The Wolves of Willoughby Chase: Life’s A Bitch, And So Is The Governess

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wizened look at the children's and YA books we loved in our youth. This week, novelist/drunken folk art collector Laura Lippman reads 'The Wolves of Willoughby Chase', Joan Aiken’s 1962 novel in which two cousins pretty much kick ass all across England, with a little help from loyal retainers and some very brave geese.

After tea . . . the children were set to mending. The meal had consisted of bread, dry this time, and a cup of water. Sylvia had contrived to save a half of her morsel of bread for Bonnie, and she pushed it into Bonnie’s hand later, as they sat working in the biggest classroom, huddled together for warmth. This was the only time of the day they were allowed to talk to each other a little.

Stranger With My Face: Stop Projecting

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wizened look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick reads 'Stranger With My Face', Lois Duncan's 1981 novel in which Laurie Stratton gets every girl's wish: to be adopted, and to have a secret twin sister.

My name is Laurie Stratton. I am seventeen years old, and I live at the Cliff House on the northern tip of Brighton Island.

Happy Endings Are All Alike: The Price Of Fault

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wizened look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick reads 'Happy Endings Are All Alike', the 1978 Sandra Scoppettone novel about two young lesbians who want to be together in the worst way.

Sometime around the invention of email, slowly drifting into cubicle death, I sent the following email to a high school friend I hadn't spoken to in years:

Hils, What's the name of the book where there are two lesbians and the girl gets raped under a tree? Not My Sweet Audrina. There are two girls on the cover. How are you?
Lizzie

The Pigman: A Day No Friends Would Die

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wizened look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick reads Paul Zindel's 1969 novel 'The Pigman', in which two teens, John and Lorraine, discover that life is no day at the zoo.

Now, I don't like school, which is what you might say is one of the factors that got us involved with this old guy we nicknamed the Pigman. Actually, I hate school, but then most of the time I hate everything.

Julie of the Wolves: The Call of the Wild

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wizened look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick reads Jean Craighead George's 'Julie Of The Wolves,' which won a Newberry Medal in 1973.

I made an embarrassing discovery upon settling in for this week's reread: I had never, in fact, read Julie of the Wolves. (I'm not a complete fantasist—I do own a battered copy on which I or, far more likely, somebody else, drew large, looping lines with a pen.) I'm not totally surprised I thought I had, though. There's the whole "Noun of the Noun" issue (Summer of the Swans, Anne of Green Gables, Summer of My German Soldier) — but also just the preponderance of child-alone-with-animal(s) cover treatments (Sounder, A Day No Pigs Would Die, Zia, Island of the Blue Dolphins, Where the Red Fern Grows, The Phantom Tollbooth, even Clan of the Cave Bear, which counts since I READ it as a child). Obviously, if I girl is striding around the landscape wearing Mukluks surrounded by creatures with fur that drool, I must have been in on it.

Deenie: Brace Yourself

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wizened look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick rereads 'Deenie', the 1973 story of a girl whose newly set back proves only a minor setback.

My mother named me Deenie because right before I was born she saw a movie about a beautiful girl named Wilmadeene, who everybody called Deenie for short. Ma says the first time she held me she knew right away I would turn out the same way—beautiful, that is.

Oh, how I wanted to look like the girl on this cover. She might be the only cover girl I ever wanted to look like, actually. (Those legs! That skirt! That SWEATER!) But kudos to the cover artist for catching that Deenie Fenner is that rare kind of beauty, appreciated both by her high-school-age peers and by modeling agencies in NY—and one of the few female characters to whom the reader might relate to exactly as the other characters do: with admiration, jealousy, and an involuntary sense of possession.

A Wrinkle In Time: Quit Tesseracting Up

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wizened look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick rereads 'A Wrinkle In Time', Madeleine L'Engle's 1962 novel of Meg Murry, who is too young to have wrinkles.

It was a dark and stormy night.

If I had my way, none of us would have to read this review at all. Instead, we'd join hands, hear a great dark thunderclap, and be whisked off to a rambling house in the country, where we'd view odd things bubbling in a lab with a stone floor, then eat limburger-and-cream-cheese sandwiches while swinging our legs at the kitchen table. We'd sidestep for a moment onto a planet inhabited by gentle gray creatures with dents for eyes, then be inserted into some mitochondria. We battle for the soul of Madoc /Maddox, and eat small crayfish with our lesbian kind-of aunt who insisted on calling us our full name (Polyhymnia). We'd hop on a freighter and solve a mystery, then go to boarding school in Switzerland. We would make a brief detour on the Upper West Side by way of Portugal, and be concerned with cell regeneration in starfish. We'd be smacked on the ass by a dolphin. Most important, whatever happened, we'd know we could get through it—because we are creatures that can love.

Love Is One Of The Choices: No, Not That 'Sex And The City'

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wrinkled look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick rereads 'Love is One of the Choices', Norma Klein's 1978 novel of close encounters of the first kind.

