I read in an interview with Lee Radziwill that jackie never visited grey gardens, so I'm kind of predisposed not to belive stuff in this movie. I don't need to watch what someone imagined would make an intersting "round-out" to the original
@hollygirl: I prob read the same interview (in Vogue), and understood that Jackie never visited GG with Ari Onassis - which doesn't mean she didn't go by herself or with her sister.
Does anyone know where the writers got the info that is missing from the documentary- ie who filled in the gaps? I was always so curious about little edie's brothers...
Watching Grey Gardens, I slowly came to the idea that Little Edie might have suffered from a crippling anxiety disorder. Which is especially difficult for someone wanting to be in show business. I still wonder if that's the tragedy of her life. Mentioning "anxiety" as reason for her hair loss adds to this impression.
She also seems throughout the film to be rationalizing this, blaming others, somewhat in denial. Which is quite sad, but compelling.
As for selling the house, it's important to remember, there was a time when a "house in the Hamptons" didn't mean they were sitting on a gold mine. In fact the phrase "the Hamptons" was never even used when I was growing up there. Its mass celebrity and stratospheric real-estate values are relatively recent.
GG was filmed through 1973, and it's clear by then that the women were permanently settled there, psychically. Their staunch refusal must have set in some time earlier, let's say a decade. East Hampton was still remote, the LIE did not have a mass extension until 1970, just the "Old" Montauk highway. It wasn't considered a year round place by "city' folk. I'm sure the Beales knew there was already a certain ignominy in living in their summer place all year, in the eyes of "society".
Selling their home would not be some astronomical payday, then. Compared to today, they'd make a little to live on, not much, and they'd be homeless too. They wouldn't get then what we think the place would be worth now.
@Baroness: Ditto from a New York native. Selling the house and going to a Manhattan apartment, for example wouldn't have helped. The point for me, is, that these were two women who were born and bred to be helpless outside of marriage. That they somewhat realized it, too late in life, is the tragedy, and warning, of the movie. And sneer if you want at Jackie O, but she took care of herself financially (through shrewd marriages)but also worked before and after her marriages. And made sure her kids were taken care of.
@SarahHeartburn: I'd never sneer at Jackie, far from it! But you're quite right. I think that's what's heartrending about the story in part. That Little Edie was encouraged to find a proper husband, she rebelled- but something seems to have impeded her, scarred her even. And she seemed to retreat from this vibrant boldness, and retreated to her safe place with her mother.
By then, perhaps by the rigid format of that society, it was "too late" for her- that upper class spectrum was merciless about who was marriageable, and Edie's rebellion might have been held against her quite palpably. She was probably not yet 30. A playwright couldn't make it up.
An imaginative girl rebels, wants to be an artist and a star instead of a wife, but is beset by her fears and anxieties, and brought low. She won't "show them all" after all, comes home to mother. and her class turns their back. They consider her crazy, outcast. No wonder they preferred the wilds of East Hampton. "Polite society" was a cruel joke to them.
You know, I'm excited for this, but what I REALLY REALLY want out of life is a film version of Grey Gardens The Musical, with Christine Ebersole, who is second only to my beloved Patti Lupone in my heart.
@Cortina: She was brilliant. Mary Louise Wilson, too. I saw the pre-Bway version at Playwrights Horizons, but have since memorized the entire soundtrack.
I have a question for people who know more about this story/documentary/movie than I:
So, I haven't seen the documentary, but it is at the top of my Netflix queue. I want to watch this movie, but is it OK to watch it first? Or should I TiVO this movie and save it till after I've seen the documentary?
I have never seen the original documentary, and only learned of these women through Jez. However, I can't even explain how excited I am to see this. I must find the documentary asap.
@stacyinbean: it will haunt you. The first time you watch it, you will howl with laughter. The second time, you will be fascinated. The third time you will realize that you and your mother are just like the Edies.
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She also seems throughout the film to be rationalizing this, blaming others, somewhat in denial. Which is quite sad, but compelling.
As for selling the house, it's important to remember, there was a time when a "house in the Hamptons" didn't mean they were sitting on a gold mine. In fact the phrase "the Hamptons" was never even used when I was growing up there. Its mass celebrity and stratospheric real-estate values are relatively recent.
GG was filmed through 1973, and it's clear by then that the women were permanently settled there, psychically. Their staunch refusal must have set in some time earlier, let's say a decade. East Hampton was still remote, the LIE did not have a mass extension until 1970, just the "Old" Montauk highway. It wasn't considered a year round place by "city' folk. I'm sure the Beales knew there was already a certain ignominy in living in their summer place all year, in the eyes of "society".
Selling their home would not be some astronomical payday, then. Compared to today, they'd make a little to live on, not much, and they'd be homeless too. They wouldn't get then what we think the place would be worth now.
(Sorry for going on!)
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By then, perhaps by the rigid format of that society, it was "too late" for her- that upper class spectrum was merciless about who was marriageable, and Edie's rebellion might have been held against her quite palpably. She was probably not yet 30. A playwright couldn't make it up.
An imaginative girl rebels, wants to be an artist and a star instead of a wife, but is beset by her fears and anxieties, and brought low. She won't "show them all" after all, comes home to mother. and her class turns their back. They consider her crazy, outcast. No wonder they preferred the wilds of East Hampton. "Polite society" was a cruel joke to them.
Wow, hurry up HBO! Looking forward to this.
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So, I haven't seen the documentary, but it is at the top of my Netflix queue. I want to watch this movie, but is it OK to watch it first? Or should I TiVO this movie and save it till after I've seen the documentary?
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