<![CDATA[Jezebel: hadley freeman]]> http://tags.gawker.com/assets/base/img/thumbs140x140/jezebel.com.png <![CDATA[Jezebel: hadley freeman]]> http://jezebel.com/tag/hadleyfreeman http://jezebel.com/tag/hadleyfreeman <![CDATA[On Style Experts]]> "They may as well have said, 'Yes, that's a shame about you being poor – why have you not considered being rich?'" - Hadley Freeman [The Guardian]

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<![CDATA[Abercrombie Loses Another Discrimination Suit; Lindsay Lohan Is New Ungaro Artiste]]>

  • There are pictures of Threeasfour's inspiration boards, fabrics, and the in-progress pieces of its collection with Yoko Ono, which will be shown next week in New York. Ono contributed original artwork and inspiration to the collection, and the dot drawings that were transformed into original prints look fantastic with their repeated circular-organic shapes. [The Cut]
  • Oprah is going to co-host next year's Met Ball. Oprah. Let that sink in. Co-hosting, of course, will be the woman who made her lose 20 pounds to be fit for the cover of her magazine: Anna Wintour. [Yahoo! News]
  • This year's Met Ball model co-host, Kate Moss, stormed out of the GQ awards show in London because host James Nesbitt made a joke about her naked appearance on the cover of that magazine. She managed to interrupt Dizzee Rascal, who was being interviewed after accepting an award — twice. Once to storm out, and once to ask if anybody had seen her lipstick. [Telegraph]
  • GQ anointed comedian and Little Britain star David Walliams as the most stylish man of 2009. He accepted the award wearing goggles and denim hotpants. [Mirror]
  • Craig "Radioman" Schwartz, apparently some sort of serial movie set hanger-on, nearly rode his bicycle into Sarah Jessica Parker while she was filming for Sex And The City outside Bergdorf's. She stumbled over the curb. Do people really have nothing better to do than flashmob the SATC set? For the rest of the day, Parker was protected by ten bodyguards between takes. [WWD]
  • Meanwhile, co-star Kristin Davis' line with Belk department stores has been discontinued, and the actress' planned New York Fashion Week show canceled. Belk and Davis say the decision was mutual. [The Cut]
  • Three words: Lady Gaga Headphones. (No, she's not doing a side project with David Bazan.) [Engadget]
  • The house of Ungaro has tapped Lindsay Lohan as an "artistic adviser" and relatively unknown designer Estrella Archs as its chief designer. When the Lindsay-for-Ungaro rumor started — back before the young, talented Colombian designer Esteban Cortazar had been fired — it sounded like crazy talk. Now it's happening. "Odds are it could work," says C.E.O. Mounir Moufarrige. [WWD]
  • Heidi Klum, on that time Karl Lagerfeld sneered that he didn't know who she was, and that she was obviously fat anyway: "It's bizarre to me that he says he doesn't know who I am because he's dressed me in the past. I've worn Karl Lagerfeld. Not even Chanel – his line. Lagerfeld doesn't just send random things everywhere." Klum in fact wore Lagerfeld to the CFDA awards a few years back. [P6Mag — story not online yet]
  • Fashion success story Christopher Kane, on childhood: "I was this wee kid who just stayed in the house, watching The Clothes Show with my mum and scrooging all the money from my first communion." [ToL]
  • Model Crystal Renn, who was directed as a 14-year-old to lose 9" off her hips in order to work in the industry, and struggled for years with anorexia and exercise bulimia as a result, says that Glamour magazine was the only client who ever noticed her eating disorder, and took action by calling her then-agency, Next. Not that she was appreciative as a frightened young teen: "At the time, I was really embarrassed because someone had figured me out. They called it and brought it to light. I wasn't only not only not pleasing my agency but I wasn't pleasing Glamour. When I became a healthy model like I am now, they were one of the first people to shoot me at this size, and that says something." Renn, whose memoir Hungry came out yesterday, would like to have a plus-size clothing line because she says her rock 'n' roll aesthetic is under-represented in the larger sizes. [GlamChic]
  • Tara Moss, who modeled for 10 years, now writes crime novels. And she does her own stunts: to research events for her books, she tries to experience the things her characters feel. In addition to spending days in morgues and courtrooms, flying fighter jets, and being set on fire, she has had an Ultimate Fighter choke her until she lost consciousness. [Reuters]
  • Hadley Freeman says, of the attempts by models too numerous to name to raise awareness about the industry's working conditions, "The fact that all these efforts have come from models as opposed to the outside media (which gets too distracted with painting models as evil fem-bots and harbingers of eating disorders to see them as underpaid homesick teenagers), suggests maybe people find the idea of models making them feel fat more upsetting than the very real fact of models being raped." The serial rapist designer Anand Jon Alexander was sentenced to 59 years in prison this week; other sources interviewed for this story express amazement that any of his victims, all young models over whom he had authority, came forward at all. [Guardian]
  • Anna Sui's Gossip Girl-inspired Target collection launches this weekend online and in 600 stores nationwide — and today, if you live in New York and are willing to go to a pop-up store in a townhouse on Crosby St. [WWD]
  • A woman told the Post that sometimes she goes to Yigal Azrouël's Meatpacking District store to try on clothes "just to be naked in the same room with him." Azrouël is sexy and all, but that's just creepy. [NYPost]
  • This story about Fashion's Night Out, which is tomorrow, includes an unexpected reference to Fitzgerald. Then Anna Wintour says, "What am I looking to buy? Something in red, some new boots, and some kind of savage fur (that's American Vogue shorthand, so you know, for a rough, shaggy stole or collar of some kind). It's not a lot, but isn't that the whole point of shopping these days." [ToL]
  • Club Monaco locations in New York City will be serving champagne until 11 p.m., and the SoHo store will have a cupcake truck outside until September 12th. [FWD]
  • The Financial Times' coverage of Fashion's Night Out casts Wintour as Ben Bernanke in a grand fashion stimulus plan. [FT]
  • Wintour's appearance on Letterman drew slightly higher ratings than the show's average for the week and month, but ABC's Nightline still won the timeslot. [WWD]
  • "Would I think twice about buying a dress that costs $2,000? Yeah! Of course I would. I'd try it on and go home and think about it before I bought it," says Victoria Beckham. Nonetheless, she says that demand for her uber-expensive dress line is outstripping supply. [People]
  • Robin Givhan reports that now, the time just before Fashion Week, is a period of "soul-searching and hand-wringing" for designers and the industry. [WaPo]
  • Neiman Marcus suffered a $168.6 million loss during the fourth quarter. Revenues decreased 24%. [WWD]
  • Yesterday, Gap-owned e-tailer Piperlime started selling designer clothes, in addition to shoes. [NYTimes]
  • Same-store sales at Laura Ashley rose 6.7%, to £101.5m. [FT]
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<![CDATA[Female Confessional Journalism And The Business Of Self-Hate]]> Hadley Freeman has a very smart piece in the Guardian today about a very disturbing phenomenon: female journalists publicly baring their depressing and ultimately unsuccessful battles with various forms of self-loathing.

