• Handbag model Lily Allen performed live at the farming-themed, hay-strewn Chanel show this morning. [Fashionista]
• Claudia Schiffer has formally announced she will no longer do any runway modeling. She plans to fill her downtime with a trip to Iraq. [Sun]

• Marc Jacobs' and Viacom's flacks have denied the reports that Marc Jacobs and Lorenzo Martone are to appear on a gay version of the Real Housewives for the Logo network. [CityFile]
• Vera Wang, however, says bring on the cameras. "I'm doing a TV show. It's coming. I don't know when, or how, but it's coming," said the designer at the National Arts Awards. Wang, seated at the table of collector Julie Minskoff, said she doesn't buy art because she can't afford it. But if money were no object, "I would buy Tom Sachs, because I like Hello Kitty. And the guy who does all the pills, because I take them all." Should make for some interesting viewing, then. [StyleFile]
• A Puma branded mobile phone: It's happening sometime next spring. [WWD]
• Ever phlegmatic Vogue editor Grace Coddington, on fans now recognizing her in the street: "It's probably a short-lived thing. There will be another fashion movie and another person who comes out from that." [Grazia]
• During the Givenchy show, someone stole Coddington's purse from her chauffeured car while the driver apparently napped. [NYDN]
• Prince turned up at the Yves Saint Laurent show in a gold sequined suit he designed himself. [WWD]
• The only odd thing about this sweet article on the art show Rodarte is curating in Paris: who is this documentary crew that's mentioned in passing, and why have they been following the Mulleavy sisters for four years? [NYTimes]
• Actress Ashley Judd is releasing a perfume, of which she says, "Beloved Red Rose captures the essence of love." Not that she'd be an objective source on that or anything. [People]
• Meanwhile, Tamara Mellon's Jimmy Choo has signed a 12-year fragrance licensing contract. So expect a Jimmy Choo scent soon. [WWD]
• The reason Celine had a lag of 13 months between confirming Phoebe Philo as its new creative director and actually giving her a catwalk show is apparently not because the LVMH overlords' were given pause by anything Philo did — it's simply that 2009 was marked off as "Transition Year" in Marco Gobbetti's calendar, and spring 2010, well, that's a whole ball game. [Reuters]
• French Connection is closing it s21 stores in Japan. The retailer lost $16.8 million in the first six months of this year. [WWD]
• Cher and Bob Mackie are at it again, creating costumes out of rhinestones, nude tricot, and feathers for the star's Caesar's Palace show in Vegas. What else would you expect? [People]
• Juergen Teller is working on a book of nude photographs of Raquel Zimmerman and Charlotte Rampling at the Louvre. [WWD]
• Ellen Tracy is taking its sportswear slightly downmarket. From this spring onwards, its wares will cost $50-$149. The brand has signed an exclusive distributorship deal with Macy's. [Crain's]
• For those who wish they could be Don Draper: A limited run of 250 suits inspired by Mad Men will be sold at Brooks Brothers starting October 19th. [WWD]
• Pierre Bergé, Yves Saint Laurent's life and business partner, says he received death threats and was accompanied by bodyguards following his decision to auction two Qing dynasty bronzes from his and Saint Laurent's art collection that China wanted repatriated. [Reuters]
• Chef Marcus Samuelsson, television chef Giada de Laurentiis, and Zac Posen are cooking this weekend for a $325-a-head event at the Food Network New York City Wine & Food Festival. Samuelsson muses on the similarities between professional cooking and fashion design: "I've been backstage at a fashion show, and it's like a kitchen. It's a very similar energy." Posen, a home cook, says Martha Stewart and Jacques Pépin saved his life. "I was a very depressed middle-school student and I watched [those shows] avidly, and then Martha Stewart changed my life. Her first cookbook [Entertaining] was given to my mom, but I took it." WWD even re-prints Samuelsson's maple-glazed salmon and couscous recipe. [WWD]
• Renzo Rosso, the Diesel founder who owns Maison Martin Margiela, has confirmed that the rarely seen Belgian designer, rumored to have departed his namesake house, has been gone for "a long time." Instead, Margiela is "here but not here. We have a new fresh design team on board." This season's collection, just shown in Paris, was rated a disappointment by the fashion press, who would like to see a successor named. Haider Ackerman and Raf Simons are rumored to be under consideration, but anyone named would have to design the label anonymously. [Vogue UK]
• Roland Mouret: Just another designer broadcasting his show live on the Internet. [WWD]
• Some Very Important Designer forgot his ticket to Viktor & Rolf and nearly had to stand with the hoi polloi! [Fashionista]
• The Clean Clothes Campaign is pressuring Europe's biggest retailers, like Tesco, Aldi, and Carrefour, to institute a common guaranteed minimum wage for garment workers across Asia. Its lofty goal? Assuring that the people who make the clothes we wear are paid $475 a month and get a 48-hour workweek. You can e-mail retailers via the Campaign's website. [WWD]

