For one thing, putting a hastily-snapped, haphazardly lit runway shot on a major magazine cover (especially one that prides itself on premium photography) would test even the most transformative powers of Photoshop. And really, why bother? They actually shot Moore, the gallery of photos indicates the actress is indeed extremely slim and toned — even if not to the full extent of the post-production wizardry. And for everything else, of course, there's retouching.

Demi Moore's Body Replaced By W Magazine [Pop Culture Madness]

Earlier: The Curious Case of Demi Moore's Left Hip
Photographer Bets $5000 On Demi Moore W Cover

Photographer Anthony Citrano, who pointed out the hip chop to Boing Boing, issued a throwdown on Twitter, elaborating,

Whether or not her hip was botched, I do not believe for a moment that the image Demi posted yesterday is the original shot.

If she's aware of that - and I expect she is - it's irresponsible (and silly) of her to make that assertion.

So, I'll see her move and raise her $5,000: if the shot she posted yesterday is really the unretouched original, I will donate $5,000 to a charity of her choosing.

So far, Moore hasn't responded. Yesterday, though, she was happy to chat about her shape:

Ouch. Well, if Moore had read the story, she'd probably have found a plausible defense for the shot which, if it was over-Photoshopped, wouldn't be her fault anyway, as Citrano also notes.

... Moore is thinner than expected, which emphasizes the prominent bone structure that still photographs so well but also gives her a slightly gaunt appearance in person. Her chopstick legs are sheathed in skinny dark jeans, and her oversize cashmere sweatshirt looks as if it could have been borrowed from husband Ashton Kutcher's side of the closet.

So should we chalk it up to the chopsticks? Only the original photo could settle it.

Demi Claims Missing Hipflesh Is For Real. [Boing Boing]
Demi Goddess [W]

Related: Anthony Citrano Photography

Earlier: The Curious Case of Demi Moore's Left Hip

Miller, famous for her work for Victoria's Secret, apes classic cheesecake poses in the campaign. The ads — or, excuse me, the "Salute From the Home Front to Those Who Defend Freedom" — are slated to run all month. (In fact, in a neat bit of corporate-branded patriotism, Harley-Davidson has re-named November "Military Appreciation Month." Traditional festivities apparently include ogling half-naked models in uncomfortable poses.) But is it just us, or is there something a little bit off about the appearance Miller's waist in the picture of her in profile, on the far right of the YouTube homepage banner?

As a tipster put it, maybe Photoshop is supposed to be patriotic now? Perhaps we should be thankful the retoucher at least left her whole hip intact.

In still images from the campaign, Miller's waist looks to have been similarly whittled. In fact, her head looks as wide as her rib cage.

Which is funny, because in the attached campaign video, we see footage of Miller posing for what seems to be the very same picture — she is saluting, wearing the same shoes, hairstyle and cap, and a similar outfit. (Clothes can easily be changed in post-production programs like Photoshop; it wouldn't surprise me if the belted beige leotard Miller wears in the final version of the picture was drawn on.)

And, again in the video, the camera even zooms in for a second on that unretouched image on the monitor at the shoot.

Funny, Miller really looks much better in these than she does in the over-processed end result.

Images like these, or Annie Leibovitz's photomontages, or the recent Ralph Lauren ads that have caused so much consternation, immediately jump out at the viewer because they ring false. We've seen bodies before: we all know nobody is built like that. The people responsible for the images know they're unreal. We know they're unreal. So why do marketers continue to assume we will buy products associated with pictures we fully recognize to be false?

We imagine female members of the armed services would be among the many upon whom the charm of such a campaign is lost.

YouTube [Official Site]
Harley-Davidson Military Appreciation [Official Site]
Marisa Miller & H-D Salute Those Who Defend Freedom [YouTube]

Earlier:
Ralph Lauren's Ridiculous Photoshop, More Ridiculous Rage
Ralph Lauren Fires Photoshopped Model For Being Too "Fat"
Ralph Lauren Fires
Yet Another Ralph Lauren Photoshop Of Horrors
Vogue's November Cover: Photoshop Of Horrors
ANTM: The Importance Of "Barbie Toe"
The Curious Case Of Demi Moore's Left Hip

No one's really saying. This is what a spokesperson for W just told us: Photographers Mert Alas and Marcus Piggott "did not do anything unusual or out of the ordinary on Demi Moore for the photo on the cover of W. Demi is an extraordinary beautiful woman and we feel our cover reflects that."

Well, okay. As long as anatomically impossible renderings are usual and ordinary.

Although W has a history of using master retoucher Pascal Dangin for its celebrity covers and fashion editorials, the magazine's rep says that the retouching was done in-house by Alas and Piggott's staff. We contacted Demi's rep, too, but haven't heard back.

By the way, if you check out the runway shot of the Balmain leotard Moore is wearing, the W cover makes model Anja Rubik look positively curvaceous. Appearing to out-narrow a hauntingly bony model? Now that's "still sizzling."

Demi Goddess [W]

Earlier: "The Frustrating Part Is That The Type Of Roles I'd Be Interested In Are Not Really Coming To Me."

Related: Pixel Perfect [The New Yorker]
Demi Moore For W Magazine [Project Rungay]

It's no surprise that Self put Clarkson on its key September issue – her August 2007 cover was a top seller that year, according to the Audit Bureau of Circulations. But according to WWD Memo Pad's Stephanie D. Smith (a former colleague), "The issue was the magazine's worst seller through September on newsstands, pulling in 220,000 copies and causing the magazine to miss its rate base that month." What went wrong? It's tempting to believe that widespread disdain at a grotesque Photoshop job was to blame, but that's not the whole story.

Once upon a time, women's magazines had a list of rules of what worked on covers –- which teases, colors, numbers postures, type of celebrity. The media world is a lot more crowded now, the rules are continually broken and disproved, and any ladymag editor will readily admit that predicting what will sell on a cover is by no means a science. Would you have guessed, for example, that Zooey Deschanel would be Self's best selling cover so far this year, outselling even number two contender Beyonce? (That's according to the Audit Bureau of Circulations' publisher reports).

Something that fanned the popular outrage against the Self cover was the fact that anyone who cares could find out exactly what Clarkson really looks like online – and did. Everyone knows there's an element of fantasy in magazines, but when the reality (seen in hourly paparazzi and red carpet shots on blogs) and the polished image are so glaringly far apart, you can't blame readers for feeling like they're being taken for fools and walking on by.