Freeman specifically mentions Christa D'Souza's Daily Mail article about her increasingly harrowing experiences with breast implants, and of course Liz Jones's truly upsetting story (also, predictably, in the Daily Mail) of trying to treat lifelong anorexia with three weeks of scones and brie and — shocker — still feeling bad about her body afterwards. But she has a larger point: a genre has sprung up in contemporary lifestyle journalism, in which "a female journalist describes her obsession with her weight/breasts/ageing face/food or alcohol problems/inability to have a happy relationship" and usually ends up "sufficiently unhappy to be commissionable for another very similar piece."

As Sadie pointed out in her coverage of Jones's piece (Jones is pictured above), this kind of writing is bad for everybody. It's bad for the writers, who — if they're not totally manufacturing their distress for the reader's benefit — probably need therapy. But Freeman argues that it's actually worse for readers. For them, she writes, articles like Jones's "are surely just as dangerous and potentially influential as the photos of the skinny models the journalist professes to abhor."

Liz Jones is certainly troubling as thinspo, but Christa D'Souza is more complicated. Her experience with scar tissue, lopsided breasts, cancer, pain, and the total absence of any self-esteem boost from her new breasts isn't going to convince anybody to get implants. But it might convince some readers — male and female — that women are "self-hating, self-obsessed," and that it's normal to be like this.