• Did L.A. boutique Maxfield drop Victoria Beckham's dVb in favor of Holmes & Yang? Posh's people say Maxfield hasn't ordered the line for three seasons, and the decision had nothing to do with Katie Holmes, who is Posh's friend. [P6]

• Luckily, old bandmate Mel B says she loves Posh's clothing lines. "I'm going out with Geri and Emma while I'm here — and I'll be wearing one of Victoria's dresses," the singer told a crowd in London. [Daily Mail]
• American Apparel is laying off 1,500 workers — more than 10% of its total workforce — because of immigration violations. When ICE raided its factory in downtown L.A. two months ago, 1,600 workers were found to be unauthorized to work in the U.S., and a further 200 were found to have immigration irregularities. Company founder Dov Charney released a statement saying: "Many of you have been with me for so many years, and I just cry when I think that so many people will be leaving the company. It is my belief that immigrants bring prosperity to any economy." This is the latest in a long line of bad news for the company. From being dogged with sexual harassment lawsuits, to the $5 million settlement it had to pay Woody Allen in May after using his image on billboards without authorization, to this week's reprimand from the British Advertising Standards Authority for "sexualising a child," American Apparel can't seem to keep its house in order. [LATimes]
• There are behind-the-scenes shots of Lily Allen working with Karl Lagerfeld on the new Chanel Cocoon bag campaign. [DailyMail]
• We don't doubt that Patrick Demarchelier is planning to shoot 100 top models in Fashion's Night Out t-shirts outside Bryant Park on September 9, but somehow we think someone got confused when noting that "Iman and her daughter Chanel" would be among them. [WWD]
• OMG! Modelfights on Project Runway: Models Of The Catwalk. [P6]
• If you have any interest in beautiful, softly draped leather jackets, deconstructed tee shirts, or vaguely gothic skintight pants — or if you just want to know where that ubiquitous no-closure wraparound sweater, like a high-fashion snuggie ancestor, that everyone from Alice + Olivia to Eileen Fisher has knocked off came from originally — you need to learn about Rick Owens, now. And how his aesthetic is back in a big way just now. [NYTimes]
• Speaking of which, peep Jennifer Connelly in the British InStyle in Rodarte thigh-high boots and Olivier Theyskens' gothic heel-less 8" runway shoes. [Daily Mail]
• Also big for fall, at least in men's wear: Steve McQueen. [WSJ]
  
• There's a rumor going around that Peter Som is set to become the first creative director of Tommy Hilfiger. [WWD]
• Thom Browne is launching two new lower-priced lines for Spring 2010. [WWD]
• Mark your calendars! She by Sheree, apparently some design offspring of a Real Housewife, is coming to Fashion Week. [People]
• Juergen Teller, who shoots all of Marc Jacobs' campaigns, reports that only one set of images has ever caused any particular controversy — and it's not the ones of a then-12-year-old Dakota Fanning, which even the photographer calls "very hard-core." In Fall of 2006, Jacobs chose makeup artist Dick Page and his partner, James Gibbs, to star in the campaign, and Teller shot the couple making out in the woods outside their home. There was a furor: Men's Vogue even refused to run the ads. [The Moment]
• Kenny Chesney says his new clothing line, Blue Chair Bay, is designed to reflect his life off the stage. "I would wear these clothes in Malibu, East Tennessee, where I'm from, or on my boat in St. John," the singer explained at MAGIC, the apparel trade conference that just ended in Las Vegas. Chesney's apparel partners had an airstream full of clothes and purposefully-weatherbeaten blue wicker chairs parked in their booth at the show. [WWD]
• Daisy Lowe's jewelry line with Swarovski is said to feature pieces inspired by the stars, moon, and planets. [Elle UK]
  