Aggressive Photoshopping also serves to make all celebrities look exactly the same — who hasn't stood at a newsstand and wondered which indistinguishable blondish and lean cover star is which? A casual glance might easily miss the fact that that's the ever-popular Clarkson, thoroughly transformed. (Incidentally, Clarkson also got the shrink treatment from the photo department at Elle in 2007, but fewer people seem to expect body-positivity - or reality - from a high fashion magazine.)

Yeah, Deschanel hasn't moved as many units as Clarkson or Beyonce. But take a look at that cover photo again. It's sunny and appealing – and it looks like her.

A Better Self In 2010 [WWD]

Earlier: Kelly Clarkson Slimmed Down On Self Via Photoshop

Britain's Liberal Democrats have been pushing for airbrushed ads to carry notice saying they've been altered, and for retouching to be banned entirely in ads aimed at children under 16. As a result of the campaign the A.S.A. has received more than 1,000 complaints about Photoshopped ads in the past three months, but it has refused to tackle the issue because none of the complaints provided scientific evidence that the ads are harmful, according to The Daily Mail.

Now 44 doctors, psychologists, and academics from Britain, the United States, and Australia have submitted a report to the A.S.A. based on more than 100 academic studies worldwide that says:

Media images that depict ultra-thin, digitally altered women models are linked to body dissatisfaction and unhealthy eating in girls and women.

And argues that the advertisements promote:

Unhealthy dieting regimes and problematic eating behaviours (starving, bingeing, and purging), clinical eating disorders (anorexia, bulimia), cosmetic surgery and extreme exercising.

The paper points out that altered images can be harmful to boys as well, saying pictures that exaggerate a model's muscle development encourage, "unhealthy muscle-enhancing behaviors" like taking steroids, and can cause men to suffer from low self-esteem, reports The Telegraph.

Member of Parliament Jo Swinson, who has been leading the campaign, said:

Airbrushing means that women and young girls are being bombarded with images of people with perfect skin, perfect hair and perfect figures which are impossible to live up to.

Making it clear that retouched images represent an unrealistic ideal is a good start, but the campaign only hints at the larger assault on women's self-esteem. According to The Sun, the report mentions the disturbing fact that:

Girls aged 5½ to 7½ reported less body esteem and greater desire for a thinner body after exposure to images or thin dolls.

Barbie may be part of the problem, but the Liberal Democrats aren't taking on Mattel. The party has acknowledged that thinness isn't the only factor giving girls body image issues by calling for cosmetic surgery ads to include success rates. However, the report submitted to the A.S.A. challenged the idea among advertisers that "thin and sexy sells," by citing research that says ads featuring models who are a U.K. size 14 are as effective at selling products as those featuring extremely thin models as long as they are equally attractive. Would every image featuring an actress with a nose job require a disclaimer letting girls know that her perfectly-proportioned face is "impossible to live up to" without the help of a good plastic surgeon?

While there seems to be scientific proof that retouched images are harming women and the Liberal Democrats mean well, it seems unlikely that a disclaimer will make many people stop hating their bodies. Even if retouching were banned altogether, images can still be distorted with lighting and camera techniques. The hope is that that advertisers will start using more natural models, but sadly, the industry would probably just pressure models to be even thinner if their thighs can't be whittled in Photoshop. Larger models may not be the answer either, since a recent study found that overweight women feel worse about themselves after looking a photos of models, whether the models were skinny or not. At any size, models still represent a beauty ideal that most women can't achieve without turning to extreme diets or cosmetic surgery. The idea that there's a certain beauty ideal women should keep striving (and spending more) to attain may be rooted in advertisements, but it's now too ingrained in our culture to be undone by disclaimer in the fine print.

Call For Ban On Airbrushing Ads That Leave Girls Loathing Their Own Bodies [The Daily Mail]
Airbrushed Images Harming Girls And Boys, Experts Say [The Telegraph]
Faked Model Photo Danger For Girls Aged 5 [The Sun]

Earlier: British Lawmakers Take Stand Against Photoshop
Study: Even Plus-Size Models Lower Self-Esteem

As someone who also chain smokes and enjoys a wine or two every night, I'm terrified of age progression photos, although they seem to be a pretty good argument for quitting bad habits. Age progression—via Photoshop—is also pretty useful when it comes to missing children. (And pretty accurate, too. The one that authorities created for Jaycee Dugard was remarkably true to life.)

For Betty, I assumed that she would maintain her figure and hair as much as she could, being so vain and all. But 20 years in the future, before the ubiquity of Botox and laser treatments, Betty would begin feeling the effects of the life she's lived, including wrinkles, age spots, thinning hair, and a growing nose.


For Don, it seemed to make the most sense to base his aging on Frank Sinatra's. However, I was shocked as hell when the liver spots, rosacea, deep lines, enlarged nose and ears, and receding hairline made him a dead-ringer for Mel Gibson.

Danziger's appearance on a Women at NBCU breakfast panel last Wednesday shows she really needs to learn when to cut her losses — we don't need to hear her say that "Kelly liked the picture" for the eight zillionth time, or that "we did not make her look skinny, we made her look better." But the real kicker is her explanation for whittling Clarkson away in the first place. She says,

[P]eople like to say, "Oh, the media is the problem." I would say that, if we're really honest, the reason some of these magazines get bought by people is because they want to see that image. It is a consumer-driven market. If you put something on the newsstand and they don't like it, it won't get bought.

She goes on to say we could "debate [...] all day" whether magazine Photoshopping or a consumer desire for unrealistic images came first — but it's clear which side she falls on. And even though she thinks her consumers demand Photoshopping, she still claims that Self doesn't really use it that much. The magazine is "as honest as they come," she says — except, presumably, for the whole Kelly Clarkson thing.

Danziger's argument that she's just giving her customers what they demand echoes Cosmo editor Kate White's "contribution" to the whole Ralph Lauren Photoshopping mess last week. In her (rather superfluous) appearance on the Today Show, White said,

I think women have to protest - and back it up. Because sometimes women say they want real girls in stories, but often those stories don't rate as well. Or if you put a heavy celebrity on the cover it might not sell as well. So women have to complain, and then back it up with their actions. Their pocketbooks.

Both editors neatly pass the buck to magazine readers, whose appetites they claim really dictate how teensy a cover girl must be. This is pretty disingenuous, especially given that women's magazine editors set themselves up as tastemakers in so many other areas. They sell ads — and get free shit for advertorial features — largely by convincing companies that women will buy the products they recommend. They position themselves as trendsetters at the forefront of fashion — not followers who just report on what women are already wearing. Especially in the case of Self, they give health and lifestyle advice, and while they sometimes feature reader opinions, they don't base all their tips on workouts readers already perform. Women's magazines are completely in the business of telling women what to wear, what to buy, what to eat, and what to do, and the idea that women tell them what to put on the cover is ludicrous.