One of the best pieces of feminist advice I've ever gotten is not to insult my own body in front of others. It perpetuates the idea that women should hate our bodies — that our inevitable physical flaws are worth valuable brain-space and conversational time. But pieces like Jones's and D'Souza's aren't just body-snark, they're self-snark: public expressions of low self-esteem so intractable that it lingers for years, harms relationships, and even endangers physical health. Freeman says editors assign these pieces because they have a "misogynistic image of what women are like," and that may well be true, but it's a vicious cycle. The more "boom and bust boob" stories we read, the more it seems that women are like D'Souza or Jones — irrevocably fucked up by aesthetic or social strictures they recognize are unhealthy but can't seem to escape. And the easier it is to assume that we, the female readers, can't escape them either.

These strictures aren't just about beauty — Zoe Lewis's I-chose-a-career-and-now-I'm-miserable screed and Lori Gottlieb's cautionary tale about how failing to "settle" caused her lifelong loneliness are basically cut from the same cloth, maybe just a little more highbrow. All these sob stories basically promulgate the notion that women can't have it all, or even much of anything, because even smart ladies who write for newspapers and magazines are basically unfulfilled and miserable.

The truth, of course, is much more complicated than that — even the disturbing Liz Jones is probably happier, at least at times, than she seems in her anorexia piece. Freeman is correct that most confessional journalism of the Jones/D'Souza variety is likely conceived with the goal of "getting a reaction from readers," and female misery seems to get hits. But editors who rely on self-loathing for numbers (and we're looking at ladymags too here) need to recognize that they're exploiting their female writers and giving their readers a twisted view of what it means to be a woman.

The New Confessional Journalism Turns Female Writers Into Tedious, Self-Hating Semi-Celebrities [Guardian]

Related: My Boom And Bust Boobs: What It's Like To Suffer The Agony Of Enlargement Surgery - Only To Realise You've Made A Terrible Mistake [Daily Mail]

Earlier: Lifelong Anorexic "Forced" To Eat Normally For 3 Weeks
Settle For Mr. "Just OK" - While Your "Marital Value Is Still At Its Peak!"
Feminism Is The Supposed Key To Women's Unhappiness
The Self-Flagellation Of The First-Person Beauty Piece

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<![CDATA[Can Madonna Please Not Be A Role Model?]]> A piece in today's Guardian gives Madonna a big attagirl for her younger boyfriend. Ok, but at this point should Madonna be a poster child for anything but...Madonna-ness?

Says Hadley Freeman,

To see an older woman with a clearly very sexy younger man is the most marvellous pop in the eye to Ronnie, Paul, Bryan et al. The fact that she is not just a mother, but the most famous mother in the world - she is the Madonna, after all - makes the whole thing even better.

First of all, some of us would take issue with the notion that Madonna's young children awareness of their newly-single mother's very public W-style shenanigans "make the whole thing even better," but that's not even the issue. Should Madonna be able to do whatever she wants? Sure. I get wanting to overturn double-standards, I do. And I have no particular love for grizzled rockers cavorting with nubile children, either. If other women find Madonna's rebound empowering, well then, good on them. But I really do think Madonna is not the example we should be trumpeting as a new exemplar of changing standards.

But, seriously, do we? Is anyone still looking to Madonna as an exemplar of anything other than preternatural professional invincibility and variability? After all, it's a truth universally acknowledged that Madonna, like the Bible, can be turned to any argument, so varied are her guises, so abrupt her U-turns. Be pleased that a culture can accept May-Decembers without comment, perhaps, but anything Madonna does gets transferred post-haste from the public domain into that large warehouse marked "Stunts and Phases, Madonna's." Madonna and child [Guardian]

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<![CDATA[Dita Von Teese Will Wear As Much Couture As She Wants]]>

