Click to viewTwo minutes into the short documentary film The Colour Of Beauty, a modeling agent says: "When [a model] comes in with big eyes, big nose, big lips… Things that are common traits in African-Americans — it doesn't work."
The man, Justin Peery, continues: "But for those lucky few girls who have white girl features…" and trails off. It's clear that those are the women who get booked. "It's kind of messed up, but that's the way the industry is," he says.
Peery represents the gorgeous Renée Thompson, a model who is originally from Jamaica but moved to New York from Toronto, and has been modeling for 10 years. At the ripe old age of 24, she is at a make-or-break moment in her career, and nearing an age when many models are forced into retirement. The film focuses on Renée, and her dream — to "kill" at fashion week.
Six minutes in, Maurilio Carnino, a fashion week casting director and producer, says: "Black models… they tend to [have] a little bit wider hips… And a little more round… Sometimes, even though the face is amazing, they tend to have a fit problem. " He explains that white models have the "more skinny" look that the designers want. And: "One time one of my clients said, 'I need a black model, but she has to be like a white girl dipped in chocolate.'" This is how people are talking about young women they want to hire for a job.
In general, though the subject here is clearly racism, the film — and the people in it — dance around the word racism. Jeanne Beker of FashionTelevision says, "Racism — I hate to call it that." What else do you call a person being discriminated against for their looks and ethnicity? Beker admits: "Sometimes you do see a black girl on the runway and it's sort of a tokenism."
As for Renée, she says:
"It does get very discouraging, It gets to a point where you feel like you're constantly justifying your worth… You can only take so much beating up every day and constant rejection — or that fear, that when you walk through that casting door, you're going to be reminded, yet again, that you're a black girl. [But] quitting to me seems like you're giving in…"
Renée, who has been told by potential clients that "black women are not our demographic," believes that the industry leans on — nay, expects — white models in major fashion campaigns (Gucci, Chanel, Valentino, et al). "It's a crutch," she says. The film points out that according to a 2008 survey, 87% of New York Fashion week models were white. (Where ever did they get that info?)