• Leighton Meester made the September cover of Harper's Bazaar, and inside the magazine printed digitally-altered photos of the actress, intended to show how she will age. At 23, Meester is already a supporter of Botox. [WWD]

• Three little words: Rodarte for Target. This December. Fashionistas all over this country are going to be wetting themselves and there aren't even any pictures yet. [WWD]
• In terms of irrepressibly stupid shit, $450 Louis Vuitton chopsticks pretty much takes the sushi. [FWD]
• Nicole Richie, on her new maternity line for A Pea In The Pod: "You really feel like you have to change your whole wardrobe. And that's the last thing a woman wants to go through. So I really tried to make this line to get women excited about wearing clothes." [People]
• Somebody put photos of Alexander McQueen's former London home on the Internet. Creepy. [SB]
• Add this to the mounting pile of reasons to give London Fashion Week a look this season: a photographic exhibition dedicated to Twiggy will open on September 19, the same day as the shows, at the National Portrait Gallery. Twiggy turns 60 this year. [Telegraph]
• 18-year-old American model Ali Stephens, who still dreams of being a marine biologist, struggles to balance her education with her work schedule. "Being in school got hard because I was never there. I switched to online schooling, but that didn't work either because I never had time to do it. When I was working I couldn't do it, and when I wasn't working, I just wanted to relax. It was hard to motivate. So right now I'm studying for my GED. I'm going to take it before fashion week." [W]
• Milla Jovovich, on life's greatest pleasure, reading: "Recently I read all Edith Wharton's classics and I re-read all of Dickens. I love books about turn-of-the-century New York. I just finished Maggie: A Girl Of The Streets by Stephen Crane. I had a phase of reading books about 'new physics' and I love to read Scientific American and New Scientist magazines. I read so much I am like a zombie in the morning." [Daily Mail]
• Princess Grace of Monaco and Cartier are getting stars on the Rodeo Drive Walk of Style. [WWD]
• Roberto Cavalli, you tease! The Italian designer, who for most of this year has toyed with the idea of selling a stake in his fashion house, and released many contradictory statements on the subject, finally committed to sell — but he has now allowed talks to break down with Clessidra SpA. The private equity firm that had wanted to buy a 30% stake in his company was apparently disappointed by the designer's reluctance to negotiate on his high price. [WWD]
• Tommy and Dee Hilfiger are now parents to a baby boy, Sebastian Thomas, born yesterday. Congratulations to them. [WWD]
• Katie Grand's second issue of Love magazine features Miley Cyrus and the Jonas Brothers. What? [Fashionologie]
• Kanye West is in New York today to fête Casio G-shock watches. The brand is launching new timepieces designed by Redman, Mister Cartoon, and Todd Jordan — but none from Kanye, yet. [WWD]
• Although the African Growth and Opportunity Act, signed into law by President Clinton in 2000, was intended to offer certain sub-Saharan African companies a break on U.S. trade tariffs to encourage African countries to diversify their economies and manufacturing bases, nearly a decade on, 92% of trade done under the act is in petroleum products. And in Kenya, where apparel manufacture had been a growth industry until this recession began, most of the factories that produce clothing for export under the act are owned by American and Chinese companies. Kenya's apparel sector still employs 26,000 people, and their working conditions are governed by the act, which sets limits on work hours, mandates overtime payments, and bans child labor. [LATimes]
• Urban Outfitters' $24 knockoff of the 3 Moon Wolf tee is imported — but we'll wager not from Kenya. Which means that the t-shirt makers, New Hampshire company The Mountain, and the original artist, Antonia Neshev, probably aren't being paid for their work. Urban Outfitters rips off pretty much everyone, but it's sad to see them kicking around a company that uses environmentally-friendly inks and provides on-site daycare for its employees. Strangely, Urban Outfitters seems to be banking both on the shirt's notoriety, and on its customers not being able to use a computer to navigate to the Amazon sales page, where the original 3 Wolf Moon tee is for sale starting at just $11. [FishbowlLA]
• Iconix Brand Group, which owns everything from Candie's to Badgley Mischka, reports a 32% rise in second quarter profit, to $19.3 million. [Crains]
• Polo Ralph Lauren's first quarter profit dropped 19%. [WSJ]
• Gucci is going to open a traveling pop-up store, to hopefully sell some sneakers Mark Ronson designed at Art Basel Miami and other wealthy world hotspots. [WWD]
• Torrid's holding a model search — so if you or someone you know is a size 12-26 and really, really, ridiculously good-looking, send in some pictures! Deadline's Friday, so act quick. [Torrid]

Although Wharton is known to have been a prolific correspondent, most of what biographers know of her early years has come from her own, sometimes revisionist, accounts. And she wanted control of her history: she directed that the correspondence she maintained throughout her teenage years with her former governess be burned. They weren't, instead sitting in an attic for fifty years, them locked up in a safety-deposit box, and now, finally, going to auction and made available to scholars. According to Rebecca Mead's profile, they show her to have been a pretty remarkable teen.

No one should be surprised that young Edith Newbold Jones had a way with words, an eye for observation and a keen wit, but the sheer maturity of her writing is impressive. Not only had she turned out a (pretty good) comedy of manners and a wide body of poetry by 14 ("I don't know whether they are very bad or quite good...I think they will admit of both constructions, so you may choose"), but she had strong opinions about any number of literary sacred cows. Of Longfellow she wrote, "His characters want vigour. They are passionless and collected as if they were walking in a trance." Of Middlemarch, "Will Ladislaw is charming, but somehow although a great deal is said of the passion between him & Dorothea one fails all through to feel its power. When it was so dangerous to love at all, they might have loved a little more!"