  • Dita Von Teese wears two Elie Saab couture creations in her limited-run Paris show. Is it strange that the only people who can afford couture these days are burlesque artists and Saudi princesses? [IHT]
  • Fashion week is "hitting the reset button" because in this economic climate, return on investment is ever more important. [WWD]
  • And don't expect any parties. Really. [WWD]
  • The show schedule is now available online. [The Cut]
  • Christian Siriano will be there, in the Salon at the tents, showing his new collection for Payless. Which is good news because at $25-$45 for bags and shoes inspired by Egyptology, these are that rare affordable fashion week thing. [WWD]
  • Interesting: Richie Rich, everyone's favorite glittering ex-club kid, is showing on February 18. At no less a venue than the Waldorf Astoria, demonstrating once and for all that his particular brand of sparkle can exist above 23rd St. There hasn't been much heard of Rich since the end of his old label, Heatherette, which he ran with Traver Rains. [The Cut]
  • Rich is promising "Head-to-toe wearable" for his namesake collection. Wonder how this'll shake out. [WWD]
  • Isaac Mizrahi already showed his fall/winter collection for Liz Claiborne. It looks good, and involves something called "Kaleidoplaid." [Style.com]
  • And the re-re-animated Halston is forgoing a show in favor of a video it's going to e-mail to editors and buyers on Saturday. [WWD]
  • PETA's also gearing up for its favorite parasitic marketing opportunity of the year. Giorgio Armani, who stopped using all fur except for, it claims, rabbit pelts left over from the meat industry, recently drew the pressure group's ire and his New York flagship store will be picketed. [NYDN]
  • Jason Wu, the American Vogue cover getting, Michelle Obama outfitting, 26-year-old fashion superstar, is to be sold on Net-A-Porter.com. [UK Elle]
  • New York Magazine has 10 models to watch this season, you know, just some real new faces like that girl who walked for Marc Jacobs that one time and that girl in the current Prada campaign. [The Cut]
  • Finally, a fashion magazine for the girls who smoke cigarettes behind the parking lot at school and could tell a Steven Meisel from a Steven Klein at 50 paces before entering their teens. Carine Roitfeld, editor-in-chief of French Vogue, is rumored to be assembling a team to launch a biannual teen fashion magazine. French Teen Vogue! Ooh la la. [FWD]
  • Chanel Iman is supposedly to have a walk-on part on Gossip Girl as a guest at one of Serena's parties. A tipster reports she ate macaroni and cheese for lunch. (Chanel's still at that age where you can eat anything and not gain an ounce. Sigh.) [Daily Intel]
  • Emma Roberts, Julia's niece, is another new face of Neutrogena. [WWD]
  • Lorenzo Martone, Marc Jacobs' boyfriend of 11 months, seems like a charming romantic. "Valentine's Day is two days before his show, it has to be very quiet, but I'm still planning a little surprise," says the Brazilian. "During the last Vuitton show in Paris, I didn't tell him I was going to go — I just showed up in Paris in his office with flowers as a surprise the day before the show. He was totally, totally surprised. It was really, really good to see his reaction, and I don't know — we are so in love that it was really gorgeous to see his eyes." My heart, it's melting now. [The Cut]
  • Two acts who grew up in Illinois, Liz Phair and OK Go!, are among the musicians featured in Banana Republic's New York-themed spring campaign, which will be out on February 18. [Brand Week]
  • The "Got Milk?" campaign is the latest concern to drop alleged domestic abuser Chris Brown from its roster. Cover Girl says it's standing by Rihanna. [E! Online]
  • Jones Apparel Group posted a slightly smaller-than-expected quarterly loss of 4 cents a share. (Analysts had expected 5 cents.) Revenues for the company even rose, by 1%, to $846.9 million. Let us all cheer not-bad fashion business news! [NY Times]
  • Nike is cutting 4% of its 35,000-strong workforce. [WWD]
  • Bob Marley's family has licensed his image and name, along with catchphrases like "Catch a fire" and "One Love" to the company Hilco Consumer Capital, which paid some $20 million in the deal. Hilco already owns Ellen Tracy and Linens 'n' Things. [Reuters]
  • Hadley Freeman scored the first interview with Phoebe Philo, newly of Celine. Marco Gobetti, the LVMH vice-president with whom Philo is rumored to already be clashing, makes an uncomfortable joke about having to "cover up the bruises" — his, or Philo's, it's not clear — before the journalist arrived. [Guardian]
  • The New York Times' critical shopper visited the new Brooks Brothers Black Fleece store in the West Village, and found the Thom Browne-designed line very interesting if not ultimately practical. (There are fit issues with the womenswear.) Still, the theory is good: "Picture a cross between Pee-wee Herman and Nurse Ratched, only more obsessive-compulsive. It is a look so stiffly starched - all the buttons are just so very, very buttoned, both up and down - as to recall corsetry, humane restraint devices or orthopedic inserts. It is a look that may mold and instruct the wearer in his relentless quest for superior health, posture and hygiene. As the 'Goldberg Variations' were to Glenn Gould, these clothes seem to be both the tools and execution of a meticulously tended neurosis." [NY Times]
  • This sounds awesome: Prada has asked four stylists, including Carine Roitfeld and Katie Grand, to style their stores in New York, London, Paris and Milan. Anyone not in those cities can see the project online. [WWD]
  • Whoa. Raquel Welch is shilling reading glasses. I suppose One Million Years B.C. was a long time ago. [Brand Freak]
  • There's an entertaining and thoughtful Q&A with someone named Chicken John Rinaldi, who apparently led the fight against the proposed American Apparel on Valencia St. in San Francisco. Rinaldi comes off rather well: "It depends on whose liberty you are defending. Are you defending the liberty of American Apparel to open a store wherever they want? Or are you defending the liberty of the people who live on the block? Or are you defending the people who shop at the store? Or are you going to defend the liberty of the people who own the other stores whose rents are without question going to quadruple?" [Mother Jones]
  • And now, our daily minute of hate: Italian brand Relish's new campaign, shot in Rio de Janeiro but featured now on billboards in Italy, features men dressed as Rio cops molesting women as they arrest them. [Shakesville]
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<![CDATA[Sofia Coppola's LV Line Debuts In Tokyo]]>