Moreover, it's hard to even evaluate Danziger's claims about readers' tastes, since they don't really have very many options. There is no mainstream American women's magazine that features un-Photoshopped models of all shapes and sizes. There's Bust, but with its smaller budget and bimonthly publication schedule, it's not a real competitor. Really, the major women's magazines represent something of a cartel of unrealistic female images, and women searching for an alternative will have a hard time "voting with their pocketbooks" — there's nothing to vote for.

Of course, it's true that Danziger and White are in the business of selling magazines, not making us all hate our bodies. Their reluctance to experiment with, say, not Photoshopping probably has as much to do with fear of the unknown — and perhaps fear of advertiser response — as it does with misogyny and sizeism. But as I've said before, women's magazines are in financial trouble, and the old formulas clearly aren't working so well anymore. In fact, the biggest ad gains this month were reported, not by Cosmo or Self, but by Southern Living and Real Simple, which sport food, not models, on their covers, and which credit their success to helping women actually do stuff. So maybe it's time for editors like White and Danziger to stop making excuses about what consumers want, and give them some actual choices.

3 Minute Ad Age: October 20, 2009 [AdAge]
Top 5 Monthlies: Giving Women What They Want [MinOnline]

Earlier: Kelly Clarkson Slimmed Down On Self Via Photoshop

Ralph Lauren Fires Photoshopped Model For Being "Too Fat"

Earlier: Ralph Lauren Takes Responsiblity For Photoshop Of Horrors
Ralph Lauren's Ridiculous Photoshop; More Ridiculous Rage

Hamilton had counted Ralph Lauren among her clients since she started modeling at the age of 15 and she says that she considered the people who worked there her second family — at least until April of this year, when Ralph Lauren summarily fired her. The stated reason was that the label dumped Hamilton "as a result of her inability to meet the obligations under her contract with us." What Ralph Lauren allegedly told Hamilton's agency, Next, is that the 5'10" 5'8", 120 lb model had become too fat to fit into its clothing.

Ralph Lauren's behavior since these images came to light, on the blog Photoshop Disasters, has single-handedly turned a small PR crisis into a full-fledged disaster. First, the company had its lawyers try to sue Photoshop Disasters and BoingBoing, the second blog to pick up the story, for copyright infringement for reporting on the ad. The threats — and the fact that Ralph Lauren managed to get Photoshop Disasters' ISP, Google-owned Blogspot, to remove the image — not only came across as ridiculous and bullying, but only served to draw hundreds of thousands of eyes to the story. (The Daily Mail, Huffington Post, Telegraph, Current TV, and Mother Jones, among other outlets, jumped on the story with more or less alacrity.)

The company's apology, when it came, seemed sincere — but today, Ralph Lauren sought to distance itself from its decision to create and run the ad: "The image in question was mistakenly released and used in a department store in Japan and was not the approved image which ran in the U.S."

And for it to emerge that the model in question is a justifiably pissed-off employee that the brand threw under the bus six months ago for being "fat" — that's just the cherry on the Ralph Lauren public relations shit pie. The company's admission of "responsibility" for the ad, coming after its attempt to minimize the ad's significance, rings as hollow as its protestation that Hamilton is a "beautiful and healthy" woman, and that the Photoshop incident had "absolutely no connection" to the company's decision to fire her. Which is it? Is the ad a one-time "error" that was "unapproved," or is it something Ralph Lauren is prepared to take true responsibility for? Is Hamilton "beautiful and healthy," or is she unable to meet the obligations of her contract because of her weight?

Models get fired, or simply passed over for work, all the time for being overweight, but it's a practice that rarely gets addressed publicly. (Not least because anyone outside the industry might struggle to grasp by what measure a size 4 twenty-something who's represented a brand for nearly a decade could be considered "overweight.") There have even been cases where models who have had eating disorders, having entered treatment, have lost work or agency contracts because of their choice to try and get better. As much as it sucks that Hamilton was fired so coldly, it's kind of thrilling that she's willing to talk about it.

Did it never occur to Ralph Lauren to fire the photographer? Or the retoucher who created the image of the near-death Bratz doll Hamilton? Why didn't it consider firing the person who was responsible for releasing the image, if indeed that was a "mistake"? Why did Ralph Lauren's sights immediately fall to rest on the person involved who bore the least responsibility for the drastically altered image in question: the model?

What else isn't so great? Hearing some of Cosmopolitan editor Kate White's statements in the full segment. It seems to be the rule that any model, when doing television appearances, needs to be chaperoned by a fashion magazine editor, à la Ali Michael and Teen Vogue's Amy Astley. At least, that's the only explanation I could come up with for White's presence. After grabbing Hamilton's spotlight and hitching her wagon to the attendant publicity by offering her an 8-page spread in her magazine — a favor that Hamilton, having graced the covers of numerous international editions of Elle, Harper's Bazaar, and Vogue, including one of my all-time favorite issues of Vogue Paris, hardly need lower herself to accept — White, much like Ralph Lauren, set about walking the delicate line of admitting that there might be a "problem" in fashion without doing anything so creative as taking responsibility for it.

"It really starts with the sample clothes, because they've down-sized, they're now like a size 2 or 4," says White. "To some degree, it relates to the Kate Moss era. Before then, supermodels like Cindy Crawford and Christy Brinkley, they were really curvy. But they got skinnier and skinnier, and the clothes got smaller, and so it creates this cycle where you have to fit in the clothes to get the job, and then the models get smaller and that's who we have to use in fashion stories."

Notice the absence of subjects in that sentence: "it" creates a cycle. (A cycle! Those can be really hard to stop.) "It" relates to Kate Moss, or at least her "era." "The clothes" got smaller. (All by themselves?) The underweight ideal body that the fashion industry promulgates to women all around the world — and the underweight bodies that real fashion models are required to maintain, and which some cannot but maintain through unhealthy means — are problems that everyone is prepared to "acknowledge" in the fashion industry. People write letters about it. They institute meaningless, unenforced laws. What nobody has yet done is actually make a serious, thoughtful attempt to confront these problems of the industry's function — and this is an industry which is structured to punish the sufferer of an eating disorder who decides to enter treatment — and to solve them.

White's perspective on the basic problem is troubling: "The models" got smaller — seemingly of our own volition — and that's who she "has" to use in fashion stories.

