My favourite whore's biography is 'Fanny Hill: Memoirs of a Woman of Pleasure'. The euphemisms for gentlemanparts are great - 'plenipotentiary member' is my favourite. BBC4 showed a great miniseries of the book last year - well worth seen=king out
Has anyone seen the movie Dangerous Beauty? It explains the courtesan Veronica Franco's reasoning as her family being poor, but her being very witty and smart and beautiful, and being a courtesan would allow her to seduce men both sexually and with her brain, and be paid handsomely for it. It's not a perfect movie, but it's fun to watch and think more about the fantasy rather than the reality.
These sound SO much more interesting than my own whore memoirs, which are usually drunken, hard-to-follow, slightly passive agressive FB status updates posted between 2 and 4 a.m.
My thesis was on a very similar topic to this, so it's odd to see it written about on here!
Part of the thing that's fascinating about this genre is the agency it gave women who were often portrayed as wretches to be pitied. The thing that endlessly fascinates me about the 18th century is this sort of dualling portrayal: on the one hand you have the hugely popular seduction novels (Clarissa, etc.), which were basically etiquette books/cautionary tales for middle class girls/women, and then you have this genre, which, yes, often portrayed prostitutes as past victims of "seduction" (often rape) but saw it leading not to the protagonist's ruin or death, but to a sort of triumph.
@funnyface: It seems that you need to tell your professor that you would like to read one of these and compare it through a lens to another novel you are reading.
I know that fanny=cooch in the UK, but I'm assuming that it didn't have the same meaning in 1759. Did the current definition come from her name, possibly?
@RosemaryF: It's possible that it became a slang term with the publication of (the very very dirty) Fanny Hill in 1748. But it's a bit chicken-and-egg-ish: "Moll" was a lower-class nickname that became associated with female pickpockets and other roguish types thanks to Moll Cutpurse, who had biographical and autobiographical pamphlets published, and then of course Moll Flanders, whose name is deliberately suggestive; but were Molls criminals who influenced the cultural coding of the name, or did the infamous Molls of popular literature invent that association? Did Cleland invent "fanny" as a dirty word, or did he use it for the name because it already was one?
@andBegorrah: I would guess that "Fanny" was not a pejorative term by at least 1778, as Fanny Burney would have published Evelina as Frances or Mary Frances Burney (when she did get around to acknowledging authorship) otherwise. It was a common diminutive of "Frances" for a good chunk of the 17th century.
@la.donna.pietra: True, and of course there was "Fanny INSUFFERABLETWAT Price" - that's my own personal nickname for her - among other figures into the first half of the 19th century. The mythology of the Cleland etymology is just so appealing though, damn it.
Like they say, if you're part of a minority or oppressed group, best to be at the very bottom or the very top, financially. Most high-end prostitutes managed to be a little of both.
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I recommend it to anyone!
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Part of the thing that's fascinating about this genre is the agency it gave women who were often portrayed as wretches to be pitied. The thing that endlessly fascinates me about the 18th century is this sort of dualling portrayal: on the one hand you have the hugely popular seduction novels (Clarissa, etc.), which were basically etiquette books/cautionary tales for middle class girls/women, and then you have this genre, which, yes, often portrayed prostitutes as past victims of "seduction" (often rape) but saw it leading not to the protagonist's ruin or death, but to a sort of triumph.
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Also worth watching That Hamilton Woman with the beautiful Vivien Leigh.
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