<![CDATA[Jezebel: Atlantic Monthly]]> http://cache.gawker.com/assets/base/img/thumbs140x140/jezebel.com.png <![CDATA[Jezebel: Atlantic Monthly]]> http://jezebel.com/tag/atlantic monthly http://jezebel.com/tag/atlantic monthly <![CDATA[ Foreign Imports Will Be The End Of Britney Spears ]]> By yesterday afternoon, some five days after the new issue of the Atlantic Monthly had arrived in my mailbox, a fair number of media types had weighed in on the magazine's controversial April cover story on Britney Spears. For those who aren't dedicated media observers, here's the backstory: The Atlantic, a 150-year old, high-minded journal of left-leaning, East Coast intellectualism and Serious Issues had, in a supposed attempt to increase its flagging fortunes, headed westward (and more importantly, downmarket) with "The Britney Show", a densely-packed, 12-page cover story by journalist David Samuels about America's most famous celebrity trainwreck. What became clear, however, is that not many of those media people had actually read it.

Let me rephrase: Not many people had both read it and parsed it. (Unfortunately, and strangely, the story is not yet online. Update: Now it is. ) Samuels' piece, unlike Vanessa Grigoriadis' think piece in last month's Rolling Stone, is not so much the tale of an American tragedy as the tale an American economy. (Photo agency X17 estimates its 2007 Britney-related gross to be some $3 million, or 25% of its entire revenue.) Nor is it, as one blogger attests, the "worst piece by David Samuels I have ever read." In essence, it is a nice bit of gonzo journalism (without the fear and loathing) centered around cars: fancy ones, and the money it takes to buy them (achieved via Hollywood stardom, or the pursuit of and profit from that stardom); fast ones (used to either flee or follow, depending on one's place on the Hollywood food chain); and fatal ones. (Britney's death by car is foreshadowed some four times in the article.) For whatever reason, it reminded me of Tarantino's Death Proof — one paparazzo's car is described as a "stripped-down steel cage that looks ready for Le Mans or Dakar" — with a lot less blood, fewer laughs, a phalanx of burly Brazilians standing in for Kurt Russell and a star-turn by a whiter, more drugged up, more famous radio star.

The conceit is simple: Samuels, who has also written for Harper's and The New Yorker, embeds himself with a team of paparazzi employed by X17 (whose pictures this site publishes dozens of times a week) and assigned specifically to Britney Spears. (The total number of paparazzi following Spears on any given day, Samuels reports, is upwards of 40.) The team is made up of an eight-member, mostly Brazilian team of shooters known as "MBF" who seem alternately bemused and beleaguered by their jobs. (They can make between $800 and $3,000 a week plus bonuses.) The story's supporting cast includes X17's owners, Francois and Brandy Navarre, their $5 million Pacific Palisades mansion (Adam Sandler is a neighbor), and a host of angry, mostly-black office workers who admonish the paparazzi as they lie in wait for Spears outside a Los Angeles courthouse. (Britney's reported lover, paparazzo Adnan Ghalib, also makes a brief cameo).

And of course, there are the cars. In pursuit of Britney, Samuels and his borrowed band of merry thieves go from on-the-street stakeouts high in the Hollywood Hills to the parking garages of fancy hotels and the exteriors of downtown Los Angeles court buildings with their automobiles: black Audis, Ford Crown Victorias (car of choice for the LAPD), Porsche Cayennes, BMW trucks, silver Mercedes', Land Rovers, Ford Explorers (one of which was famously attacked by a bald, umbrella-wielding Spears in February 2007) and of course, Britney's white Mercedes SL65. Interestingly, many of the paparazzi are former valet parkers; one owned two used car lots in his native Brazil. But back to the cars:

At 4:44, the radio crackles. "She's out! She's out! She's out!" I jump into Fabricio's car and we drive fast down Coldwater Canyon "Don't tell me shes' going to Four Seasons Again, or I will kill myself," Fabricio moans. Maxi, the Argentinian, is driving like a maniac in the wrong lane and trying to cut back into the queue. "He's new, so he's totally desperate," Fabricio says. "He's an amateur." He radios ahead for directions. Britney is at a record store. As everyone jumps from his car and rushes to the store window, I follow two of the paparazzi into a parking garage. A door opens, and I find myself standing next to her.