The Cosmopolitan editor goes on to say, "I think women have to protest — and back it up. Because sometimes women say they want real girls in stories, but often those stories don't rate as well. Or if you put a heavy celebrity on the cover it might not sell as well. So women have to complain, and then back it up with their actions. Their pocketbooks." If we don't have the magazines we deserve, it's really our own fault.

I guess when you have a posse of gorgeous, iconic ladies — Nine's Nicole Kidman, Marion Cotillard, Penelope Cruz and Kate Hudson — you feel obliged to make them look as good as possible. But for the love of natural lighting: Why so much Photoshop?

Sassybella asks, "Did Annie Leibovitz or Vogue go a little airbrush crazy?" The answer is a resounding YES. I can't wait to see this cover in person, to try and figure out what how someone cobbled these women into an image. I'm guessing Leibovitz shot them each separately and then did a composite, but when you have a person who doesn't cast a shadow on the lady next to her, then that person is a vampire.

Leibovitz makes composite images quite often; take this photograph of Judi Dench and Helen Mirren, for instance:

Blogger Jeffrey Saddoris has read Leibovitz's book, At Work, in which she writes:

"The picture of Hellen Mirren and Judi Dench in the car was made in two different places. It was fun directing Judi Dench to act like she was talking to someone who wasn't actually there. She was saying, 'You bitch. How could you have done this to me? Why did you do that to me?' And she had that look. If we had been using film, we would have to stitch two frames together, but since we were shooting digitally, we built the final picture in the computer."

On another forum, a poster dissects the Leibovitz Mad Men shoot:

The commenter writes:

It appears that Annie shot the scene in separate composites. She took a shot of January Jones from where she is standing in the video still, THEN after she got what she wanted she moved to the left and shot Jon Hamm exactly positioned and lit how she wanted. Then I would assume she stood back and took some overall shots of the room that would later be stitched together to form the overall piece.

NOW, from an overall look the photograph appears classy and fit to the time piece and most people would walk away from it without any negativity, and I still think its a great shot... but the perspective now just bothers me. It appears as though she isn't even looking directly at him. Her overall size appears smaller than him. Also, if you look near his ass the straight line that runs on the wall... isn't so straight, its very apparent that was a poor clone job.

Even though the cover is a nightmare, there's a gorgeous shot of the ladies on the inside:

Instead of looking like a hallucinatory vision or Hollywood interpretation of the "Footprints" poem, this actually looks like a photograph of women, sitting on a couch — next to each other and existing in the same time-space continuum. What a concept.

Prima Time [Vogue]
Yay Or Nay? Annie Leibovitz Over Airbrushes Another US Vogue Cover [Sassybella]
Photo139 – Week 2 [Saddoris]
Annie Leibovitz thread [Nature Forum]

Earlier: Nine Throws Down The Oscar Gauntlet
Other Ladies Agree: Annie Leibovitz's Latest Is Painfully Lame
Photo Finish: (Annie Leibovitz & People Of Color)

This snap of the ad was posted to the mock site Photoshop Disasters last Tuesday — the writer crowed, "Make her head bigger than her pelvis! Do it!" Xeni Jardin at Boing Boing noticed, and made the comment, "Dude, her head's bigger than her pelvis." But that relatively mild criticism of the unbelievable ad garnered the blog's ISP a cease-and-desist letter for reposting the picture.

Note to Ralph Lauren: it's not an infringement of your copyright if content you own is reproduced for purposes such as criticism, comment, or news reporting. No, really. Look it up. The company more than earned Cory Doctorow's indignant response.

Photoshop Disasters apparently received a similar threatening letter, since its post — though cached, for now, by Google — has been taken down.

Who is this woman 'shopped down to a spindly creature by Lauren's minions? She's 23-year-old French-Swedish model Filippa Hamilton — Countess Filippa Hamilton, to be precise. She's a Ralph Lauren favorite — in fact, she's on the brand's website right now. Check out the terrible job the retoucher did when he or she cut a path around Hamilton's hair to change the color of the shirt:

Hamilton has been featured in various ads for Ralph Lauren since her teens; up until now, the brand has never Photoshopped her into the likeness of a Bratz doll.

And in this July, 2009, editorial for Russian Elle magazine, shot by Fabio Chizzola, she doesn't look half bad, either.

Ralph Lauren should put a little less effort into crafting cease-and-desist letters guaranteed to harness the Streisand Effect, and a lot more into the quality of its post-production.

Ralph Lauren Opens New Outlet In The Uncanny Valley [BoingBoing]
The Criticism That Ralph Lauren Doesn't Want You To See [BoingBoing]

"I have never yet seen, and you probably never will see, a fashion or beauty picture that hasn't been retouched. Unfortunately, we are living in a retouched world."

— photographer Derek Hudson, who says he would "make a stink" if an editor Photoshopped his pictures.

"When teenagers and women look at these pictures in magazines, they end up feeling unhappy with themselves… If people knew they had to describe what they had altered, it might make them less likely to do it. These photos can lead people to believe in realities that very often, do not exist."

— Jo Swinson, a British member of Parliament from the Liberal Democratic Party, which wants to ban altered photos entirely in ads aimed at children under 16.

"I spent the first 10 years of my career making girls look thinner. I've spent the last 10 making them look larger."

— Robin Derrick, creative director of British Vogue.





Lifting the Veil of Mere Pixel Perfection [NY Times]

Earlier: France Proposes "Health Warning" Label On Photoshopped Images
British Lawmakers Take Stand Against Photoshop
Here's Our Winner! 'Redbook' Shatters Our 'Faith' In Well, Not Publishing, But Maybe God
The Annotated Guide To Making Faith Hill 'Hot'
Faith Hill's 'Redbook' Photoshop Chop: Why We're Pissed

Last year, the lower house of French Parliament voted in favor of a bill that would ban "inciting thinness." And earlier this year, it was reported that France has the highest proportion of clinically underweight women in Europe. Meanwhile, Britain's Liberal Democrats would like to ban Photoshopping entirely in ads aimed at those under 16, and require all other ads to carry a disclaimer describing the extent of their alterations.

The new French law proposes that all enhanced photos would be accompanied by a line saying:

"Photograph retouched to modify the physical appearance of a person."

Now, we're no fans of overly Photoshopped models around here, but you have to wonder if a stamped warning has enough impact. Much like the "smoking kills" warnings on cigarettes, I imagine this warning would be shocking at first — and then quickly become old hat. Your eyes would end up passing over it, the way they do over fine print. The truth is, visual images have an impact, and a few words on a picture can't keep a woman — or a young girl — from using a Photoshopped image as "thinspiration," a barometer or standard against which to measure herself.