It's a good week to talk about Love, because it's all about Love, apparently! But if I can point my finger accusingly and just say something to you, Michael Patrick King: long before your days of funky-tasting spunk, there was a New York where women and girls stalked the pavement talking ceaselessly of sex and relationships, chewing over their minutiae with little attention to anything else, set against a sea of Manhattan sophisticates, men totally did too, and they did it without drinking any Cosmopolitans whatsoever! And oh yeah, I curse the day you were born.

The Girl With The Silver Eyes: Little Pitchers Have Big Pharma

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wrinkled look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick rereads 'The Girl With The Silver Eyes', Willo Davis Roberts' 1980 book about a girl in search of silver-eyed bookworms.

One of the most anxiety-provoking aspects of Fine Lines is the pre-post search for what I can only define as the "right" cover — meaning the one on the book when I read it. (This obsession ranks only slightly below the plot and is hastily abutted by the font. Why does everything have to get re-flowed into Bembo? What's wrong with Caslon?) Now, since as of last week, I've fetched my vast, antique collection of YA works out of storage (did I worry they'd die in a fire? Do you have to ask?) I am happy to say that certain key covers are again WITHIN MY GRASP and will be PROVIDED TO YOU IN DUE TIME.

Starring Sally J. Freedman As Herself: Springtime for Hitler, Part II

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wrinkled look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick rereads 'Starring Sally J. Freedman As Herself', Judy Blume's 1977 story of Sally Freedman, who, following WWII, spends a year in Miami and triumphs over Hitler and Man O' Wars.

"Such big eyes!" Ma Fanny said, laughing. "You still have half a sandwich left."

Summer of My German Soldier: Springtime for Hitler (Part I)

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wrinkled look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick rereads 'Summer of My German Soldier', Bette Greene's 1973 book about Patty Bergen, who fears her father more than an escaped Nazi.

What can we say about a Jewish dad who beats the hell out of his daughter? It is not, to say the least, the common literary conception of "Jewish Dad" found in most old-school YA, where, when Tate is in evidence at all, he is generally a hardworking sort stamping down rags and letting his children choose books from his store, or a kindly dentist dubbed "Dodo bird" by his adoring daughter. (Do your reading for next week, ladies!) In fact, excepting stepfathers, genuinely beastly fathers are rare in YA: while they run the gamut from switching their daughters to make a point (oh, Pa!) to calling them fat and useless, I can't think of any other instance where one whips off his belt to beat his daughter by the side of the road...before he even knows she's sheltering a Nazi.

From The Mixed-Up Files Of Mrs. Basil E. Frankweiler: City of Angels

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wrinkled look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick rereads 'From The Mixed-Up Files of Mrs. Basil E. Frankweiler', E.L. Konigsburg's 1967 novel about extremely unaccompanied minors run amok at the Metropolitan Museum of Art.

I miss New York. Not the New York somewhere over to my left. A New York before The Squid & The Whale brought divorce to the Museum of Natural History. A New York before nannies got groped; a New York before private-school girls intertwangled lustily on beds in some benighted plan to rule the school. It was a New York that had room for a notepad-toting minor to spy unaccompanied on people through dumbwaiters; a boy to wander Chinatown having adventures with a cricket; teenagers to contend with a genie in a mystery at the Cathedral of St. John the Divine. Not a world where children playact adult dramas, or unhappily contend with the chaos adults leave in their wake. It's a New York that keeps adults perpetually at shoulder-level, briefcases and purses jostling, while the children, front-and-center in the frame, get up to whatever children get up to.

A Gift of Magic: Totally Psyched

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wrinkled look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick rereads 'A Gift Of Magic, Lois Duncan's 1971 story of 11-year-old Nancy Barrett, whose grandmother bequeaths her a totally ESPecial legacy.

If every author has their red-headed stepchild of a book (John Updike: The Witches of Eastwick: WTF?), every author also has the book that, whether it's a reader favorite or not, seems the purest expression of their very authorial being.

The Secret Garden: Still No Idea What a Missel Thrush Is

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wrinkled look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick rereads 'The Secret Garden', Frances Hodgson Burnett's 1909 novel about an orphan who gardens her way to a good character.

Somewhere along the line, along with straw prams and caning rods, having a child character not even the narrator can stand went out of business. (Off the top of my head, I can only think of Ingalls Wilder's condemnation of Nellie, and you know she was just writing the God's honest truth.) But in the case of Mary Lennox, daughter of Colonial India, Frances Hodgson Burnett does not stint:

She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow, and her face was yellow, because she had been born in India and had always been ill in one way or another.

The Chocolate War: Life's Tough, Kid

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wrinkled look at the children's and YA books we loved in our youth. This week, New York Observer reporter, blogger and Postcards From Yo Momma co-creator Doree Shafrir rereads 'The Chocolate War,' Robert Cormier's 1974 novel about a 14-year-old boy who stands up to the bullies at his high school.

To All My Fans, With Love, From Sylvie: No Telephone To Child Services

Welcome to 'Fine Lines', the Friday feature in which we give a sentimental, sometimes-critical, far more wrinkled look at the children's and YA books we loved in our youth. This week, writer / reviewer / blogger Lizzie Skurnick rereads 'To All My Fans, With Love, From Sylvie', the 1982 story of Sylvie Krail, who hits the road for Hollywood with a hatbox and a dream.