cellulite Is Awesome
Sexist Advertising: Would Banning Or Boycotts Be More Effective?

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<![CDATA[Advertising Taking Cues From Porn: What Is The World Cumming To?]]> Over on Copyranter yesterday, there was a Trojan ad in which a pig shoots a cum-shot-looking load of tanning lotion onto a woman's back. The point of the ad is that human men are not swine and therefore jizz into a condom. Only pigs spooge on your back! Sure, it's a condom ad, anything goes. But Trojan is not the only company using images straight out of porn flicks to shill their products.


There's LAMB: Gwen Stefani, in orgasmic throes, whispering the words "I want you all over me." What about American Apparel? Or, you know, American Apparel? Sex sells, they say. Nudity in advertising is nothing new (see: Obsession and such). But what is up with all the ejaculation in your face? Somehow, the newer ads seem misogynistic, rude and degrading. Are we living in an age where everyone's only interested in their own orgasm?


Trojan, 2008





Lamb, 2007





Obsession, 1987





Chanel, 1984

Trojan Slips Piggish, Sloppy Cum Shot Into Ad In Fitness Magazine [Copyranter]

Earlier: Is Rubbing Cum All Over Your Face The Secret To Eternal Youth?

Bukkake Alert

A Letter To American Apparel's Latest Spokesbottom, "Kristen"

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<![CDATA[First Impressions: Gwen Stefani's L.A.M.B. Line]]> Dodai's report: 8:44: "Sophia Bush is in the flashbulb fray in front row. Also, Eve! Also, Gavin and baby Kingston! 8:45: P. Diddy sat next to Gavin!" 8:46: "Diddy just played with baby." 8:49: "Kingston is wearing tiny True Religion jeans I think." [Uh, what about the show? Wasn't it supposed to start at eight???? -Ed. ] 8:52: "Okay, clothes." 8:52: "Adorable plaid jacket." 8:53: "60s mod hair. Plaid skirts in different lengths. Music: Reggae and the Clash." 8:54: "Obvs." 8:54: "Everything is so cute!" 8:55: "Little suits with shorts and swingy dresses." 8:56: "Ruffled leopard dress." 8:57: "Ooh, bag I like!" [Uh-oh. -Ed.] 8:57: "Rosettes on lapels." 8:58: "Leopard print dress, muted." 9:00: "Not loving see-through lace top with zippers." 9:01: "Kingston is wearing ear protection by the way." 9:09: "Okay, it's over. Gwen came out and picked up Kingston and took him with her backstage." 9:10: "As I was leaving I found a dollar on the floor!"

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<![CDATA[Gwen's style mojo is MIA]]> Picture%203.png

Gwen Stefani pulled off an incredible fashion feat by looking hot for her entire pregnancy but since then the new'ish mother and fashion designer has lost her signature look. Maybe it's the wig that makes her look like a backup singer for the Muppets band.

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