<![CDATA[Jezebel: fw2008]]> http://tags.gawker.com/assets/base/img/thumbs140x140/jezebel.com.png <![CDATA[Jezebel: fw2008]]> http://jezebel.com/tag/fw2008 http://jezebel.com/tag/fw2008 <![CDATA[Nicky Hilton's New Nicholai Collection: American Apparel-esque Horsewomen Of The Apocalypse]]> Nicky Hilton is one of our favorite not-a-fashion-designer-fashion-designers. Because she doesn't even have any real claim to fame other than being Paris' sister. (Even Lauren Conrad talked her way into a lucrative reality TV deal.) Yet the girl keeps on trying, telling herself she actually has a "career." Her fall collection for Nicholai by Nicky Hilton, which just showed at Los Angeles Fashion Week, is 1) better than a lot of the shit we've seen from LA Fashion Week and yet 2) seems to be a blatant rip-off of the equestrian looks that dominated several seasons ago and the current obsession with those American Apparel faux-leather leggings. The combination of these two? Baffling. Select looks from the Fall/Winter 2008 Nicholai collection for your review, after the jump.

nicholaif081.gif1. Patent red plus a pussy bow? Some how filthy. Try not to think about it. 2. For when the sales girls at Ralph Lauren have been naughty? 3. Why be a jockey if you can be a stripper?

nicholaif082.gif1.Unflattering in so many different ways. 2.This sweater gives the poor girl football player shoulders. 3. This look really makes no sense.

nicholaif083.gif1. A dress to make my vertigo worse. 2.Houndstooth and pleather: unfortunate bedfellows. 3.Prim, proper, and so not Hilton.

[Runway images via AP; Hilton image via Splash.]

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<![CDATA[This Fall, Barbie Will Fight The Red Coats And The Apocalypse]]> Paris Fashion Week is underway, and the Frenchies, we fear, think the end is near. (Are things really that bad with Sarko et Bruni?) Rick Owens, Yohji Yamamoto, Junya Watanabe and Viktor & Rolf all presented variations on a futuristic post-apocalyptic warrior: Owens riffed on his signature layering to create a battleground look, Yohji turned Revolutionary War soldiers into an army of darkness, Junya Watanabe matched architectural suiting with snug headpieces, and Viktor & Rolf paired luxury and surrealism to create a contrast between whimsy, luxury, and nihilism. Vivienne Westwood also rebelled, deconstructing garments to reveal skin despite layers, colorful and bright fabrics distracting from the ominous nature of the almost-monsters she sent down the runway. (Also, she had kids paint on the clothes and accessories. Which is pretty badass.) And then there was John Galliano for Dior: Galliano went in the opposite direction, deciding that when the going gets tough, the tough revert into real-life Barbie dolls (above left). You have to see it to believe it, really. Annotated galleries of selected looks from each designer, after the jump.

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<![CDATA[Prada Manages To Make Lace Anything But Dainty]]> Prada is, always, the biggest show of each fashion season. No one manages to be ahead of the trends quite like that PhD-holder Miuccia Prada, whose wares women love and men can't even find remotely sexy. Prada's looks are always "intellectual" and "provocative," but not in the bullshit way those terms are usually banded about: She plays with ideas, perverts expectations, and — sorry, menfolk — knows more about sex than Dr. Drew and Sue Johansson combined. Her fall/winter 2008 collection was done nearly all in lace. But no frou-frou doily shit here. Oh no: This was lace for tough chicks. Dominatrixes never had it so good. Annotated gallery of selected images — there was a black model! — begins below, with the critics' rave reviews after the jump.