  • Sofia Coppola debuts her line of "sure, why not?" accessories for Louis Vuitton in Tokyo. The luxe line is made up of "slouchy duffle bags, discreet clutches and retro wedge sandals." [WWD]
  • Speaking of qualified designers, Posh's dress line is a hit in London! "The presence of her name on the shop floor alongside such greats as Alexander McQueen, Vivienne Westwood and John Galliano was quite an achievement for a designer who unveiled her first collection of dresses just three months ago. More impressive still was the fact that by 3pm on its first day on sale only three dresses were left unsold." [Guardian]
  • Tim Gunn is not sanguine! Quoth the silver fox, "We have this horrible, nasty court case. We have an angry Bravo/NBC. We have an angry Lifetime. We have, I'm sure, an angry Weinstein Company. We have Heidi and I despondent about the whole thing. We worry that season six will never be seen by anyone." [Washington Blade]
  • Addressing the severe shortage of celebrity perfumes, Faith Hill is in talks with Coty. [WWD]
  • Ivanka Trump confirms our suspicions that she's rich, by premiering a jewelry line that ranges from $4,000 to $45,000. [WSJ]
  • Whether the Wintour rumors are founded or not, "Save Anna" gear is big for Christmas! [Racked]
  • Courteney Love's "shopping secrets" are disappointingly obvious. [ElleUK]
  • Liz Claiborne takes steps to retain executives. [WSJ]
  • Women keep clothes longer than their husbands - and sometimes longer than their marriages! [Telegraph]
  • Eileen Ford can't sell her mansion. [WSJ]
  • Courteney Cox is Avon's latest celeb spokesperson. [WWD]
  • Versace expands its glitzy empire to Vietnam. [New York]
  • The economy's loss is TJ Maxx's gain! “With department stores canceling orders, we’re getting additional brands. They have excess product. They know we pay our bills on time and we can’t return the product.” Have I mentioned how smart I find that 'how we get our cheap stuff' ad campaign is? [Fashionista]
  • Wait, Whitney Port doesn't really work in fashion? “Well, she just goes into the office to shoot scenes like she works there, like what they did on The Hills. Actually, it’s kind of sad. When they film her spots, they make the girls that actually work there move from their desks and into some cubicles in another part of the floor, because they’re actually working, but the camera people want Whitney and her on-screen work friend to look like they have real desks.” [Fashionista]
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<![CDATA[ I have no words to describe the horror that...]]> I have no words to describe the horror that is the video for the Hagyness-collaborated single "Who." Fortunately for me, Guardian fashion critic Hadley Freeman still has her wits about her as she fields a question from reader Martin Stam, who writes, "Can you please explain why the big fuss over that model Agyness Deyn? She's perfectly pretty but the excitement does seem disproportionate." RepliesFreeman: "Someone somewhere along the line decided that we need a new culture-by-way-of-fashion icon as a sort of generational figurehead... Don't get me wrong, I'm sure she's a lovely girl and, yes, a very pretty one. But with that peroxide crop and her love of DM boots and strange stretchy miniskirts, surely I'm not the only one baffled by all the adulation of this so-called "style maverick" when Roxette carved this niche with rather more aplomb almost 20 years ago? A little bit of overkill, yuhthink?" [Guardian, Fashionologie]

