I MUST go see this show -- I know everyone thinks her flower paintings are pretty, but her earlier, abstract works are my favorites. It's cool that some of her lesser-known works are getting the attention they deserve.
@RosePetalPlace: "Blue and Green Music" was the first piece of artwork that I completely fell head over heels in love with when I was fifteen. I'll be heading to this show this very weekend, and if my sister wants to go when she visits in October, I'll be going again.
Of course art critics are men - which explains a great deal. Men - who have designed every phallic monument, planes, jets - so many things that are a testament to the male member - clearly felt threatened by this woman who had so much talent. Her cityscapes, landscapes, flowers, and abstracts are all incredible. She was far from a one note artist - which must have had those poor men's (including Stieglitz) scrotums just shriveling in fear.
@PaintedTrollop: Ha! Excellent point, though I do wish your comment was accompanied by some illustrations to "drive" your point home!
Agree. O'Keefe's art is proving to not only remain commercially successful, but withstand the test of time. That's the truest test for any artist—longevity, and if their voices can speak across the spans of time and still remain loud and clear.
@morninggloria: Kind of. It's common knowledge in art-school that the bulk of her flower work were metaphors for female genitalia. I can see it clear as day, but I can't tell if I'm just so used to reading paintings, it's second nature to me.
There's other themes in her work, too, though, like how organic forms, when blown up and zeroed in on, resemble each other, linking the human form back to nature in a way that's not just sexual. Kinda how Chuck Close used circles that, when pulled back, are a portrait, it can also be a play on depth of field as well.
As with all art, there's is no "wrong" answer. What you see and get out of it is as valid as any explanation any artist can supply. O'Keefe just gave words as a base structure with which to view her work. Take from it what can, or want, or don't, and that's about it. She simply saying, "this is how I may see it at times".
Stieglitz was forcing her to put it into a "box" (pun intended) probably thinking it would make her art sell better, like the old adage says "Sex sells", but her work is deeper than just genitalia. It's masterful in terms of her colors, shapes, and compositions.
1) So if Georgia O'Keefe was wildly successful, and all these people had and have lovely, richly colored flower-vaginas hanging on their walls and in the pages of art books, why are women's sexual organs still so obscene?
2) I feel that at least 65% of my Jezebel comments contain the word "vagina."
@Vivien Smith-Smythe-Smith: You just reminded me of a book (maybe a series), in which the main character befriended Andrew Wyeth's daughter (I think). Sadly, I thought AW was made up, until I later discovered he was a real, live, (and amazing) artist.
I saw a great O'Keefe exhibit last time I was in Santa Fe, and there's nothing "soft" or "easy listening" about any of her work, even the flower and desert scenes. It's both ignorant and sexist to say so.
@muddgirl: Just to clarify, I am not saying her work is soft. I definitely don't think so, but a lot of critics (and art historians) seem to think it is too "feminine" and too commercial and thus unworthy of study.
@Intern Katy: Oh yeah, I was totally responding to the critics! Not to this article specifically. It's a charge I've encountered before and I just don't understand it. Sometimes it smacks a little of elitism, where if use uncultured plebes "get it", then it must not be art.
I've never been a fan of O'Keeffe's work, but here popular oeuvre is so limited. So I'll be interested to see this and decide DEFINITIVELY whether or not I like her.
Soft? Emotional? What mythical O'Keeffe paintings are these? They haven't seen the same paintings I have.
Did they just look for all the epithets that equal "female" and "not trendy because it's figurative" and stick them on her? And by what standard is her abstract work going to rehabilitate her? The art world is still scared of the vagina.
@Ms. Take: yeah, you know what, the more i think about this, the angrier i get. fuck the haters!
her still lives of flowers and deserts are not soft and kitschy. look, her paintings don't try to make some cheesy appeal to pathos with a stupid light in the window like some other painters that have been called kitschy do. (i'll go ahead and say it, fuck kinkade too!)