• Derek Lam's CEO, Jan Schottlman, denies the anonymous reports published by Page Six that the company is haemorrhaging money. [The Cut]
• Dooney & Bourke are going back to models for their campaigns after seasons of using actresses. Hayden Panettiere is getting thrown over for Maggie Rizer. [WWD]
• Georgia May Jagger, in her new denim ad: "Hudson jeans. Soft...and blue. And very tight." Descriptive! [TDB]
• Richard Chai is doing a line with Keds. Chai's sneakers, which are canvas and leather in white, grey and black, have silver zippers between the rows of eyelets. They hit stores in January of next year, and pricing information isn't yet available. [WWD]
• Someone painted an entire Spanish Colonial-style bungalow in Louis Vuitton's signature logo print. So long as Britney Spears doesn't use it as the set for her next video, we imagine these folks in Mexicali might be safe from LVMH's lawyers. [BoingBoing via hazmeelchingadofavor]

• At last, a celebrity with a realistic outlook on her whatever-line: "Unless you need it, it's just stuff," says Alicia Silverstone of her collaboration with Ecotools. [WWD]

• Paris has a Musée de la Contrefaçon, where counterfeit and genuine goods are lined up and displayed, side-by-side. Everything from the predictable (Dior handbags) to the slightly insane (Tabasco sauce) to the downright worrisome (pregnancy tests) has been knocked off; France estimates the trade in counterfeits costs its economy 38,000 jobs and $85 billion. A museum that looks like a Noah's ark of consumer goods would be an awesome place to visit. [LATimes]
• Counterfeiting is big business in Los Angeles. Vendors of counterfeit goods are so canny they have even memorized the plate numbers of undercover cops, and some labels hire private investigators to police the trade in markets like Santee Alley. The Los Angeles Economic Development Corporation estimates that L.A.-based companies lost $5.2 billion to counterfeiters in 2005. [LATimes]
• The concept for Victoria Beckham's next campaign for her dress line apparently involves models on swings — so Posh joined the models, and sat expressionless on a rope swing. [Daily Mail]
• Jennifer Lopez's new scent, "My Glow," was apparently inspired by motherhood. [WWD]
• NeNe from the Real Housewives Of Atlanta wants a shoe line. [E!]
• Ole Schell, the co-director of Picture Me, the excellent documentary about the modeling industry, talks about the film's genesis and how it was made. [DazedDigital]
• They're out there! Some two-bit pressure group calling itself the "Australians In New York Fashion Foundation" had its inaugural dinner on Wednesday. Because no matter where you go in this world, there's always an Australian there to look like she's having more fun than you are! I'm going to sob into my mug of Edgelets, wish for some Molenberg with Anchor butter, and re-research my ironclad argument about the origins of the remarkable New Zealand dessert, the Pavlova. [WWD]
• Juergen Teller's new campaign for Marc Jacobs features some very young models — Irina Kulikova is just 17 — in some very American Apparel-esque poses. [The Cut]
• Korean Vogue has a cover in triplicate this month, featuring Claudia Schiffer, Naomi Campbell, and Eva Herzigova. [FWD]
• Re-familiarize yourself with Mademoiselle Chanel in this extensive and well-written article ahead of the release of Coco Avant Chanel. [ToL]
• Who knew that Erin Wasson had a film career? She's got a walk-on role in Sophia Coppola's next movie, Somewhere. Her character? "Party Girl No. 1." [The Cut]
• Beauty chain Ulta has 331 stores nationwide, and is giving Sephora, with 230 U.S. outposts, a run for its money. Unlike Sephora, Ulta doesn't shy away from selling drugstore makeup, like Maybelline and L'Oréal — but it still offers attentive customer service and plentiful samples. Prestige brands are also well represented. Many branches have hair salons inside. Ulta is also expanding like kudzu in this real estate market: It opened 65 stores last year. [NYTimes]
• Once the Economist is on to "pop-up" stores, they're seriously not "unusual" anymore. [Economist]
• Yes, our primary concern in this market when luxury brands are forced to price their handbags at $4,445 instead of $4,900 should be the long-term ability of those brands to hike prices to $5,200 in the near future. Give us a fucking break. [BW]
• Moody's has downgraded C.E.O.-less troubled retailer Barney's New York. Again. By two whole notches. To Caa3, which is just one stop above Ca, which is for securities that "are likely in, or very near, default, with some prospect of recovery of principal and interest." [WWD]
• Some sources are saying that Zappos wanted to remain independently owned, but was actually forced to sell itself to Amazon by venture capitalists who had invested in the company. [BusinessJournals]
• Zappos C.E.O. Tony Hsieh is denying these reports. [TBI]
• A bunch of New York fashion bloggers want us to all stop shopping. Seriously, just stop it! [Racked]