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<![CDATA[Nina Garcia And ELLE: In? Out? Or In?]]>

  • You knew this already, but Project Runway judge/style tome author/ELLE fashion director Nina Garcia has parted ways with the magazine that made her. At least, ELLE has yet to tell anyone the rumors are false.
  • Our sources say Garcia came in Friday morning around the hour fashion people usually get to work Friday morning, and was gone with all her earthly possessions by lunch time. Her assistants apparently cried all day, packing the rest of her things.
  • New rumors are starting to surface that she's "in talks" with ELLE regarding some sort of position there.
  • We suspect the fact that ELLE fashion news director Anne Slowey and creative director Joe Zee are getting their own Tyra-produced show this fall doesn't exactly make for a great environment. (Coupled with the fact that the magazine's fashion coverage has gotten a million times more interesting since Zee came on board.) But these are just our speculations. Know anything? Drop us a line! [WWD, MediaBistro, NYMag]
  • And in other very important world news, Project Runway guest judge/style tome author/ELLE covergirl Victoria Beckham's denim line DVB has been dropped by Kitson and Fred Segal. Um, anyone else seeing a trend here? [News of the World]
  • A reader wrote in to Guardian fashion writer Hadley Freeman asking when it is okay to wear shorts. Freeman's response? "When it's flipping well warm enough to do so, like, duh." [Guardian]
  • Despite the rumors, Kate Moss is not on the outs with lingerie line Agent Provocateur and just shot a wedding-themed ad campaign for them. [This is London]
  • Phat Fashions is suing Victoria's Secret for copyright infringement. Apparently, no one can use a frilly letter 'P' but the Phat designers. And while I can't believe I'm saying this, I think it's gonna be Kimora FTW. [WWD, sub req'd]
  • Whoa, Vidal Sassoon was a resistance fighter during WWII?! [Telegraph]
  • Elton John: Wears Tom Ford's fragrances! (Also likes that Tom Ford's ads frequently contain naked men? Again, JUST speculation.) [Page Six]
  • The John Varvatos store in the old CBGB's space? Could suck more. [Washington Post]
  • Yay for Cambodia, the latest country to allow its young female citizens to be exploited by the western world by making them into runway models. (And Cambodia is usually such a leader on the youth exploitation front.) In all seriousness, [ITN]
  • Nicholas Huxley, the director of the Sydney Institute's Fashion Design Studio, says Australian women dress "cheap and nasty." [News.com.au]
  • Want to have guaranteed success as a jewelry designer? Than go into a career in anything but jewelry design [WWD]
  • OMG will or won't Prada go public in June? The suspense is killing me. [WWD, sub req'd]
  • Carolina Herrera junior is pregnant again. Just what the world needs: Another kid with a trust fund. [WWD, 2nd item]
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<![CDATA[Women Who Love Fashion Are Not Inherently Idiotic]]> "Quick," writes Jessa Crispin on TheSmartSet.com. "How do you tell if a woman in a movie is supposed to be intelligent? First off, she'd probably be brunette, but past that. Glasses, yes. Little to no makeup. Her hair is probably in a ponytail. Clothes she probably bought at the Gap in a size too big. You know she's the smart one because she thinks about more important things than her appearance." We live in a world where "trendy" girls with "it" bags are often vapid, shallow beings bereft of a brain. The fashion magazine industry often makes things worse: "Elle talks to Ashlee Simpson. And writes down what she says. To be recorded for all time," Crispin notes. And "there is a huge disconnect between the fantasy world of Vogue — where women spend their days romping in fields wearing $1,500 sequined leggings — and reality." And yet there are women who are smart and care about fashion. Right? Right?

Hadley Freeman thinks so. She's the author of The Meaning Of Sunglasses. And, according to Crispin, she "namedrops Andrea Dworkin and poet Joseph Parisi as often as she does Anna Wintour. She's the one you want on the other side of the changing room... If you came out looking cheap, she would grab you by the shoulders, turn you around, and demand you change immediately. As she writes in the section labeled 'Cleavage, and the plumbing of depths,' 'Show me a woman with a good three inches of cleavage on display, and I'll show you a woman who, rightly or wrongly, has little faith in her powers of conversation.'"