I'll never forget seeing a Georgia O'Keefe, one of my favorite painters, show at a museum and having to hear two older (translation: old enough to know better) woman shout "Oh it's the vagina lady" as they walked in. It was offensive and it disturbed the people trying to look at the paintings.
The O'Keefe biopic on Lifetime doesn't actually look that bad. Joan Allen and Jeremy Irons? Got me interested.
@EkaterinaBallerina: It's amazing how obnoxious people can be at museums, especially when there's modern art to be seen. Nothing's worse than coming face to face for the first time with a painting that means a lot to you, just to be interrupted by some smug loudmouth snorting about how I DON'T GET IT, WHAT IS THIS BUSINESS LOL! That's happened to me several times.
@whynotshesaid: I know! Anybody who's stared down a blank canvas and tried to put something abstract on it can tell you that it's often 10x harder than realism. Because hey, it might be that the IDEA behind the image is the important part! When you look at more traditional art, is your only thought, "wow, I bet that was tough to do!" I hope not.
@whynotshesaid: @Ruby_de_la_Booby: @Everything MidnightBikeRide does is a balloon.: Yes, but speaking as a museum person and as an art lover, contemporary and otherwise, sometimes, derisive laughter is the only reaction some installations deserve, especially considering the ridiculous politics involved in getting into ANY museum.
@hydrogen_jukebox: Seriously! I guess it's only remarkable when it's rare. Because I can't remember the last time someone even felt the need to point out phallic imagery – it's just so humdrum and standard.
i love o'keeffe's abstract work and i think it's so sad that it is overshadowed by her more postcard friendly fare. also - the nudie pics stieglitz took of her were so fierce and full of raw sexuality. haters just gonna hate sometimes.
@awinoforever: Exactly. She is a perfect example of an artist who has been pigeonholed. I am familiar with her more abstract stuff and the Stieglitz nudes. It is all very powerful. The flower stuff pales in comparison.
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Agree. O'Keefe's art is proving to not only remain commercially successful, but withstand the test of time. That's the truest test for any artist—longevity, and if their voices can speak across the spans of time and still remain loud and clear.
09/18/09
So basically, Georgia O'Keeffe's paintings were essentially Megan Fox's quote about men fearing "a powerful vagina", but prettier?
09/18/09
There's other themes in her work, too, though, like how organic forms, when blown up and zeroed in on, resemble each other, linking the human form back to nature in a way that's not just sexual. Kinda how Chuck Close used circles that, when pulled back, are a portrait, it can also be a play on depth of field as well.
As with all art, there's is no "wrong" answer. What you see and get out of it is as valid as any explanation any artist can supply. O'Keefe just gave words as a base structure with which to view her work. Take from it what can, or want, or don't, and that's about it. She simply saying, "this is how I may see it at times".
Stieglitz was forcing her to put it into a "box" (pun intended) probably thinking it would make her art sell better, like the old adage says "Sex sells", but her work is deeper than just genitalia. It's masterful in terms of her colors, shapes, and compositions.
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2) I feel that at least 65% of my Jezebel comments contain the word "vagina."
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(actually, in all seriousness, that is how I first found out about O'Keeffe as a kid. So thanks, Ann M. Martin!)
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Did they just look for all the epithets that equal "female" and "not trendy because it's figurative" and stick them on her? And by what standard is her abstract work going to rehabilitate her? The art world is still scared of the vagina.
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also, the photos that her husband, alfred stieglitz took of her are breathtakingly beautiful, in my opinion.
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her still lives of flowers and deserts are not soft and kitschy. look, her paintings don't try to make some cheesy appeal to pathos with a stupid light in the window like some other painters that have been called kitschy do. (i'll go ahead and say it, fuck kinkade too!)
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At least that's what I learned at the Brody Jenner School of Social Decorum.
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The O'Keefe biopic on Lifetime doesn't actually look that bad. Joan Allen and Jeremy Irons? Got me interested.
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