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Judy Blume

The

This Week We Waged War On Terrible TV Hostesses

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shelf pleasuring

Wifey: Rejecting The Norm

It's time for another edition of 'Shelf Pleasuring', an occasional feature in which we revisit the sexiest books we stole off our parents' shelves when they weren't looking. Today, Fine Lines proprietrix, blogger, NPR book reviewer and filthy-novel-fiend Lizzie Skurnick writes about 'Wifey', Judy Blume's 1978 novel about having your cake...and getting it eaten out, too.

Can someone please explain this five-course, multiple orgasm thing to me? I don't mean this exact second, you can read the review first, but at the end of this exegesis I would like a few people to enter the comments and iterate the exact circumstances under which one would be able to claim one had enjoyed "Breakfast, lunch, dinner and a snack." (I myself am not hungry, per se, but, having never been sure if I've personally taken part in the all-day buffet in question, I need to know if I should request a complimentary voucher or something.)

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fine lines

Deenie: Brace Yourself

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wizened look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick rereads 'Deenie', the 1973 story of a girl whose newly set back proves only a minor setback.

My mother named me Deenie because right before I was born she saw a movie about a beautiful girl named Wilmadeene, who everybody called Deenie for short. Ma says the first time she held me she knew right away I would turn out the same way—beautiful, that is.

Oh, how I wanted to look like the girl on this cover. She might be the only cover girl I ever wanted to look like, actually. (Those legs! That skirt! That SWEATER!) But kudos to the cover artist for catching that Deenie Fenner is that rare kind of beauty, appreciated both by her high-school-age peers and by modeling agencies in NY—and one of the few female characters to whom the reader might relate to exactly as the other characters do: with admiration, jealousy, and an involuntary sense of possession.

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fine lines

Starring Sally J. Freedman As Herself: Springtime for Hitler, Part II

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wrinkled look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick rereads 'Starring Sally J. Freedman As Herself', Judy Blume's 1977 story of Sally Freedman, who, following WWII, spends a year in Miami and triumphs over Hitler and Man O' Wars.

"Can I have another jelly sandwich?" Sally asked her grandmother, Ma Fanny. They were in the kitchen of the room house, sitting on opposite sides of the big wooden table.


"Such big eyes!" Ma Fanny said, laughing. "You still have half a sandwich left."

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clips

Judy Blume Doesn't Back Down From Censors


Our girl Judy Blume has a whopping five titles on the American Library Association's "Most Challenged Books" list. In this clip from Current TV, Blume defends herself and her books against evil PTA members who continue to ban her informative, delightful, classic Young Adult novels. Of the oft-banned Forever, Blume says, "I wanted to allow a young woman to enjoy her sexuality, which I think is the thing that got me in so much trouble." Damn the man. Save Judy!

Judy Blume v. Censors [Current TV]
Earlier: Then Again Maybe I Won't: Close Your Eyes And Think Of Jersey City


lit chick

Judy Blume: Almost 70 But Forever Our Girl

Yesterday, London's Daily Telegraph printed an interview with Judy Blume, author of teen-fiction bibles Deenie, Tiger Eyes, Blubber, Forever and Are You There God? It's Me, Margaret. Ms. Blume, who turns 70 years old next week (!!!), has sold 75 million copies of her novels worldwide, and taught girls — and boys — everywhere about periods, masturbation, sex and the roller coaster ride that is puberty. And though she has meant so much to millions of readers; she continues to be "one of the most banned writers in America", particularly because of the sexually-titillating and heart-meltingly sweet coming-of-age novel Forever. "Everybody has a Forever story," Ms. Blume says. "Everybody."
Ms. Blume explains that she wrote Forever for her teenage daughter: "She asked me for a story about two nice kids who have sex without either of them having to die." More »

fine lines

Then Again, Maybe I Won't: Close Your Eyes, And Think Of Jersey City

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wrinkled look at the children's and YA books we loved in our youth. This week, writer/reviewer/blogger Lizzie Skurnick re-reads Judy Blume's 1971 novel 'Then Again, Maybe I Won't', which helped many a young girl learn about hard-ons, wet dreams and the downsides to sudden wealth and suburban Long Island.

Who says March is supposed to come in like a lion and go out like a lamb? That's a load of bull. All it's done this March is rain. I'm sick of it.

Thank god the phrase for "wet dream" is the same in England. I say this not out of any allegiance to Royalist nocturnal emissions, but because I'm using the English edition of this book, and have been thus saved a harsh repeat of my 7-year-old initial read: namely, not knowing what the hell Judy Blume was talking about.

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jezebook club

Were You a Judy Blume Enthusiast or a Babysitters Club Nerd?

In today's Washington Post, book critic Jonathan Yardley extols the virtues of Laura Ingalls Wilder and the Little House books as part of "An occasional series in which The Post's book critic reconsiders notable and/or neglected books from the past." Though I was never personally a fan of all those Prairie books (they were kind of boring and unsexy for my tastes. Where was the talk of making out and menses??), the article got me thinking about the kinds of books I loved as a tween. I asked the other Jezebels what books they read under the covers in their pre-teen years. Anonymous Lobbyist and I were closet Greek mythology lovers (I particularly loved D'Aulaires). Tracie was obsessed with V.C. Andrews, Moe was into Ray Bradbury, Dodai loved Kurt Vonnegut, and we all were into old standbys like Judy Blume and the Babysitters Club. More »