<![CDATA[Jezebel: fangirls]]> http://tags.gawker.com/assets/base/img/thumbs140x140/jezebel.com.png <![CDATA[Jezebel: fangirls]]> http://jezebel.com/tag/fangirls http://jezebel.com/tag/fangirls <![CDATA[Hollywood Needs To Take Women, Fangirls Seriously]]> The Princess and the Frog doesn't hit theaters until December 11, but it's already making money — and it joins New Moon and Precious as proof that audiences respond to female-driven stories.

Variety reports that Princess Tiana-oriented merchandise is outselling other Disney Princess-branded items by double digits. (Disney hasn't had a new princess-like character since Mulan in 1998.)

The LA Times spoke to The Disney animation team of Ron Clements and John Musker — who wrote and directed the The Little Mermaid and Aladdin — about the first animated African-American Disney heroine (who has an interracial relationship!)

Clements explains:

"Disney has actually been interested in the Frog Prince all the way back to Beauty and the Beast. They never got a version they were totally happy with. Weirdly enough, Pixar had been developing versions and they never got quite a version they were happy with. Their version actually started in Chicago and then moved to New Orleans partly because that is John Lasseter's favorite city in the world. Even more recently, Disney bought the rights to a book called The Frog Princess by an author called E.D. Baker and that was a twist on the fairy tale… We took elements actually from everything and came up with our version, which is basically an American fairy tale set in New Orleans in the 1920s."

The Princess and The Frog is family-friendly fare, but considering the fact that Precious broke records for an indie flick (and continues to see strong numbers as it goes nationwide) and New Moon broke a box office record set by The Dark Knight, Hollywood should be learning that women are not to be ignored.

"New Moon explodes the myth… that fanboys hold all the power," Pamela McClintock writes for Variety. Last year seemed to be the year of the dick flick, but with major successes from Julie & Julia, New Moon and Precious (keep in mind that New Moon's opening weekend beat Transformers, X-Men Origins: WolverineTransformers and Star Trek), the message is clear: Women buy movie tickets, and we're interested in great stories with women in the lead roles. And! Fangirls should be taken seriously. As Women & Hollywood's Melissa Silverstein writes for The Huffington Post:

Women accounted for 80% of the New Moonticket buyers; and [the audience was] divided evenly between women under and over 21. …There is an audience out there hungry to see films that appeal to them. I'm not trying to say that all women's films will be as successful as New Moon because that's silly. These kinds of movies come along rarely cause Hollywood hardly makes them. But this weekend's number indicate that they should make more of them.

'New Moon' Shines At Box Office, New 'Princess' Lifts Disney [Variety]
New Moon Brings a New Dawn in Hollywood [The Huffington Post]
Q & A With 'Princess And The Frog' Animators [LA Times]
Anika Noni Rose In Disney's 'The Princess and the Frog'; 'Dreamgirl's' Latest Role Is History Making [NY Daily News]
A Frog Of A Different Color [Newsweek]

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<![CDATA[80% Of All Women Babes Plan To See Twilight]]> Oh, Twilight. It's embarrassing that something so crappy is associated with being female. In this Fox and Friends clip about the movie's "fangirls," a reporter claims that 81% of all women(!) plan to see the movie. He also says females are "better known as babes" and that girls were turned on to the books by their moms — even though it's most likely the other way around. In fact, Nancy Gibbs writes about this for Time: "If there is any greater pleasure than watching your child vanish into a book, it is following her there to see what she sees. This is how it comes to pass in my household that my almost 14-year-old daughter and I are AWOL for long stretches these days." Gibbs also wishes "Bella were a bit more Buffy, slaying vampires and not just falling for them." Clip above.



A Mother-Daughter Twilight Obsession [Time]

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<![CDATA[ "'When I used to go to the San Diego comics...]]> "'When I used to go to the San Diego comics convention, the only women were children or wives of fanboys who looked oppressed being there,' says Eric Reynolds, an editor at the graphic-novel publisher Fantagraphics. 'Now it's just as common to have a woman come up to our booth, and for her husband to be the tag-along.'" — from a Newsweek article about Gail Simone, the first "ongoing" female writer for the Wonder Woman comic book series. [Newsweek]

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