• Like many 66-year-olds we know, Betsey Johnson is eyeing retirement. "I should be retired. I'm basically screwing up because I'm not retired. I'd like to go in four days a month, something like that," says the designer.

• Johnson is planning to hand over the reins to her second-in-command, Eric Sartori, after her show this September. But she'll stay involved. "I'll be a mega-consultant. I'll go in. I want to be like Ralph [Lauren]. Like, I always imagined the perfect life is like Ralph, where he goes in, and his wonderful expert crews show him work, and he goes, 'Love it, love it, love it, um, we'll just put that aside for the moment, love it, love it, hmmm.' You know what I mean? And be that — be the inspiration, the light at the end of the tunnel, the fairy godmother that comes down." [The Cut]
• Two images from Karl Lagerfeld's Fall 2009 Chanel campaign, which he shot himself on his Vermont farm, have hit the Internet. The ads star Freja Beha Erichsen and Heidi Mount, and have a nice, old-fashioned, rural feel. Mount and Erichsen sort of look like stylish, Stepford Mennonites. [Fashionologie]
• There's more solarized Madonna psychedelia at the other end of this link, if you are curious to just what extent the pop star has been airbrushed into doll-like plasticity by Pascal Dangin for the Fall 2009 Louis Vuitton campaign. [Design Scene]
• Artist Marilyn Minter contributed a video of models sucking on multi-colored sparkly goo, titled "Green Pink Caviar," to Madonna's Sticky & Sweet tour. (You can watch part of it here if you're not actually going to see Madonna.) "She actually paid me a bunch of money," says Minter. [WWD]
• Sasha Fierce for Deréon Back-To-School collection: It's happening. In any color you want, so long as it's black. [WWD]
• A battery-powered, bugle-beaded light-up glove worn by Michael Jackson on tour in 1984 will go under the hammer on October 1. [Reuters]
• On July 17, clothes from Giles Deacon's back catalog will be presented in four free catwalk shows at the Victoria & Albert Museum in London. [Telegraph]
• As J.Lo begat Glow, so Glow begat Glow After Dark, which begat Sunkissed Glow, which begat Miami Glow, which begat Still. Still begat in its turn Love At First Glow By J.Lo. Love At First Glow begat Deseo, which begat Live By Jennifer Lopez. Live begat Live Luxe. And this fall, Live Luxe shall beget My Glow By Jennifer Lopez. So there are ten generations of Jennifer Lopez Perfume, ten generations of perfume in her decade of Fame. The People saw and said it was Good. [People]
• Naturally, pictures have emerged from Chanel Iman's "internship" at Teen Vogue. Turns out the model poked her head into the styling closet, like any fashion magpie, after a mid-afternoon go-see. And then she stayed and helped the other interns organize it for the whole rest of the day. She must have spent 1.5-2 hours there, stacking shoes! And she didn't even share any decent gossip. [TeenVogue]
• Far more successful is Coco Rocha's E! Canada special on fashion week. The model buttonholed Heidi Klum for some television hosting advice. Heidi says: Eye contact, don't prepare or rehearse too much, and wear something short. [FWD]
• Juergen Teller: "Everything is how you dress. Everything. I would never do some sort of stupid picture where everything is dark and you can't see the fabric or whatever, or crop something badly so you don't get the right impression of a garment. I did have my problems with fashion before, maybe. As a heterosexual man, I was always a bit embarrassed of being a fashion photographer and didn't have the confidence to describe myself that way. Now I do have the confidence. It's a weird thing to do, I know, but I just kind of got into it and I think I do it very well." [Independent]
• Racked has photos of Leanne Marshall's Bluefly line. The tops and dresses were snapped right off the rack during the e-tailer's photo shoot, so it's a little hard to see exactly how boring they are. [Racked]
• Not content with extending her jewelry line into an "equestrian"-inspired clothing range and a line of shoes and bags, Nicole Richie is also tackling maternity wear, for A Pea In The Pod. "It's her Bohemian style," said a spokesperson for the retailer's parent company. [WWD]
• British fashion icon Zandra Rhodes has crashed her station wagon through the window of a hardware store in Texas. One person inside the store was taken to hospital with non-life-threatening injuries; it's unclear whether any charges will be filed. [Telegraph]
• Justin Timberlake and Trace Ayala unveiled the William Rast label they co-founded at Selfridges in London — and gave interviews that made no mention of the extremely talented designers, Johan and Marcella Lindeberg, who have made the line such a success. [UK Vogue]
• American Apparel has been cited by U.S. Immigration and Customs Enforcement for allegedly employing an estimated 1,600 illegal workers. ICE believes that up to one third of the California-based clothier's workforce is in the country illegally. [WSJ]
• H&M, Louis Vuitton, and Wal-Mart topped a survey of consumer brand valuation. Which means we love cheap stuff that looks expensive, expensive stuff that looks cheap, and cheap stuff that looks cheap? [WWD]
• Crabtree & Evelyn has filed for Chapter 11 bankruptcy in the U.S. The company has 126 stores, and around 950 employees. Its stated hope is to close some of its stores and renegotiate its leases, but any business that loses $13.3 million in fiscal 2009 can't have a great outlook. [ToL]