Ms. Prada's black lace dresses are something else. Lace is the fabric of women's lives, from christening robes to bridal gowns to widow's weeds. (And let us harmonize: We are fashion nuns!)...Ms. Prada took a single idea and stayed with it, working the black and beige lace (or orange and blue lace) into coats and slim dresses and tops with stiff satin peplums, all over bodysuits or white cotton shirts... Structurally, proportionally, the clothes were very direct and simple — the ruffled edges of some of the 1940s dresses repeated in the suede and patent-leather pumps and nylon bags. The lace becomes the intellectual and emotional catalyst. You can't not ask if the dresses are indecent — many of them are, after all, transparent. But Ms. Prada has made sure that it's not the only question her collection raises against the female self.
Cathy Horyn, New York Times
Then came the first shot of arsenic and old lace: the lace worked in flowers, crunchy or transparent, with the kicker in the sexual charge coming literally from underneath in the case of transparent panels showing and revealing clinging underpants and alabaster white thighs...It was a remarkable show, powerful in its presentation as the models descended the ramp, but above all original, inspiring and intensely Prada in its mix of the prim and the perverse...As if in a Fellini movie, there was a clerical hint to the buttoned-up collars and a sense that Prada was unleashing on the fashion universe both a lace revival and erotic dreams.
Suzy Menkes, International Herald Tribune
Miuccia Prada offered a new form of austere sexuality, with lace as the new tool of seduction... butt there was a perverse side to her vision, too. The silhouette almost obliterated the breasts; indeed the entire upper body was shielded, from waist to a tiny, high-set governess like collar which finished just under the chin. Instead the clothes created erogenous zones on the hips - emphasized with a boned, "peplum" skirt, fastened with a buckle - and bare legs, which were glimpsed through the intricate floral patterns of heavy, Guipure lace.
Hilary Alexander, Telegraph
...Prada sent out a brilliant lace-based collection that was feminine, strong and intriguingly austere, and that owed debts to haute couture as well as early Nineties Prada (call up those Geek Chic button-up shirts)... Prada leapt a world away to a place all about arch control done up in lace, a material she had long disliked until she happened upon a certain swatch and found herself obsessed. Of course, hers is not of the prissy ilk... In fact, everything about it amazed, starting with the long, lean silhouette punctuated by leather snoods for the hair and those shoes that featured offbeat ruffled extensions...Yet for all of the surface interest, a sense of confident calm prevailed, with an undercurrent of minimalism in spirit if not in fact. Lest one miss that point, the designer de-laced momentarily with a skirt and dress stark in their unfettered beigeness.
WWD
it was no surprise that last night's keenly awaited catwalk collection was — within the parameters of the quirky Prada aesthetic — a very commercial one. Semi-sheer guipure lace dresses and skirt suits in black or coffee were both elegant and rather avant-garde, which is precisely the kind of combination for which women are prepared to pay the prices Prada charge.
— Jess Cartner-Morley, Guardian
Miuccia Prada doesn't do uniforms (unless they're vaguely fascistic, and ironic) and she certainly doesn't do sexy, at least not in the conventional sense. It's odd though, because at her show last night — one of the most anticipated and the most thought-provoking — the models wore lots of sheer lace, in black, gold, blue, camel and brown, with little else, apart from buttoned-up mens' shirts and bib fronts; the shirt-tails providing a fig-leaf of modesty over their bottoms... But this was by far the best show of the season. It sounds nerdish to get worked up about a fabric, but Prada managed to spin a whole new aesthetic from her lace, which is more usually associated with brides, babies and hookers, mixing heavy woollen guipure lace with lighter, finer lace, and even silk dresses screen-printed to look like lace.
— Lisa Armstrong, Times of London
Tuesday night's collection was a knockout with models descending a curved runway like superwomen from the sky. Longer length, black pencil skirts sprouted ruffles like wings, with the odd men's shirt collar peeking out from the neckline of a dress, hinting at a woman's masculine side. Come fall, everyone will be wearing lace because this was a collection resplendent in the stuff. In black, brown, navy or gold, lace became three-dimensional, with lace flower appliqués fused on top of full skirts that reached below the knee. True to Prada's kinky side, some pieces were see-through, because a woman's sexuality is part of her power.
— Booth Moore, Los Angeles Times
[A]s usual, there can be no mistaking this designer's work for anyone else's, season by season... I found the whole thing stimulating because it made me think that these ruffle and lace textiles, like people in general, have been stereotyped in certain roles, but can break free. Artists should make us think, and Ms. Prada is definitely an artist. But how to wear those unlined lace suits? On the runway, Ms. Prada had the models wear body suits, shorts and other clothes underneath. Very theatrical, but that would look weird on Main Street. So I asked her later if she would line them in the store. "Of course," Ms. Prada quickly replied, grinning. Then she played with the thought, and pondered whether she might leave a few unlined for more daring clients. She has a genuine demeanor, but I swear her smile was a little wicked.
— Christina Barkley, Wall Street Journal

