Enter your username and password.
New York, 2:38 AM
Sun Dec 6
21 posts in the last 24 hours

Tip your editors:
Editor-in-Chief:
Anna Holmes
| Twitter
Deputy Editor:
Dodai Stewart
| Twitter
Senior Contributing Editor:
Tracie Egan
| Twitter
Contributing Editors:
Anna North
| Twitter
Sadie Stein
| Twitter
Reporter:
Irin Carmon
| Twitter
Editorial Assistant:
Margaret Hartmann
| Twitter
Contributors:
Rich Juzwiak
Email | Twitter
Latoya Peterson
Email
Jenna Sauers
Lizzie Skurnick
Interns:
Katy Kelleher
Twitter
Weekends/Commenter Moderator:
Hortense
| Twitter
Please enter your email address to have your password reset.
Registering will give you a user profile and the ability to add other users as friends. To become a commenter, however, you need to audition.
Want to know more? Consult the Comment FAQ and legal terms.
You don't need to login to comment. Just enter your email address below.
See how your address will be displayed in the Comment FAQ.
12/04/09
Lost in Translation
Marie Antoinette
Lovely and Amazing
Friends With Money
Love & Sex
The Holiday
Bridget Jones's Diary
Bride and Prejudice
Bend it Like Beckham
Of course, most of those movies would never make it onto any official best-of lists because they're comedies, but...
12/04/09
(in no particular order)
American Psycho - Mary Harron
Bridget Jones' Diary - Sharon Maguire
Julie & Julia - Nora Ephron
Lost in Translation... AND
Marie Antoinette - Sofia Coppola
The Ballad of Jack and Rose - Rebecca Miller
Something's Gotta Give - Nancy Meyers
Wendy and Lucy - Kelly Reichardt
Bend it Like Beckham - Gurinder Chadha
and my fave:
WAITRESS by Adrienne Shelly
Special mention to Monster, the one with Charlize Theron, which was apparently excellent, but I didn't see it, so I can't rank it.
12/04/09
And I love Bill Murray, madly. So I have no idea what to say when people talk about Sofia Coppola being such a great director in Lost In Translation. I think that film relies a lot -a LOT- on Bill Murray's performance and pathos. I don't think there was much directing there. But that's just my opinion, though.
12/04/09
I wanted to like The Hurt Locker a lot more than I actually did. Part of the problem is just doesn't strike me as very rewatchable and I don't know that there's really that much to get out of it.
12/04/09
I sound pretentious, but I don't mean it. Also Bill Murray singing "More than this" is better than ice cream and chocolate.
12/04/09
I agree with you about The Hurt Locker. I actually liked it a lot, but it is true that is not rewatchable. I think part of the problem is that the plot seems to lead you nowhere.
12/04/09
12/04/09
That was the last movie I enjoyed with Bill Murray (Team Chevy!) and mostly for the reason you mention.
Those silences are like invitations to fill in the blanks.
"The amount of noise which anyone can bear undisturbed stands in inverse proportion to his mental capacity." - Arthur Schopenhauer
12/04/09
Thank you, my darling!
P.S: Congratulations on your bestie JPEG, it's very funny!
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
Honestly, none of the movies in my top ten have female directors.
Have you seen Koreeda's Nobody Knows by chance?
12/04/09
Uhh... yeah, there's no way a female directed film would be in my top ten from this decade. I don't even have a top ten and I'm sure of that. The only film on that list that would probably end up on a top ten for me is Fog Of War. But I'm a huge Errol Morris fan AND a history nerd... plus I just think it's impeccably crafted.
12/04/09
I just made my top ten in no particular order:
The Professional
The Road
Nobody Knows
Dancer in the Dark
25th Hour
Control
The Color of Paradise
City of God
All That Jazz
Underground (Kusturica)
(I know All That Jazz is not from the 90s but I love it and add it to all of my top 10 lists).
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
I think we need to separate artistic merit from social significance, but I will reserve judgment until I actually see the film myself.
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
(It's entertaining... but it's simply not capital-G Great like the marketing wants you to believe. Ultimately there's just depth missing. I feel like Jason Reitman is going to pan out to be the Ron Howard of the big budget psuedo indie set...)
12/04/09
For fucks sake, is there any hope? Honestly, is there any hope when this is how a story of this magnitude is received? It broke my heart a little and I'm still not over it today.
12/04/09
12/04/09
Despite the interruptions, the movie got through to me and it sounds like to you. I am sorry you had bad time
12/04/09
I didn't cry because of the movie but almost cried because of the audience.
12/04/09
I think there might be so transference at play, because the movie is a powerful one, it's possible I was directing my anger at something tangible.
I'm glad I saw it though because as Linda Loman says, "Attention must be paid."
12/04/09
It was really only when they expressed apathy or actual disdain towards the character that I got really mad.
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
My environment played into that completely as I only got more angry at the fact that these privileged assholes, in a warm theater with $100 boots and popcorn would dare to laugh at the plight of this woman.
Quite frankly, it made me want to hurt them, to punish them. And then it made me want to volunteer more and be kinder.
12/04/09
Well, maybe not the latter - I can see the headlines now. "Two arrested in theatre brawl. Attacks happen when giggles occur at puppy's misfortune."
12/04/09
12/04/09
12/04/09
12/04/09
I am a deeply empathetic person (I cry during commercials) and I usually have a difficult time in theaters to begin with because I get angry that so many people put so much into it and they aren't being respected.
It's even worse if I am watching live theater. I have been known to flip out on people who want get up to leave before curtain call.
12/05/09
12/04/09
National Board of Review? Dead to me.
12/04/09
12/04/09
12/04/09
12/04/09
If it's any consolation, it's only in the arty theaters at this point.
12/04/09
12/04/09
It may just replace The Professional as my all-time favorite movie.
12/04/09
It was supposed to be released a year ago, then delay, delay, delay.
It makes me so happy to hear that you liked it so much! Oscar nod for Viggo perhaps?
12/04/09
I also love that you compared it to The Thin Red Line, which is probably in my top 10-20 all-time. I can't wait to see it.
12/04/09
12/04/09
Though I suppose Emmanuel Lubezki's cinematography in The New Worldwas far more transcendental.
12/04/09
12/04/09
I also kind of wish Hillcoat was direction The Killer Inside Me instead of Winterbottom but that's a whole 'nother issue.
12/04/09
Then again, my hopes for New World were tempered by my relative disappointment in the return of Malick and having already discovered he's human. I had read Thin Red Line and was a fan of the book, and a fan of Malick, and pretty let down by the end result.
12/04/09
12/04/09
in an emotional fashion (meant as a compliment), it's hardly a blockbuster. Released in only what, 111 theaters? Hardly blockbuster numbers.
I'm seeing it Saturday.
12/04/09
And I didn't read Thin Red Line but I have heard similar complaints from people who have.
If you plan on seeing The Road, pm me after you've seen it. I'm curious to know what you think about it.
12/04/09
12/04/09
Haven't seen The Road yet. I have a screener of it but I'm holding off to see it in a theatre.
12/04/09
It felt like I was going through a breakup.
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
Also while the stars were black nobody else about-the-line was. So even if the movie won best screenplay, director or pic none of the people accepting would have been black so not sure what Roger's talking about.
12/04/09
that should be "above" the line.
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/04/09
12/03/09
personally i think gabby is gonna need to start producing her own work if she wants to act, which would be a boon to the world.