The recession has already spawned its own language of buzzwords, as if the right combination of meaningful letters whispered in the consumer's ear will suddenly unlock her wallet: there's "investment" fashion, "green" fashion, the "new vintage." (That one sold out, so perhaps Stefano Pilati's on to something.) "Ethical" fashion. We're told there will be "slow" fashion, to match our slow food. There's the fantasy that we'll all start making our own clothes, and the competing theories that we'll have more of our clothes made in America — or that we'll continue having more made overseas.

What this confusion of language speaks to is the underlying truth that this recession will permanently change the apparel industry — and the profound uncertainties that still cloud what those changes will be. How we dress, how we shop, how we are marketed to, where our clothes come from and who makes them are all up for reconsideration. The propagation of inanities like the concept of "investment" dressing is just evidence that even most industry experts are only grasping at straws, like the rest of us.

Cathy Horyn was asked to speak on fashion and the economy last week at an event for Citi's Women & Co., a $125-a-year members-only women's professional organization run by the bank. Horyn's speech, a "trimmed" version of which she later posted to her blog, and then chased with more thoughts yesterday, amounted to a kind of fashion state of the union.

Horyn gets down to business by assessing the state of fashion before this recession began — and noting how it's different than past periods of economic instability. The downturn of the early 2000s, she argues, barely registered in fashion (in 2001, consumer spending actually increased). The late 90s and the early 2000s, taken together, were a period of remarkable consolidation and expansion in the rag trade. As Horyn explains,

This was the era when luxury groups were being formed — when Saint Laurent sold out to Gucci, when Bernard Arnault hired John Galliano and Marc Jacobs to shake up Dior and Vuitton respectively, when Prada made a bid for global power by buying Jil Sander and Helmut Lang, and when PPR eventually took control of Gucci...This shift from a largely craft-based, family-owned culture to a brand management culture mirrored what was happening in the financial markets, in the explosion in the art markets, and the excitement surrounding new architecture, particularly in countries like China and Dubai. Dress codes and divisions of all kinds have been breaking down for years — we scarcely notice when someone mixes high-low elements. But the late 90s and early 2000s saw fashion's ivory tower crumble a little more as designers became ardent marketers — selling the image rather than, in some cases, the clothes. In 2001, Marc Jacobs brought out the Vuitton bag splashed with Stephen Sprouse graffiti. It was followed by the Murakami bag, along with those indelible, digitally enhanced advertising images by the photographers Mert and Marcus. These designs were plainly creative, but the point is these bags were not precious objects. They expressed perfectly the blending of art and commerce, and insolence over elegance — a mood also conveyed in the ironic images of the photographer Juergen Teller, who for more than a decade has created Jacobs' ad campaigns for his own label, including the one of Victoria Beckham as a commoditized celebrity in a shopping bag.

So the recession of 2001 did not throw anyone off the rails.