Here's the thing: If you're smart enough to realize that fashion is a cultural construct rooted in sexist ideals and designed to divide women from their dollars, are you not allowed to admit that you sorta like a Gucci purse? If you have the intellectual capacity to understand that if all mankind wore some kind of uniform, like monks' robes, the globe would be alleviated of many problems — from sweatshops to bullying — should you feel guilty about liking the Jovovich-Hawk collection for Target?

"Freeman wrote a book for women who actually exist," Crispin writes. "Women who have to wait for buses in the middle of winter. Women who like to dance at parties, and do not want to have to sit in the corner because their feet are bleeding." Fashion is not just for Vogue and Karl Lagerfeld. It's self-expression, it's loving to get dressed, to get dressed up; it's realizing that your clothes can reflect your thoughts, your mood, your passions. And if someone's passionate about clothes, isn't labeling them shallow sort of superficial?

Feminists Want To Look Good Too [Utne]
How To Shop [The Smart Set]

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<![CDATA[Is The Writer's Strike Bad (Or Good!) For Fashion?]]> We all know the writers strike is certainly affecting, well, the writers. And the studios. And us, since there's little to watch now, save The Sarah Connor Chronicles. But wouldn't you know? Those in the always narcissistic fashion industry is worried about how the strike impacts them. Says designer Phillip Lim on the absence of red-carpet creations: "It's about how it trickles down to retailers, how it trickles down to restaurants, how it trickles down to the community. They've got to work it out and get on with it. It's almost selfish to just keep on with the struggle." Uh, what does this have to do with restaurants? And seriously, who is Lim to call the writers "selfish"? Anyway, fashion writer Hadley Freeman is feeling pissy about the strike and fashion too, but for entirely different reasons.



Freeman, who writes for the Guardian, says that all the fuss about the awards shows getting canceled is supremely irritating, particularly because they have become such a huge part of the fashion industry. And she's even more irritated that fashion labels are up in arms about losing out on free advertising/potential revenue since they'll be denied the chance to dress, as Freeman puts it, some "Jessica RandomActress."

I have nothing but sympathy for all the makeup artists, fashion stylists and hairdressers (to say nothing of the nominees) who are missing their moments in the sun through the cancellation at the weekend of the Golden Globes - and possibly of next month's Oscars - due to the writers' strike... But this assumed importance of celebrity has been taken to such extremes in the fashion world......that the shows now seem to be more about the designer showing off which actresses and pop stars - and offspring thereof - they can get in the front row than the clothes on the runway...When designers start to value celebrities over actual customers, the clothes become more expensive, more impractical and seemingly more irrelevant than ever, as is increasingly the situation..... Now it often feels as if designers are tailoring their collections to pander to celebrity stylists and the paparazzi - which would at least explain the continuing popularity on the catwalks of crippling stilettos, minuscule dresses and other clothes designed for lifestyles based on maximum photo opportunities and minimal body fat....And surely it can only be to the good for the fashion world to be reminded, for at least one year, that celebrity endorsement is not the only happy ending.
Actually, we think that no celebrity endorsements is the happy ending. Less Kirsten Dunst for Miu Miu, more Miu Miu speaking for itself, please.

A Designer Explains the Effect of the Writer's Strike On Fashion [NYMag]

Dark Side of the Red Carpet
[Guardian]

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<![CDATA[Catsuits: It's All Fun And Games 'Til Someone Has To Pee]]> What's worse? Camel toe or baggy crotch? Fashion writer Hadley Freeman (sorta) raises the question in a very strange story in today's Guardian, in which she goes as far as to insist that the catsuit, that Avengers-era bit of show-everything-yet-nothing apparel, is back. Her proof? Appearances on Kylie Minogue, Heidi Klum, Mary J. Blige and British girl-group sensation Girls Aloud.

But seriously, how can a garment that, as Freeman puts it, puts you in "a faff having to get nigh-on naked every time your bladder runneth over," be "back"? We doubt they will ever be back, frankly. After all, as Freeman says herself, there's just something about a catsuit that makes its wearer think she's "Barbarella [while] the rest of the world is thinking Elvis in Vegas."

Miaow! [The Guardian]
Earlier: Sharon Stone Shows Us More Than We Want To See

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