A lowbrow - okay, resolutely post-modern - reader like me might wonder what the teen Edith would have thought of Gossip Girl, which author Cecily Von Ziegesar has cited as an inspiration, especially now that the TV show has made the parallel so cheekily plain in that play episode. Maybe she wouldn't have minded: Despite her incisive tastes, Mead mentions that she was a fan of popular fiction of the time, describing it in terms that cry "guilty pleasure." Certainly both deal with the manners of rarified New York society. And the relationship Wharton maintained throughout her life to the apparently devoted governess is reminiscent of Blair and her long-suffering servant Daroda. But what's so striking, reading about young Edith Wharton, is how incredibly impressive she was: while she may have played up the anti-intellectualism of her childhood home for dramatic effect, it's still true that she was undoubtedly self-motivated, ambitious, self-confident. In an era where conformity was encouraged, she flouted it, seeking her own success and later a divorce in a time when both were unusual and neither was regarded as necessary to a wealthy woman's happiness. Wharton's novels dealt with a world trapped by convention, something she recognized even as a young girl. What would she have made of young women limiting themselves to the same conventions in a time when they have more options? It's funny: Edith Wharton found the drama by exposing the passions below the surface. Gossip Girl imposes artificially archaic structures on its characters because we take the freedom of emotional drama for granted. Gossip Girl's a fun show, but teen Wharton shows the futility of comparison, methinks. Or to quote The House of Mirth, which Von Ziegesar calls the show's basis: "No insect hangs its nest on threads as frail as those which will sustain the weight of human vanity."

The Age of Innocence [New Yorker]

• The Lottery (and Other Stories), Shirley Jackson
• To the Lighthouse, Virginia Woolf
• The House of Mirth, Edith Wharton
• White Teeth, Zadie Smith
• The House of the Spirits, Isabel Allende
• Slouching Towards Bethlehem, Joan Didion
• Excellent Women, Barbara Pym
• The Bell Jar, Sylvia Plath
• Wide Sargasso Sea, Jean Rhys
• The Namesake, Jhumpa Lahiri
• Beloved, Toni Morrison
• Madame Bovary, Gustave Flaubert
• Like Life, Lorrie Moore
• Pride and Prejudice, Jane Austen
• Jane Eyre, Charlotte Brontë
• The Delta of Venus, Anais Nin
• A Thousand Acres, Jane Smiley
• A Good Man Is Hard To Find (and Other Stories), Flannery O'Connor
• The Shipping News, E. Annie Proulx
• You Can't Keep a Good Woman Down, Alice Walker
• Their Eyes Were Watching God, Zora Neale Hurston
• To Kill a Mockingbird, Harper Lee
• Fear of Flying, Erica Jong
• Earthly Paradise, Colette
• Angela's Ashes, Frank McCourt
• Property, Valerie Martin
• Middlemarch, George Eliot
• Annie John, Jamaica Kincaid
• The Second Sex, Simone de Beauvoir
• Runaway, Alice Munro
• The Heart is A Lonely Hunter, Carson McCullers
• The Woman Warrior, Maxine Hong Kingston
• Wuthering Heights, Emily Brontë
• You Must Remember This, Joyce Carol Oates
• Little Women, Louisa May Alcott
• Bad Behavior, Mary Gaitskill
• The Liars' Club, Mary Karr
• I Know Why The Caged Bird Sings, Maya Angelou
• A Tree Grows In Brooklyn, Betty Smith
• And Then There Were None, Agatha Christie
• Bastard out of Carolina, Dorothy Allison
• The Secret History, Donna Tartt
• The Little Disturbances of Man, Grace Paley
• The Portable Dorothy Parker, Dorothy Parker
• The Group, Mary McCarthy
• Persepolis, Marjane Satrapi
• The Golden Notebook, Doris Lessing
• The Diary of Anne Frank, Anne Frank
• Frankenstein, Mary Shelley
• Against Interpretation, Susan Sontag
• In the Time of the Butterflies, Julia Alvarez
• The Good Earth, Pearl S. Buck
• Fun Home, Alison Bechdel
• Three Junes, Julia Glass
• A Vindication of the Rights of Woman, Mary Wollstonecraft
• Sophie's Choice, William Styron
• Valley of the Dolls, Jacqueline Susann
• Love in a Cold Climate, Nancy Mitford
• Gone with the Wind, Margaret Mitchell
• The Left Hand of Darkness, Ursula K. LeGuin
• The Red Tent, Anita Diamant
• The Unbearable Lightness of Being, Milan Kundera
• The Face of War, Martha Gellhorn
• My Antonia, Willa Cather
• Love In The Time of Cholera, Gabriel Garcia Marquez
• The Harsh Voice, Rebecca West
• Spending, Mary Gordon
• The Lover, Marguerite Duras
• The God of Small Things, Arundhati Roy
• Tell Me a Riddle, Tillie Olsen
• Nightwood, Djuna Barnes
• Three Lives, Gertrude Stein
• Cold Comfort Farm, Stella Gibbons
• I Capture the Castle, Dodie Smith
• Possession, A.S. Byatt

The 75 Books Every Man Should Read [Esquire]

Earlier: 75 Books Every Woman Should Read