In many ways, Louis Vuitton is the perfect embodiment of this grading-down of luxury. Until the 80s, Louis Vuitton was just another nice French handbag brand, perhaps known for quality and definitely known for high prices, sure, but not a "fashion" brand with much season-to-season variance, and certainly not a true "luxury" one either. Its coated-canvas monogram wares were widely available and sold in department stores like any other high-end bag; for nearly 20 years, handbags were even made under license for the U.S. market. Then that all changed: Louis Vuitton restricted the sale of its bags to its standalone boutiques, and started aggressively associating its bags with luxury and status through advertising. Naturally, the company raised its prices, which only raised its cachet. But the Speedy 30 that was sold off the shelf at Saks in 1980 is still fundamentally the same bag that runs $700 at Louis Vuitton's own store today. It was a triumph effected with marketing and precious little besides; the bags did not noticeably change or actually become more "luxurious" in their trip up from "good brand" to "luxury brand." But we bought them anyway. Now the deal isn't looking so good.

The stock market crash of 1973 and the long period of stagflation that ensued, as Horyn remarks, is a formal pendant for the current economic situation: a Wall St. crisis that spurred a recession in the "real" economy. But within the apparel industry, too much has changed to allow for any direct analogy between then and now:

In the mid 70[s], fashion was also a relatively small, familial world, with manufacturers forming relationships with stores through expert buyers, and styles evolving slowly. In 1975, a widely popular style was the quilted Chinese jacket, no doubt influenced by the opening of diplomatic relations with China. I am reminded of a conversation I had years ago with the comic Sandra Bernhard, who told me that when she began to do stand-up, she would include as part of her act a reading from Women's Wear Daily's pages. That's how strange and remote the fashion world seemed — those socialite names sounded exotic. By contrast, in the past decade, fashion has become a marketing tool for all kinds of non-fashion products, from stylish cell phones to boutique hotels. And, for better or worse, it has transformed urban neighborhoods, like the Meatpacking District in New York or South Congress Avenue in Austin, Texas.

So what is next? And what are the issues on the table, according to Horyn?

[T]his recession is different. Just about every luxury group and upscale retail chain has reported declines, and no category, with the exception perhaps of watches, is performing very well. Private investment in fashion companies is virtually non-existent, and there is very little acquisition activity. Of course, part of the problem is over-capacity — there's just too much stuff around.

That's not strictly true; certain luxury categories are performing well. Hermès leather goods division — the sector of the company that sells $50,000 crocodile handbags with a three-year waiting list — experienced a 21.7% jump in sales during the first quarter of this year. (It's the expensive but comparatively lower-priced goods, like watches and perfumes, that aren't doing so well for the French brand.) But other luxury companies are deeply troubled. Harry Winston and Tiffany's both just released quarterly results that were marked by steep losses.

Horyn sees the industry facing challenges along two primary axes. For one, there will continue to be steep growth in consumer spending in emerging markets, like Asia and South America — especially at the high end of the retail continuum. While the recession might be stalling luxury spending in Japan, it won't stop growth in China and India. It can't. At the couture shows in Paris this January, the happiest man around was the consultant who helps introduce wealthy Indian women to the designers and advises them on which pieces to buy. (And by "piece," we are talking here of $75,000 dresses.) These consumers will be predominantly under 35, and they will want "real" luxury — not $4,000 Prada it-bags that only hold any allure for a season. There's a reason they're going to the Paris couture collections.

As for the rest of us? Horyn thinks the designers that will be successful over the coming years and after the recession will be those who cast off "history-minded" dressing and think instead of, wait for it, the future.

It involves thinking of the consequences of technology, and relating these changes more imaginatively to how we dress, how we shop — the design of stores, the potential of online magazines and stores. A "sartorial consciousness," to use Quentin Bell's term, is not limited to moral indignation; it also applies to the raw materials, the energy sources, and labor practices used in making a garment. "Green fashion" will become more and more important, and young consumers in particular will expect to see innovation and experimentation in this area — the kind they see in proposals for wind-powered skyscrapers and carbon-free transportation systems. Indeed, I am somewhat surprised that a big luxury group has not had the foresight to create a separate eco-brand of high-quality garments, with a casual yet sophisticated aesthetic. We've seen a number of niche labels, but not one that draws on the brand power and advertising reach of a luxury group.