In addition, not knowing how much alteration was done doesn't seem helpful, either. We've been posting "Photoshop Of Horrors" images since this site's birth in 2007, and there are always a few readers who say, "I don't think they changed her nose/waist/thighs… It's just lighting." Take it from someone who worked in magazines for 10 years: "They" change everything.

But all this is not to say that the idea of a warning is a bad idea. Shining a light on the lies we're fed by magazines and advertising campaigns is always welcome. And even if a "health warning" is not enough, it's a start.

France Mulls "Health Warning" For Fashion Photos [Reuters]
'Health Warning' Call On Model Touch-Ups [News.com.au]

Earlier: British Lawmakers Take Stand Against Photoshop
France's Attempt To Ban "Inciting Thinness" Incites Jeers From Some
La Merde Et La Mode
French Women Don't Get Fat (Enough)
Annals Of Anorexia
Photoshop Of Horrors posts

On GMA this morning, Danziger unconvincingly said, "We didn't make [Clarkson] look thinner. I added a little height, because I wanted the impact of that cover." Then she changed the subject, saying "you want a colorful cover." But obviously the controversy isn't about the color of Clarkson's top (which is nice, for the record) — it's about the fact that SELF's version of her body bears no resemblance to the truth. In response to criticisms like this, Danziger says, "you can love a person, love her body, and retouch a picture." Is that like "love the sinner, hate the sin?"

In the Today Show interview seen above, Danziger spouted even more crap. After assuring viewers that "we love Kelly for the confidence that she exudes from within," she explained that on a cover, "you want to capture the essence of you at your best." Apparently this essence is just a little bit smaller than your actual physical body. She also says, "everyone can love who they are from the inside out, and want to achieve your goals." But Clarkson has achieved her goals — she's confident in herself and her work, and has repeatedly said that she's happy with her body. So how does artificially changing the way she looks help her achieve anything, or inspire anyone else to?

Danziger continues being offensive for the rest of the segment. She says, "no one can make you feel bad, only you can feel bad inside yourself," which is a pretty irresponsible statement coming from a magazine that publishes unrealistic (and unreal) images of women, and then advertises products to supposedly help actual people look more like these images. In fact, what the Clarkson cover reveals is that despite SELF's "health" focus, it's basically in the business of making women feel bad, just like the more fashion-oriented women's magazines.

Plus-size model and More To Love host Emme, who appeared alongside Danziger, touched on this fact as well. She called for "beautiful, aspirational images, but not all one way." But why do cover images need to be "aspirational" at all? There's no reason that looking at a picture of a celebrity has to make us want to be different, except in so far as this desire sells products. The idea that magazine readers want "aspirational" content is so accepted that Emme even parrots it when she's arguing for a greater diversity of body types, but what's wrong with images that are just beautiful, or just interesting, fun, or inspiring? It's time for more people question the notion that we read magazines because we like feeling unsatisfied with our bodies and our lives.

Kelly Clarkson's Photo Retouched [MSNBC]
Kelly Clarkson's Cover Photo Flap [ABC]

Earlier: Kelly Clarkson Slimmed Down On Self Via Photoshop
Self Editors Explain Covers Aren't Supposed To Look Realistic

"They make women strip down, put vegetables over their genitals, and subject them to hours of photoshoots. No living creature should be treated like that!" Oh, it's satire, but the root of the joke rings true, when you think about the fact that, in the ad above, Nia Long's Photoshop Of Horrors is so severe she is missing a belly button (Plus: Have you seen this?!?!) In the video, "PETA" makes this statement: "We have no intention of changing our tactics until every last animal on the planet is given more respect than woman." At least the animals don't get Photoshopped?

Advocacy Group Decries PETA's Inhumane Treatment Of Women [ONN]
Nia Long Goes Nude On The Subway For PETA [EcoRazzi]
PETA Takes the Cake With ‘Save The Whales' Billboard [Deceiver]

Earlier: PETA Disgusts Americans With Adolescent Advertising
PETA's Ingrid Newkirk
Do More Men Really Go Vegan Because Of Pamela Anderson's Boobs?

Self's Editor-in-Chief Lucy Danziger, who admitted last week that this month's Kelly Clarkson cover was altered - "of course we do post-production correction on our images" - put up a post on her Self.com blog yesterday titled "Pictures That Please Us." She wrote that though the program the magazine uses is "technically not Photoshop," they "correct color and other aspects of the digital pictures we take and then publish the best version we can." Yes, every magazine cover is altered in some way, but the Kelly Clarkson isn't controversial just because it was color corrected or even because a few more locks of hair were added to her head: it's because the editors of Self constructed a new body that bears no resemblance to what Clarkson currently looks like. Below is the behind the scenes video Danziger posted, which makes it even more obvious that the cover shot was drastically altered.

Danziger explains that she's so pro-Photoshop that she's even had her own image altered:

When I ran the marathon five years ago, I was so proud of myself for completing it in under five hours and not walking a single step. But my hips looked big in some of the photos (I was heavier then), so when I wanted to put one of them on the editor's letter in SELF, I asked the art department to shave off a little. I am confident in my body, proud of what it can accomplish, but it just didn't look the way I wanted in every picture...

The same is true of vacation. I keep the pix that show us all happy and glowing and laughing and playing, not the ones where we are scowling or hungry or tired. The ones that make the Christmas card are the best of the best.

Everyone has left an unflattering picture out of a photo album, but that would be analogous to not running a photo of Kelly Clarkson with her eyes closed, not completely reshaping her body. Danziger may have altered her body in her marathon picture, but that just means that she was actually so insecure about her body that she drew herself a new one.

Oh, but Danziger goes on to claim that cover portraits are supposed to be idealized artists renderings of what the model could look like, especially since when she walks in to a photo shoot she may look as hideous as a real live person:

Portraits like the one we take each month for the cover of SELF are not supposed to be unedited or a true-to-life snapshot (more on that in a moment). When the cover girl arrives at the shoot, she is usually unmade up and casually dressed, and could be mistaken for a member of the crew or the editorial team in many cases. Once we do her makeup and hair, and dress her in beautifully styled outfits and then light her, we then set the best portrait photographer we can on a road to finding a pose and capturing a moment that shows her at her best.

Except they're not actually "capturing a moment" since the moment never existed! She continues:

Then we allow the postproduction process to happen, where we mark up the photograph to correct any awkward wrinkles in the blouse, flyaway hair and other things that might detract from the beauty of the shot. This is art, creativity and collaboration. It's not, as in a news photograph, journalism. It is, however, meant to inspire women to want to be their best. That is the point...