Earlier: Miuccia Prada Puts End To Fashion Week Apartheid

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<![CDATA[Fashion Show]]> "[H]is child/woman vintage looks had grown up beautifully....The collection was solid but never stolid...after trying to prove with last season's artsy complexities and boudoir transparency that he could match experimental international designers, he did something in this show that was actually much tougher. He gave a fresh and original polish to streamlined American style. It was a redemption for Jacobs and for a dull New York fashion season." So sayeth frequent Marc Jacobs-hater/International Herald Tribune fashion critic Suzy Menkes of the designer's Fall/Winter 2008 collection, which started exactly on time Friday night, thankyouverymuch. Annotated gallery begins below.

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<![CDATA[Fashion Show]]> Founded in 2000, Alice Temperley's Temperley London label is all about fusing boho style with a dash of sophistication and a pinch of punk sensibility, and her Fall/Winter 2008 collection, shown late yesterday, played heavy on the rock 'n' roll sensibility. Leggings of all sorts (pleather, velvet, super-shiny) were seen under frocks that billowed at both long and short lengths. Bowler-hats polished things off, making for a Johnny Depp in Pirates of the Caribbean femme-butch sensibility. Especially in that red-and-white striped dress: Ahoy! Gallery begins below.

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<![CDATA[Fashion Show]]> Marchesa designers Georgina Chapman and Keren Craig are known for much more than being in bed with Hollywood. (Chapman is married to film producer Harvey Weinstein and there are always rumors circulating that the reason so many starlets wear Marchesa on the red carpet is because Harvey demands it of them.) Their over-the-top eveningwear designs are never dated, always decadent, and frequently divine. If you love the almost-absurd glamour of the Marchesa label, than this season's offerings will not disappoint. Ruffles and tiers and feathers: Oh my! From their signature Grecian draped gown to full skirted sculptures, the Fall/Winter 2008 collection is luxe (and only a little laughable). An annotated image gallery of the looks you'll be seeing this fall on the red carpet begins below.

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<![CDATA[Fashion Show]]> Anna Sui's first runway show was in 1991, and since then, the designer raised in the suburbs of Detroit has launched fragrances, cosmetics and a limited edition Barbie, all with her signature eclectic style: A mix of girly and ethnic, flea-market funky and babydoll-swing. For fall, Anna's serving up deep, rich colors, tons of texture and a dash of whimsy, in outfits seemingly inspired by gypsy foreign exchange students and Hollywood-style Native Americans. Check out the 10-image annotated gallery, below.

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<![CDATA[Fashion Show]]> At this point, Michael Kors is probably better known as the judge who says outrageous things on Project Runway than as a real, working designer. But real and working he is: Although it did have its Boca Raton moments, Kors' fall/winter 2008 collection shown earlier today stuck to the contemporary, casual luxe formula that's become synonymous with the designer's name. The long dresses in particular were good enough to eat! (We'll pass on the suits and capri leggings, though.) An annotated 10-image gallery begins below.

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<![CDATA[Fashion Show]]> Nanette Lepore is known for designs heavy on the frills and tight on the tailoring; garments for sleek mommies and poised, aspiring ones. Her most recent collection, however, fell a little short. The separates were nothing special: One too many a horizontal stripe hugged a hip, and bold prints seemed more tacky than adventurous. A 10-image gallery with further commentary begins below.