Perhaps that's exactly what LVMH is thinking in acquiring Edun, and bringing its tremendous marketing resources and distribution network to bear on the organic cotton, sustainably-made fashion line.

Horyn's closing remarks I'll give in full:

a great many people in the fashion world would share the photographer Horst's view that "fashion is a universe full of art and excess where no one thought of the outside world," even though that statement was made about the late 1930s. This may be why many designers do not know how to fully relate the Internet to fashion — imaginatively. I mean only that it took radio roughly 40 years to reach 50 million people, while it took the Internet just 4 years to reach the same number of people.
This is the dynamic that fashion must embrace in the coming years in order to be truly creative and relevant. It's great to talk about "slow fashion" and the value of handcraft in informing our imagination. These qualities will still be important, as Paris is, but imagine the other system of thought that revolts and finally breaks free of the old world.

If that's the future of fashion, I want to be there to see it. Provided it costs less than $700 for a canvas bag.

The Bigger Picture [On The Runway]
Bic Pic: Further Thoughts [On The Runway]

Related:
Green Fashion: Is It More Than Marketing Hype? [Fast Company]
Pilati Unveils YSL "New Vintage" At Barneys [WWD]
Rethinking Outsourcing In The Recession [Forbes]
Apparel Import Slump: U.S. Importing Much Less Clothing Because Of The Recession [South Florida Sun-Sentinel]
Dress For Less And Less [NY Times]
In The Bag: how Hermès Beats The Recession [ABC News]
LVMH Near A Big Stake In Bono Firm [WSJ]

Earlier:
"Investing" In Your Closet Not Recommended By Actual Investment Experts
New York Times Bets Against Anna Wintour, American Vogue

"On the one hand, I'm almost relieved that Beckham is owning the fact that she's selling herself as a product," Martin explains. "It's what so many of today's vacuous celebrities are doing anyway." But:

On the other hand, it all makes me sick. We've moved beyond 'the male gaze" and objectification; now girls can grow up worshiping Victoria in her painfully tall stilettos and aspiring to be seen as a "living doll," an inhuman product. Beyond the classic advertising trope of cutting women into pieces, this ad campaign also seems to suck the real life right out of them. Please, please, please boycott Marc Jacobs.

When Is a Fashion Ad Not a Fashion Ad? [NY Times]
Beyond Objectification: Woman as Product [Feministing]

• 2-year old Suri Cruise has custom-made Christian Louboutins, making her the red-soled footwear company's youngest client ever. [NY Post]
  
• "She was a great sport. She agreed to do something rough and tough and quite raw. It wasn't days and days of hair and makeup," says Marc Jacobs of Victoria Beckham's participation in his Spring 2008 advertising campaig [WWD, 1st item]
  
• And in other Posh Spice news, Beckham has also posed in the buff for Jacobs' t-shirt line benefiting skin cancer research. Uh, because she'd rather go naked than protect her skin from harmful UVA rays with one of his crummy T-shirts? Oh wait...huh. [Mirror UK]
  
• Justin Timberlake: Now designing womenswear under the J. Lindeberg label. What qualifies him, you ask? Yeah, we hate obvious punchlines. [Vogue UK]

• The 23-year old fashion boy wonder Esteban Cortazar (whom you may best remember from the person throwing the party for the yacht catering challenge from this season's Top Chef where Howie finally got the boot) has just been tapped as the new head of the Emanuel Ungaro label. This makes us feel really insufficient. [WWD, sub req'd]
• To celebrate record sales, a Taiwanese lingerie company celebrated with a designated day where its female employees were asked to come to work wearing the goods. [Sassybella]
• Moschino has made a plexiglass doll — a plexiglass doll! how cuddly! — to be auctioned off as part of UNICEF's children's AIDS efforts. [Vogue UK, 7th item]
• H&M: Now with even more organic cotton! [FabSugar]
• Not-actually-made-from-seaweed yoga wear line Lululemon's profits tripled in the third fiscal quarter. [WWD, sub req'd]
• In times of economic turmoil and poor consumer sentiment, J. Crew... predicts great holiday sales! God bless America. [WWD, sub req'd]
• Christian Dior cosmetics claim to have harnessed the power of stem cells in creating their new line, making for the swiftest wrinkle repair ever. Could this be the breakthrough that wins over the hearts and minds of the nation's anti-abortion lobby? One can dream! [WWD, sub req'd]