Did we alter her appearance? Only to make her look her personal best. Did we publish an act of fiction? No. Not unless you think all photos are that. But in the sense that Kelly is the picture of confidence, and she truly is, then I think this photo is the truest we have ever put out there on the newsstand.

So even though Kelly Clarkson has said she's confident at any size and Danziger points out that Clarkson works out and is "as fit as anyone else we have featured in Self," the magazine's staffers decided having her instantly shed a few pounds would make her look even more confident and healthy.

Oh-kay, then.

In another blog post, Ashley Mateo, the editorial assistant for Self's entertainment team, writes:

The truth is, we have absolutely no reason to get worked up over PhotoShop. Magazines don't hide the fact that they're always trying to sell issues—and to sell copies, you need to appeal to readers with the best writing and the best images possible. We all know celebrities are human (at least, we all should know), so why do we get bent out of shape when a magazine alters an image to portray a celebrity in their best light? No one wants to see a giant picture of some star's cellulite on the cover of a monthly mag—that's what we have tabloids for!

Right, because if magazines actually ran unaltered photos of celebrities, women may stop hating their arms because they look fat compared to Kelly Clarkson's. If we saw a few dimples on a healthy woman's thigh in a magazine, then tabloids might stop running photos with giant arrows pointing to the tell tale signs that celebrities are nothing more than normal human women. Danziger was right: the point is that magazine covers "inspire women to want to be their best." And the best way to keep women reading Self's workout recommendations and buying the useless beauty products advertised on its pages is to inspire them to keep chasing after a version of themselves that Doesn't. Really. Exist.

Lucy's Blog: Pictures That Please Us [Self.com]
SELFy Stars: The Wonders Of PhotoShop [Self.com]

Earlier: Kelly Clarkson Slimmed Down On Self Via Photoshop

On the new cover of Self below, the editors did everything they could to obscure what her body actually looks like. Her right arm is totally invisible and much of her left arm has been cropped out. A yellow dot strategically obscures the area where her butt meets her lower back and white pants against a white background make her legs almost invisible.

Much of the photo looks like it was drawn on a computer, which would be obvious even if Clarkson had been living in seclusion since From Justin To Kelly. But, the Photoshopping is even more obvious since Kelly Clarkson has been widely ridiculed in the past year for putting on weight. The pictures below were taken during a July 31 performance on Good Morning America.

At any rate, there is nothing wrong with the way Clarkson looks. She says in Self,

"My happy weight changes... Sometimes I eat more; sometimes I play more. I'll be different sizes all the time. When people talk about my weight, I'm like, 'You seem to have a problem with it; I don't. I'm fine!' I've never felt uncomfortable on the red carpet or anything."

But clearly the editors at Self don't share her opinion. Entertainment Tonight asked the magazine's Editor-in-Chief Lucy Danziger why Clarkson looks so drastically different on their cover and this was her reply:

"Yes, of course we do post-production corrections on our images," Editor-in-Chief Lucy Danziger tells ET. Airbrushing images is an industry standard, and the mag stands behind its decision. "SELF magazine inspires and informs our 6 million readers each month to reach their all around best," Lucy adds. "Kelly Clarkson exudes confidence, and is a great role model for women of all sizes and stages of their life. She works out and is strong and healthy, and our picture shows her confidence and beauty. She literally glows from within. That is the feeling we'd all want to have. We love this cover and we love Kelly Clarkson."

...but only if she's skinny. The Self editors must have known their alterations would be obvious, but what's particularly puzzling is why they asked Clarkson to be on the magazine in the first place. According to Self's editorial calendar, the September issue closed on July 1. Even if the photo shoot took place several weeks earlier (assuming the image wasn't just pasted together from old photos) it's not as if Clarkson's appearance changed radically in the past few months. These photos are from February and March:

Danziger is is right: Kelly Clarkson is a "great role model for women of all sizes." When the press goes after celebrities for gaining weight many apologize to the public, like Oprah Winfrey or Kirstie Alley, or frantically exercise and appear on the cover of Us flaunting their slimmed down selves like Jennifer Love Hewitt. So far Clarkson has only declared that she's OK with her body and backed her statements up by performing in clothing that exposes her figure, rather than hiding under billowy outfits. Of course, now Clarkson has appeared with a newly-slim body on the cover of Self, but it's a decision the editors made for her, rather than a message she wanted to put out herself.

Kelly Clarkson: Cover Controversy? [Entertainment Tonight]
Self Editorial Calendar [Conde Nast]

Earlier: Oprah's "Embarrassed" About Her Weight; I'm Pissed Off
Kirstie Alley On Oprah: Weight-Gain Humiliation, Jealousy Of Valerie Bertinelli
Jennifer Love Hewitt Wants You To Stop Talking About Her Body Unless You're Calling Her Skinny

Britain's Liberal Democrats would like to ban Photoshopping entirely in ads aimed at those under 16, and require all other ads to carry a disclaimer describing the extent of their alterations. They also recommend "media literacy" lessons to teach kids about advertising techniques. Member of Parliament Jo Swinson says,

Today's unrealistic idea of what is beautiful means that young girls are under more pressure now than they were even five years ago. Airbrushing means that adverts contain completely unattainable perfect images no one can live up to in real life. We need to help protect children from these pressures and we need to make a start by banning airbrushing in adverts aimed at them.

Coverage of the proposed ban cites the recent removal of Gisele Bundchen's baby bump, and an Olay campaign that appears to have polished Twiggy's face into that of some non-existent twenty- or thirty-year-old. Says the Daily Mail's Richard Simpson of the 59-year-old model,

Out on a grocery shop to her local London Marks and Spencers, a brand she also promotes, she appeared to be the age of, well, a woman of 59.

With slight jowls and only hairline wrinkles around her eyes and mouth, Twiggy does indeed look good for her age.

However she bares very little resemblance to pictures, apparently of her, recently distributed to advertise Olay, whose catchphrase is 'Love the skin you're in.'

Twiggy's campaign is especially upsetting given that she has publicly eschewed plastic surgery and Botox, and advocated "embracing" aging. "I'm grateful for my lines of wisdom," she has said. Apparently Olay isn't.

So should Photoshopping really be banned? Britain and western Europe have historically been more comfortable with speech restrictions than the United States, and it's unlikely that such a ban would ever go down here. But plenty of Americans are angry about the process of retouching — so widespread, according to an LA Times article that namechecks us, that "it's quite possible that the vast majority of images seen in the public arena have been altered." Professor of pop culture Montana Miller tells the Times that advertisers may consciously tailor images to make women feel bad about themselves, thus convincing them to buy more products.