"Hi Britney," I say. She looks at me and smiles brightly. "Hi," she says. "Happy Thanksgiving." One of the photographers asks her how her Thanksgiving is going so far. "Good," she says. Her eyes roll back in her head as she smiles. A Brazilian pap lowers his camera and opens her car door, as if he is still working at valet parking. The pop star gets into her car and starts driving straight toward a concrete wall.

Britney's death — or near death — by car is the piece's thru-line, to borrow an industry-phrase from Hollywood. The paparazzi, Samuels intimates, are excited by such a scenario:
The potential upside of waiting 12 or 14 hours a day, six or seven days a week, is the chance that one day Britney will roll her car into a ditch.
And:
When Britney Spears fulfills her apparent fate and dies in a fiery car crash, or overdoses on prescription medication, it will be surpassingly strange if MBF misses the shot.
And:
Britney runs over a photographer's foot, can't seem to decide whether she is turning right or left, and blunders into the median strip. She rolls down her window for a quick second and looks around, confused, then lurches forward, nearly colliding with another car.
And:
"When I ask [paparazzo Luiz Betat] what the pictures the pack is waiting for next, he shrugs. 'Now I think she can have a little car accident," he says simply.
When not imagining — or instigating — an end to Spears in a heap of twisted steel and exploding gas tanks, the paps throw around industry lingo ('door stepping': "the practice of sitting right outside the entrance to a star's house"; 'giving it up': "working with the paparazzi to create memorable shots"; 'heroes': "bystanders who use shouts and curses, and sometimes bottles and fists, to keep the paparazzi from their prey") and reminisce about their best, or rather, most iconic shots: Britney shaving her head; Britney attacking that Explorer with her umbrella. (Interestingly, no mention is made of the period-panty photos.)


Britney, claim the paps, is in on all of it, as does TMZ's Harvey Levin, although he is careful to qualify that assertion by saying that she is also "seriously mentally ill". Her manager, Sam Lufti, tells X17's Brandy Navarre that Britney reads the message boards on photo agency's blog, X17 Online, and comments on the pictures they post of her. (There is also a rumor that when she's unhappy with the shots, she goes out a few days later and restages them.) There is no evidence that Britney restages driving shots, but it's likely that even she — in her drug-addled and/or mentally ill mind — has enough sense not to restage high speed chases down Mulholland Drivea and become another Princess Diana. Likely.

Suddenly, a pair of headlights appears at the bottom of the ramp. The photographers start shooting, and then they run for their cars. Felix drives a new BMW truck. I jump inside, and as the pack swings up Coldwater Canyon at a scarily high speed, the other MBF drivers box out the competition so Felix can pull up alongside Britney and shoot video. The star is blasting a song from her new album, Blackout, through her open passenger-side window and singing along. She looks lost in her own world, a rich girl singing to herself in a white Mercedes. "Britney is unpredictable," Felix shouts, as he films her driving. "She might stop and take her clothes off, I don't know."

Related: Atlantic Assures Fans It Hasn't Sold Its Soul [AdAge]

Shooting Britney [The Atlantic]
The Celebrity Hunters [The Atlantic]

Related: Everyone Officially A Tabloid Or About To Become One [Gawker]
The Lady Doth Protest Too Much [Gawker]
Britney For Smart People [Huffington Post]