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<![CDATA[Marc, Narciso, Behnaz & Monique Incite Mini-Revolutions]]> Four major labels — Marc by Marc Jacobs, Behnaz Sarafpour, Monique Lhuillier, and Narciso Rodriguez — showed their fall looks late yesterday, and though the collections seemed, at first, completely different, there was a major thematic similarity: namely, that they played against type. Rodriguez, celebrating his 10-year anniversary, worked with images from his own archives, playing with his signature body-conscious dresses and adding in some new silhouettes like boxy suits and jackets. Lhuillier, best known for her sophisticated yet playful eveningwear, upped the ante with looks that were less pretty and more punky. Sarafpour funked it up this season, sticking to her traditional shapes but infusing them with a rebellious palette and unexpected textiles. And as for Jacobs, well, he proved that he still has it, despite the naysayers who suggest otherwise: his diffusion line was youthful, vibrant, fresh, and never sophomoric. After the jump, Dodai and I annotate 10-image galleries of the good, the bad, and the ugly.

(Click on any image to begin gallery)

Narciso Rodriguez:

Monique Lhuillier:

Behnaz Sarafpour:

Marc by Marc Jacobs

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<![CDATA[Fashion Show]]> My name is Jennifer, and I'm a Rodarte-aholic. OK, so I don't actually own anything Rodarte, but I really, really wish I did because I just can't get enough of sister act Laura and Kate Mulleavy's ethereal designs, which look like they're patched together with cotton candy, fairy wings, and the high spirit of Art. The Fall/Winter 2008 collection seemed to be comprised of all those things, as well as a butterfly wing here or there. Or perhaps the looks were watercolored by a naughty woodland nymph? This may make sense if you look for yourself in the gallery that begins below. In a nutshell: It's beautiful.

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<![CDATA[This Fall, We'll All Dress Like Hooker Poet Socialites]]> It looks like the dress' dominance on the runway isn't waning anytime soon, or at least not based on yesterday's showings by Oscar de la Renta, Betsey Johnson, Halston, and Proenza Schouler. While the boys behind Proenza offered expertly-draped and cut trousers as their stand-out items in a decadent fall collection (poet), it's still the silhouette shrugged-off by Hillary Clinton that proves to be most popular. Oscar de la Renta showed his usual luxe looks, a rich man's Dr. Zhivago fantasy (socialite) while Betsey Johnson seemed to be traipsing through the archives to create an 80's punk-meets-50's-Beatnik-meets hooker aesthetic. The newly-revived house of Halston made an exceptionally strong showing, expertly referring to the line's original looks and shapes, while avoiding looking dated. (And hell — even original Halston muse Liza Minnelli showed up for the show!) Dodai and I evaluate the collections in 10-image galleries that begin after the jump.

(Click on any image to begin a gallery viewing) Proenza Schouler:

Halston:

Betsey Johnson:

Oscar de la Renta:

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<![CDATA[This Fall, We'll All Be Flappers On Acid In French Boarding Schools]]> New York Fashion Week kicked off on Friday at the tents in Bryant Park, and in the ensuing three days, plenty of big-name designers have given us their vision of what women can look forward to, sartorially that is, once winter passes, summer swelters, and the chill sets in again. Designers as disparate as Diane von Furstenberg and Baby Phat played with the idea of the modern flapper: Dropped hems, deco styling, thoroughly modern (Millie), all of it. But if heading for a night out at your local speakeasy is not your thing, fret not: Fashion-minded females can always play prim and proper (and somewhat naughty) by embodying the French school girl chic shown at DKNY and Tracy Reese. After the jump, and using ten representative images from each show, Dodai and I weigh in on The Good, The Bad & The Ugly from these shows (and others) following Fashion Week's first, incredibly exhausting, weekend.



(Click on any image in galleries to begin the show)
BCBG:



Nicole Miller:



Erin Fetherston:



Baby Phat:



Abaete:



Alexandre Herchkovitch:



Sass & Bide:



Rock & Republic:



Herve Leger:



DKNY:



Tracy Reese:



Diane Von Furstenberg:



Miss Sixty:


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