Scott Kelby, president of the National Association of Photoshop Professionals, counters that Photoshop just makes the camera as forgiving as the eye. He says,

If you met Faith Hill in person, you would think she's absolutely beautiful. And when you take her picture, you will see every flaw that you never saw in person. Those flaws not only become visible, but magnified. . . . If I were talking to someone, I'd look at their eyes, not at the blemish on the side of their face. But as soon as you open up that photo on a 30-inch monitor, you'd say, 'Oh my gosh, where did that come from?'

But retoucher Amy Dresser unwittingly reveals multiple pressures that result in photos like Twiggy's. She says,

When it comes to notable people, I feel like embracing the details of that person's face is what I'm supposed to do. Obviously a person wants to have a nice picture of themselves, and the photographer doesn't want to look bad, and I don't want to look like a lazy retoucher, and the magazine wants an appealing image, so you have to find that middle ground.

According to the Times, she also "says she doesn't take liberties, such as over-softening facial features and turning subjects into plastic-like dolls, a look often seen in rookie Photoshop work. She abhors that style, leaving in freckles and moles and sometimes drawing in stray hairs to retain a person's humanness."

It's pretty sad that our visual culture dictates that someone has to add stray hairs to "retain" a celebrity's humanity — and that an ad for anti-aging treatment has to use a digital anti-ager on its spokesmodel's photograph. Extreme as it seems, a ban could return us to a time before magazines were populated by vaguely human-like cartoons — if advertisers actually abided by it. On the other hand, lets not forget that Photoshop is also force for good — like these photographs of Wolverine and George Clooney without pants.

Photoshopped Images: The Good, The Bad And The Ugly [LA Times]
Don't Beef Up Keira's Bust! Lib Dems Take Aim At Advertisers Over Altered Images [Independent]
Airbrushing Of Photos Should Be Banned, Liberal Democrats Say [Telegraph]
The Two Faces Of Twiggy At 59: How Airbrushing In Olay Ad Hides Truth Of The Skin She's In [Daily Mail]
Pantsed Celebrity Photoshopping Contest [BoingBoing]

I suppose if the couple is both into the idea, that's one thing, but there is something incredibly creepy about a few of these pictures, especially the ones like this shot, which involve a bride sleeping in a box, waiting to be "played with" by the groom:



Not only does she look like a toy waiting to be "handled," she also looks, well, dead. Not exactly the most romantic shot of all time. There are also shots like this:



And this:



And this:



The photos, while seemingly done just for fun, objectify the bride and show a visual imbalance of power and a Cullen-like desire for control; the bride is reduced to a toy, someone unequal, easily manipulated, and dependent on her groom for all things. While it may seem funny at first glance, the subtext is pretty hard to laugh at. So what say you, Commenters? Funny, creepy, or perhaps a bit of both?

Bizarre Wedding Photo Trend: Miniature Brides [Tacky Weddings]

• Madonna's fall campaign for Louis Vuitton leaked online, and the star — captured by Steven Meisel and 23 psychedelic Photoshop layers — sort of looks like a marble statue. [Fashionologie]

• Roberto Cavalli's and Gianfranco Ferré's Fall 2009 campaigns are also out. In the sense of "On the Internet," not in the sense of "In the magazines." [FWD]
• 50 Cent's new fragrance deal, for the scent "Power", is unusual in that the star is not simply licensing his name to a company. He actually is a part-owner of Lighthouse Beauty, the business that will release Power. The other partners are a veritable who's-who of the fragrance industry. [WWD]
• Clements Ribeiro is the latest British fashion house to announce its intention to return to London Fashion Week for its 25th anniversary. The husband-and-wife design duo join Burberry, Pringle of Scotland, Jonathan Saunders, and Matthew Williamson, in showing their respective Spring 2010 collections in London. Clements Ribeiro last showed in London in September 2005. [Telegraph]
• Expectant Victoria's Secret superstar Adriana Lima's wedding to Marko Jaric was witnessed only by the couple's lawyers. "It was really romantic," said the model. Lima said she doesn't know the sex of her baby, due in December, and hopes to have a large family. [People]
• eLuxury.com is closing its doors as a retailer today. (Last-minute sale items are an additional 50% off, so if you want Alexander Wang jeans for $375 $75, or a D&G corset dress for $495 $148.50, now's your moment.) Apparently, eLuxury is planning to relaunch itself as a social networking site dedicated to...luxury. Because in this economy, talking about fancy shit online is still free. [WWD]
• Supermodel Angela Lindvall has designed a t-shirt for Edun, Ali Hewson's organic, sustainably-produced fashion line (which is newly owned by luxury mega-company LVMH). The shirt is blue with a white design that Lindvall says "was created from the shadows of trees. Our shadow side is what sometimes pushes us to grow." [Fashionista]
• Style.com traced the influence of Kate Moss's gold lamé Marc Jacobs dress and Stephen Jones turban from the Met Ball through the Resort collections. As if we were ever in any doubt that Ms. Moss's style cuts a long swath. [Style.com]
• Patrick Dempsey's new scent for Avon (?!) is to be appropriately named: Patrick Dempsey 2. [WWD]
• The first rule of working for fashion publicist Kelly Cutrone is: Do not blog about Kelly Cutrone. When the fashion publicist caught one of her summer interns — an NYU student, natch — writing about her online, she took the girl aside and said: "I'm going to sue the fuck out of your family if you don't take it down immediately and your college tuition is going to seem like a pittance after you face my wrath." [The Cut]
• Reebok is launching a maternity division for its NFL line. [WWD]
• Michelle Obama wore Lanvin yesterday, should you care. [The Cut]
• Brooke Burke, her fiancé, and her four kids, ages 1, 2, 7, and 9, are going to do a Skechers ad as one big happy family. No word on how much the clan nets. [WWD]
• Zac Posen did his part for Gen Art at the fashion incubator's fund-raiser Wednesday night. Also? Zac Posen is totally that guy at the art opening who'll say, "I like the Sol LeWitt technique put into something figurative..." [Style.com]
• Escada, the struggling fashion house who earlier this year announced its debt had risen to €187.6 million, and its cash on hand had dwindled to just €24.7 million, is about to launch the €200 million bond-exchange program the company hopes will raise it enough cash to emerge from this recession intact. Bondholders, starting Monday, will be encouraged to exchange their old bonds for new ones, at an early-bird rate of €400 in new bonds per €1,000 in old bonds previously held. (After July 14, the bond exchange will net bondholders €375 per €1,000 in debt.) The exchange will only go forward if 80% of bondholders agree to it, but the company says all the preconditions are set. Its two major shareholders, the billionaire brothers Wolfgang and Michael Herz, who together own 24.9% of Escada, are on board. [WWD]
• Hartmarx has won court approval to be sold to the private equity firm Emerisque Brands. Emerisque bid $128.4 million for the bankrupt men's clothier, and pledged to retain many of the company's 4,000, mostly Chicago-based, workers. Biggest creditor Wells Fargo bank had argued that Hartmarx should be liquidated to cover its $261 million debt. [NYTimes]
• Customs and Border Patrol seized 10,900 pairs of counterfeit Nike shoes off the docks in Los Angeles. The imitation shoes had a face value of $1.8 million. [WWD]