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Wed, 12 Mar 2008 13:00:00 EDT Anna http://jezebel.com/index.php?op=postcommentfeed&postId=366658&view=rss&microfeed=true
<![CDATA[ Lower Your Standards, Bitch ]]> lg_milkshake2.jpgOkay, so that Atlantic piece by Lori Gottlieb on "why you should settle": We wrote about it. Everyone wrote about it. On Saturday, novelist Megan Daum wrote about it. You keep asking us to write about it again. Maybe I didn't quite nail what happened to be my problem with the story before, so here goes: this is a story for women whose standards are too high. Women with "checklists." Women with those faces that freeze or scowl or go blank when they sense the approach of a Dude Who Is Beneath Them. Don't pretend they don't exist! You know they exist. They are our secret shame, because at some point in the past we have all been those women. Maybe it was back in high school, back when you looked at the type of dude you were capable of attracting as some visible verdict on how attractive you were, maybe because you didn't actually know how attractive you were, because you had body dysmorphic disorder or something. But whatever, at some point along the line we all learn the old saw: "Your milkshake might bring all the boys to the yard, but your yeast infection still stinks."

Well, except for Lori. She just feels like she should have "settled" when she was younger and prettier, before her eggs shriveled etc. etc. But then what would have happened? At best she would have had a kid with one of those perfectly agreeable guys who is beloved by everyone except his wife, spent three years alternating between barely disguising her contempt for him and cooing unconvincingly over how great he is to all her friends, only to cheat on him the moment she'd lost the baby weight. But no sooner!

Anyway, I'm sorry, but if you're like this, you're NOT THAT GREAT. In fact, that's a good rule of thumb, if you constantly find yourself dating dudes for whom you think you are too good, that is probably the personality flaw that is keeping you from the perfect Mr. Right type characters you think you deserve. And you can either think about that for awhile and work it out in therapy and maybe find some interests and pastimes other than the constant obsessive superficial life evaluation engaged in by all too many thirtysomething women you know, or commence dating fat guys.

Finding Mr. Good Enough [LA Times]

Earlier: Settle For Mr. "Just OK" — While Your "Marital Value Is Still At Its Peak!"
Marry Him! [The Atlantic]

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Mon, 25 Feb 2008 17:00:00 EST Moe http://jezebel.com/index.php?op=postcommentfeed&postId=360574&view=rss&microfeed=true
<![CDATA[ Settle For Mr. "Just OK" -- While Your "Marital Value Is Still At Its Peak!" ]]> lg_milkshake2.jpgWhy It's OK To Settle For Mr. Good Enough. Sounds like the sorta assertion that might get the readers talking/chatting/generating the old ad revenue, eh? Well that's a story in the latest issue of the Atlantic Monthly by a single mom (Lori Gottlieb, pictured) who dares to advance the iconoclastic argument that Rachel would have been better if she'd just married the orthodontist. I'm not kidding! She ACTUALLY POSES THE QUESTION: "Do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames." Oh, and forget searching for Mr. Big; as Gottleib points out, "Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)

Okay, so far be it from us to dispute a self-help manifesto constructed on the basis of possible alternate conclusions to popular television series, but what's author Lori Gottlieb smoking? Well, she had a kid with an anonymous sperm donor and is 40 and really fucking lonely. Her looks have faded and the men she broke up with in her thirties because they were short/boring/rude to waiters/physically unattractive are looking real good around now. It's sort of refreshing how honest she is, even though hers are thoughts any 28-year-old has already probably had in advance. But then you hit a sentiment like this:

After all, wouldn't it have been wiser to settle for a higher caliber of "not Mr. Right" while my marital value was at its peak?
And think, wait a minute, something's not right with his lady.

At which point you google her, learn that she not only wrote a memoir about how she's a recovering anorexic but now has an author bio page on her website on which all the photos of herself feature her in super "skinny" poses.

See? She's ana. A perfectionist, a number-cruncher, a quantitatively-minded overachiever obsessed with stats. Of course she never managed to find someone to "settle" on before! She's incapable of settling! It's like giving up. Like eating carbs.

Anyway, apologies to Lori, but it was kind of a relief to learn that, at the very least, her problems are different from mine, and probably yours, too. Now leave the office and go get drunkenly knocked up by some stranger before you end up like her!

Marry Him [Atlantic Monthly]

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Fri, 08 Feb 2008 17:40:00 EST Moe http://jezebel.com/index.php?op=postcommentfeed&postId=354535&view=rss&microfeed=true