Writer Jonathan Van Meter calls Sienna "tiny, blonde, blue-eyed," and "just about as fetching as a girl can be." Duh. That is why she is on the cover. Models rarely get covers; actresses do. Are there better-known actresses? Are there better actresses? Yes, yes. Sienna has never been nominated for a Golden Globe or an Oscar — unlike, say, Viola Davis or Taraji P. Henson. But for Vogue, the more model-esque (white! conventionally pretty! hopefully blonde!) the actress, the better. (Paging Vogue fave Kate Bosworth!) And we all know that Vogue's Anna Wintour loves skinny women, especially Brits: Why else do you think Keira Knightley's had a cover every year since 2005? Being blonde, thin and British, Sienna is exactly the kind of woman Vogue thinks its readers care about... No matter that GI Joe is not exactly a Vogue-friendly project.

No, wait! She's not on the cover because she's thin! It's because she is admirable. Writes Van Meter:

Miller is nothing if not brave. After all, she has long been battling the perception that she is, variously, a superficial party girl, a quirky fashion plate, an almost famous indie regular with no box-office clout, Jude Law's ex-girlfriend, or all of the above. "We have to be honest about it," says Miller of her reputation. "It's pretty bad. On the whole, you know, I've made some bad choices and done some stupid things." In other words: It is high time for a bold move. Or two.

Playing the Baroness, a cartoony villain in an action film, might seem at first like an ill-conceived strategy for a makeover. Guns and black leather? Rilly? But on closer inspection, it starts to look very clever indeed. G.I. Joe: The Rise of Cobra is based not on the G.I. Joe action figure of the sixties but on the wildly popular eighties Marvel Comics book series and television cartoon.

Sorry, what? Being in GI Joe is clever? Okay…

But what about the fact that she was engaged to Jude Law, who cheated on her with the nanny, and then hooked up with Balthazar Getty, who was married at the time? Sienna says:

"I've actually never been taken on a date in my whole life. I have never had a one-night stand. I'm a real relationship person-contrary to public perception. I'm either in one or I'm not. I get kind of emotionally involved very quickly, and I'm not going to spend time with someone unless I love them. But it's not hard for me to fall in love."

Right. Out of your control. Sure. Well, in any case, Anna Wintour allegedly bitched about Sienna's September 2007 cover, calling the actress "toothy" and complaining that Sienna needed a haircut. So maybe this is Vogue's (and Anna's) way of saying "Sorry."

For these keeping track at home, here's Sienna's first Vogue cover:



And here's the Photoshop of Horrors headswappy "toothy" September 2007 cover:

What do you think they'll come up with next year?

Seriously Sienna [Vogue.com]
Earlier: Vogue's Anna Wintour: High School Dropout & Fat-Shamer
Will The Vogue Documentary Make Sienna Miller Cry?

Okay, okay, we know that Beyoncé has owned the leotard since her "Single Ladies" video. And we are aware that these are world tour costumes and not the inspiration from which you derive your next job interview outfit. But this piece has left us speechless (Fig. 1). Uh, are those lights safe around her uterus? Even after putting Beyoncé's colorful clothes aside, there are still some scary items lurking in this month's pages like the $205 sneaker heels you thought died long ago (Fig. 2) or the ink-blot test tank top and subliminal skull camo pants combo that will totally screw with your mind (Fig. 3), or the suggested Photoshop of Horrors on Beyonce's hand on a different version of the cover. (Fig. 4). But, don't be discouraged, there are far less frightening things in this issue, as seen in the rewritten cover lines below.

Fig. 1


Fig. 2


Fig. 3

V made the impossible possible by picking random crops of pictures from the Mario Testino editorial inside to use as the cover shots. After the figures were very approximately shorn of their actual backgrounds.

Which rather explains how Daria looks like she was traced with an x-acto and stuck on that lurid backdrop with paste. Is this a conceptual gesture? About how people cut pictures out of magazines and pin them on their walls? A nod to Henry Darger and collage? Is this intentional? Or just terrible, terrible Photoshop?

Naomi's cover, to my eye, is actually the best — her baseline level of camp seems just about right for the proceedings.

Kate on the other hand, looks awkward.

Look, I liked this picture much better when it was on the cover of Purple Fashion two months ago.

Half of these poses — Daria's, Naomi's — are poking fun at the cheesecake factor inherent in most swimsuit spreads. And the rest — Claudia's, Kate's — are high-fashion awkward. So what were the criteria for culling the cover shots from the editorial?

Eva Herzigova: channeling Lindsay Lohan channeling Marilyn Monroe.

Seriously, V: what happened? The issue is out next Wednesday, May 6th. I can't say I'm exactly waiting with bated breath.

Fierce Kate Moss Leads Revival Of The Supermodels As They Stalk Back Into The Spotlight [Daily Mail]
Viva Gisele [IMG Blog]

9:31pm (Subject Header: "Regarding Faith Hill"):

Dear Jezebel- I guess the name fits! Why don't you people get a LIFE and leave good honest artists Alone! It gets me so mad when I see people like you and your Team try to mess up other people lives. Fait is a down to earth, Superstar artist, performer, wife and Mom. Thank You

9:35pm (Subject Header: "Faith Hill")

Hello, As a fan of Faith Hill- why don't you and your Team get a life and stop trying to mess up Good Artists lives. Faith is a down to earth Superstar, performer, wife and mom. We fans see her without make-up and she has a inner and outer beauty- you guys will never see!! Thank You

Love the random capitalizations. But at least she's somewhat polite!

Earlier: Here's Our Winner! 'Redbook' Shatters Our 'Faith' In Well, Not Publishing, But Maybe God